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Maryann Corbett’s Street View is a panorama of views: suburban and urban avenues, shown in leaf and in snow; alleyways where misfits lurk in darkness, but also where “Adonis, charioteer of municipal waste collection, rides with the morning”; and boulevards of old buildings whose elegance remains undeniable, even when “prinked in the clown suit of commerce.” Street View also navigates the resiliency and failings of the human body, and the memories of family and pivotal acquaintances that shape viewpoints for good or ill. This is the work of a seasoned poet in command of her craft, and deservedly, a finalist for the 2016 Able Muse Book Award.

PRAISE FOR STREET VIEW:

Assaulted, as we all are, by relentless, restless noise-throbbing subwoofers, urban construction, cynical marketing and violent news, even our own banal chitchat-Maryann Corbett “strafe[s] back with the whole Roget/ and gun[s her] engine to its own rough strife. . . .” Though her weapons, her engines, are stillness, insight, and rhythm, there is indeed a sense in which the poems in Street View wallop their subjects with language. The exquisite, seemingly effortless grace of these poems with their penetrating music and humor deserve a commendation like that the poet gives Veronese: “This is the catechesis/ we need now, for the kind of sight we work with/ here, where the world kabooms.”
-George David Clark

Given her gift with detail, Maryann Corbett is the perfect person to offer a view, but an even more perfect person to offer a “street view,” the title of her new collection. While Corbett has made a career of being precise, she can be whimsical as well, right down to the “Northrop Mall . . . as fixed and formal as an English sonnet.” Yet perhaps her greatest strength is that she is not afraid to be the quiet steady gaze that takes in everything: all the things most people would miss.
-Kim Bridgford

Maryann Corbett takes the ode less traveled (not to mention the terzanelle less tried and the dactylic hexameter almost unheard of) to oddly familiar destinations: the West Side Y in New York City, Grand Avenue in St. Paul, the dentist’s clinic. She is a rhapsodist of times past and places lost or endangered, but she also lives very much in the present. She examines experiences with shrewdness and fascination, crafting them into poems that are breathtaking in their intelligence and brio.
-Susan McLean

In Maryann Corbett’s new book, we are given a Street View on the world, from Minneapolis to Jerusalem. These streets are populated with a variety of town characters, from the vagrant to the dangerous academic “Weirdo” with his void-sucked soul who makes one think of mass killings. Suffice it to say that the street view might be uglier than the view onto the mountains or the ocean, but in that ugliness can be found a clearer view on the truth of how we live today.
-Tony Barnstone


“A debut poetry collection showcasing both a fierce and tender new voice.”—Booklist
“Elegant and playful . . . The poet invents new forms and updates classic ones.”—Elle
“[Fatimah] Asghar interrogates divisions along lines of nationality, age, and gender, illuminating the forces by which identity is fixed or flexible.”—The New Yorker

NAMED ONE OF THE TOP TEN BOOKS OF THE YEAR BY THE NEW YORK PUBLIC LIBRARY • FINALIST FOR THE LAMBDA LITERARY AWARD

an aunt teaches me how to tell
an edible flower
from a poisonous one.
just in case, I hear her say, just in case.

From a co-creator of the Emmy-nominated web series Brown Girls comes an imaginative, soulful debut poetry that collection captures the experiences of being a young Pakistani Muslim woman in contemporary America. Orphaned as a child, Fatimah Asghar grapples with coming of age and navigating questions of sexuality and race without the guidance of a mother or father. These poems at once bear anguish, joy, vulnerability, and compassion, while also exploring the many facets of violence: how it persists within us, how it is inherited across generations, and how it manifests itself in our relationships. In experimental forms and language both lyrical and raw, Asghar seamlessly braids together marginalized people’s histories with her own understanding of identity, place, and belonging.

Praise for If They Come for Us

“In forms both traditional . . . and unorthodox . . . Asghar interrogates divisions along lines of nationality, age, and gender, illuminating the forces by which identity is fixed or flexible. Most vivid and revelatory are pieces such as ‘Boy,’ whose perspicacious turns and irreverent idiom conjure the rich, jagged textures of a childhood shadowed by loss.”—The New Yorker

“[Asghar’s] debut poetry collection cemented her status as one of the city’s greatest present-day poets. . . . A stunning work of art that tackles place, race, sexuality and violence. These poems—both personal and historical, both celebratory and aggrieved—are unquestionably powerful in a way that would doubtless make both Gwendolyn Brooks and Harriet Monroe proud.”—Chicago Review of Books

 “Taut lines, vivid language, and searing images range cover to cover. . . . Inventive, sad, gripping, and beautiful.”—Library Journal (starred review)
Romeo and Juliet, A Midsummer Night’s Dream, King Lear, Hamlet, and Macbeth — the works of William Shakespeare still resonate in our imaginations four centuries after they were written. The timeless characters and themes of the Bard’s plays fascinate us with their joys, struggles, and triumphs, and now they are available in a single volume for Shakespeare fans. This edition of William Shakespeare's works includes all of his poems and plays in an elegant manner which makes it the perfect gift for any lover of literature — a book to read and treasure! Whether for a Shakespeare devotee or someone just discovering him, this is the perfect place to experience the drama of Shakespeare's words. It is one of the most authoritative editions of Shakespeare's Complete Works.

This ebook contains Shakespeare's complete plays and complete poems in a new, easy-to-read and easy-to-navigate format. This is the most reader-friendly introduction to Shakespeare available today. 'The Complete Works of William Shakespeare' collects all thirty-seven of the immortal Bard's comedies, tragedies, and historical plays in a Collectible Edition. This volume also features Shakespeare's complete poetry, including the sonnets. With this beautiful Collectible Edition, you can enjoy Shakespeare's enduring literary legacy again and again.

This collection features the following works:
THE PLAYS
A Midsummer Night’s Dream
All’s Well that Ends Well
Antony and Cleopatra
As You Like It
The Comedy of Errors
Coriolanus
Cymbeline
Hamlet, Prince of Denmark
Julius Caesar
King Henry the Eighth
King Henry the Fifth
King Henry the Fourth, the First Part
King Henry the Fourth, the Second Part
King Henry the Sixth, the First Part
King Henry the Sixth, the Second Part
King Henry the Sixth, the Third Part
King John
King Lear
King Richard the Second
King Richard the Third
Love’s Labour’s Lost
Macbeth
Measure for Measure
The Merchant of Venice
The Merry Wives of Windsor
Much Ado About Nothing
Othello, the Moor of Venice
Pericles, Prince of Tyre
Romeo and Juliet
The Taming of the Shrew
The Tempest
Timon of Athens
Titus Andronicus
Troilus and Cressida
Twelfth Night; or, What You Will
The Two Gentlemen of Verona
The Winter’s Tale

SONNETS AND POEMS
The Sonnets
A Lover’s Complaint
The Passionate Pilgrim
The Phoenix and the Turtle
The Rape of Lucrece
Venus and Adonis


(The Complete Works of William Shakespeare by William Shakespeare, 9789380914831)
Longlisted for the 2016 OCM Bocas Prize for Poetry

"The Caribbean policeman is a character both foreign and familiar at the center of this intimate debut poetry collection. Combining Jamaican patois and American English, it tells the story of violence, loss, and recovery in the wake of colonialism."
--O, the Oprah Magazine

One of LargeUp's Ten Great Books by Caribbean Authors in 2015

"Jamaican-born Channer draws on the rich cultural heritage of the Caribbean and his own unique experience for this energetic, linguistically inventive first collection of poetry....Channer's lyrics pop and reel in sheer musicality....A dextrous, ambitious collection that delivers enough acoustic acrobatics to keep readers transfixed 'till the starlings sing out.'"
--Booklist

"Channer...skillfully examines the brutality that permeates Jamaica's history in this moving debut poetry collection....Channer's poems rise to present the reader with a panoramic view of a place 'built on old foundations of violence,' of 'geographies where genocide and massacre/hang like smoke from coal fires.'"
--Publishers Weekly

"[Channer's] technique and foresight bring the underlying story of the collection, and the history he expounds, into full daylight and the collection succeeds in revealing a life and history as an essay might, but with the beauty of lyric added to narrative in an exercise that is cohesive in its ability to maintain its trajectory. It is a notable accomplishment."
--New York Journal of Books

"Jamaica's Colin Channer has been mixing patois in his romantic tales since his 1998 debut novel, Waiting In Vain. In 2015, he blessed us with Providential (Akashic), a poetry collection that touches on the full range of Jamaican languages and dreams."
--LargeUp

"Fear stalks everyone, police and pursued, and Channer’s poems arrest us to that truth in syncopated, shocking fevers."
--Caribbean Beat Magazine

"[Channer's] strongest offering yet....Providential perfectly clothes the written word with matching tone and atmosphere. Welcome to the hallowed halls of Fine Poetry!"
--Kaieteur News (Guyana)

"Channer has written a fine set of poems that, like classical myth, start with the search for the lost father and end with the found son, the poet in the process replacing the lost father with a found self."
--Russell Banks, author of The Sweet Hereafter

"The voices and irrepressible human dance of the clan pulsing at this book's center leave me breathless and I realize how close the voices are to my own, how much I crave this dance."
--Patricia Smith, author of Shoulda Been Jimi Savannah

Channer's debut poetry collection achieves an intimate and lyric meditation on family, policing, loss, and violence, but the work is enlivened by humor, tenderness, and the rich possibilities that come from honest reflection. Combined with a capacity to offer physical landscapes with painterly sensitivity and care, a graceful mining of the nuances of Jamaican patwa and American English, and a judicious use of metaphor and similie, Providential is a work of "heartical" insight and vulnerability.

Not since Claude McKay's Constab Ballads of 1912 has a writer attempted to tackle the unlikely literary figure of the Jamaican policeman. Now, over a century later, Channer draws on his own knowledge of Jamaican culture, on his complex relationship with his father (a Jamaican policeman), and frames these poems within the constantly humane principles of Rasta and reggae. The poems within Providential manage to turn the intricate relationships between a man and his father, a man and his mother, and man and his country, and a man and his children into something akin to grace.
Yes, the gods are on the park bench, the gods are on the bus, / The gods are all here, the gods are in us. / The gods are timeless, fearless, fighting to be bold, / conviction is a heavy hand to hold, / grip it, winged sandals tearing up the pavement -- / you, me, everyone: Brand New Ancients.

Kate Tempest's words in Brand New Ancients are written to be read aloud; the book combines poem, rap, and humanist sermon, by turns tender and fierce. Set in Southeast London, Brand New Ancients finds the mythic in the mundane. It is the story of two half-brothers, Thomas and Clive, unknown to each other -- Thomas the result of an affair between his mother and Clive's father. Tempest, with wide-ranging empathy, takes us inside the passionless marriage of Jane and Kevin -- the man who suspects Thomas is not his son, but loves him just the same -- and the neighboring home of Mary and Brian, where betrayal has not been so placidly accepted. The sons of these two households -- quiet, creative Thomas and angry, destructive Clive -- will cross paths in adolescence, their fates converging with mortal fury.

These characters' loves, their infidelities, their disappointments and their small comforts -- these, Tempest argues, are timeless. Our lives and our choices are no less important than those of history and myth. Awarded the Ted Hughes Award for New Work in Poetry, Brand New Ancients insists on our importance as individuals -- and asserts Kate Tempest's importance as a talent impossible to ignore.
A moving collection of poems that celebrate the land, family, and community by one of America’s most acclaimed and beloved writers.
 
For five decades Wendell Berry has been a poet of great clarity and purpose. He is an award-winning writer whose imagination is grounded by the pastures of his chosen place and the rooms and porches of his family’s home. In Given, the work is as rich and varied as ever before. With his unmistakable voice as the constant, he dexterously maneuvers through a variety of forms and themes—political cautions, love poems, a play in verse, and a long series of Sabbath Poems that resulted from Berry’s recent Sunday morning walks of meditation and observation.
 
Berry’s work is one of devotion to family and community, to the earth and her creatures, to the memories of the past, and the hope of the future. His writing stands alongside the work of William Carlos Williams and Robert Frost as a rigorous American testament.
 
“Mr. Berry is a sophisticated, philosophical poet in the line descending from Emerson and Thoreau.” —The Baltimore Sun
 
[Berry’s poems] shine with the gentle wisdom of a craftsman who has thought deeply about the paradoxical strangeness and wonder of life.” —The Christian Science Monitor
 
“Wendell Berry is one of those rare individuals who speaks to us always of responsibility, of the individual cultivation of an active and aware participation in the arts of life.” —The Bloomsbury Review
 
“[Berry’s] poems, novels and essays . . . are probably the most sustained contemporary articulation of America’s agrarian, Jeffersonian ideal.” —Publishers Weekly
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