A chilly breeze...and another dead body.
Raina Sun thought cleaning her grandma's house in San Francisco to prepare for Chinese New Year would be a breeze. Instead, she finds her deceased grandfather’s secret journal and ends up French kissing the train tracks in a mugging incident.
After putting the move on her grandma, her grandfather’s BFF took an elevator ride straight to the Heavenly Gates. And the second time Raina ends up flat on her back without a man in sight, she suspects the Year of the Monkey would leave her skulking in cold damp places where family secrets are better off dying with the dead.
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For readers who like fun cozy mysteries, quirky characters, and a dash of humor.
Keywords: cozy mystery, amateur sleuth, traditional mystery, fun mystery, small town mystery, female protagonist mystery, murder mystery, cozy mysteries, interracial, female sleuth, humor, series, San Francisco, Chinese New Year, Chinese mystery
This anthology showcases the best of contemporary science fiction from Taiwan, Hong Kong, and the People’s Republic of China. In fifteen short stories and novel excerpts, The Reincarnated Giant opens a doorway into imaginary realms alongside our own world and the history of the future. Authors such as Lo Yi-chin, Dung Kai-cheung, Han Song, Chen Qiufan, and the Hugo winner Liu Cixin—some alive during the Cultural Revolution, others born in the 1980s—blur the boundaries between realism and surrealism, between politics and technology. They tell tales of intergalactic war; decoding the last message sent from an extinct human race; the use of dreams as tools to differentiate cyborgs and humans; poets’ strange afterlife inside a supercomputer; cannibalism aboard an airplane; and unchecked development that leads to uncontrollable catastrophe. At a time when the Chinese government promotes the “Chinese dream,” the dark side of the new wave shows a nightmarish unconscious. The Reincarnated Giant is an essential read for anyone interested in the future of the genre.
When the local police chief zeros in on her sister as a "person of interest," Lucy must brush up her sleuthing skills. It's a race to find her sister before the police—and the killer—do.
She must use all her wits (and those she can borrow) to find this hidden killer before he strikes at her family again.
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The Book of Swindles, compiled by an obscure writer from southern China, presents a fascinating tableau of criminal ingenuity. The flourishing economy of the late Ming period created overnight fortunes for merchants—and gave rise to a host of smooth operators, charlatans, forgers, and imposters seeking to siphon off some of the new wealth. The Book of Swindles, which was ostensibly written as a manual for self-protection in this shifting and unstable world, also offers an expert guide to the art of deception. Each story comes with commentary by the author, Zhang Yingyu, who expounds a moral lesson while also speaking as a connoisseur of the swindle. This volume, which contains annotated translations of just over half of the eighty-odd stories in Zhang's original collection, provides a wealth of detail on social life during the late Ming and offers words of warning for a world in peril.
With this long-awaited translation, English-language readers can immerse themselves in the invention and satirical wit of one of the world's great literary cosmopolitans. This collection brings together Qian's best short works, combining his iconoclastic essays on the "book of life" from Written in the Margins of Life (1941) with the four masterful short stories of Human, Beast, Ghost (1946). His essays elucidate substantive issues through deceptively simple subjects-the significance of windows versus doors, for example, or the blind spots of literary critics and assert the primacy of critical and creative independence. His stories blur the boundaries between humans, beasts, and ghosts as they struggle through life, death, and resurrection. Christopher G. Rea situates these works within China's wartime politics and Qian's literary vision, highlighting significant changes that Qian Zhongshu made to different editions of his writings and providing unprecedented insight into the author's creative process.
Fables entertain us, enlighten us, and guide us. We recognize ourselves in the characters, be they emperors, village girls, or singing frogs. They help us see our own weaknesses, strengths, and possibilities. Their lessons transcend time and culture, touching what it really means to be alive.
For example, in life we must ask questions, learn from others, and find our place in the world. On the other hand, there is real danger in worrying too much about what others think. This lesson is clear—and very humorous—in the story “A Donkey, a Father, and a Son.” We must help others and give of ourselves, but we must also guard against those who would take advantage of us, as in “The Wolf, the Scholar, and the Old Man.” We should save our money and plan for the future, but we must also resist greed, lest we end up “A Rich Man in Jail.”These lean, concise fables illustrate that balance, the duality of yin and yang, always shifting, always in correction. They help us laugh at our human predicaments—and maybe even at ourselves.
Deploying thematic categories, the editors sketch the period in a novel way for students and, by featuring many texts translated into English for the first time, recast the era for specialists. Thematic topics include regional definitions and tensions, governing mechanisms and social reality, ideas of self and other, relations with the unseen world, everyday life, and cultural concepts. Within each section, the editors and translators introduce the selected texts and provide critical commentary on their historical significance, along with suggestions for further reading and research.
Qu Yuan was as important to the development of Chinese literature as Homer was to the development of Western literature. This translation attempts to replicate what the work might have meant to those for whom it was originally intended, rather than settle for what it was made to mean by those who inherited it. It accounts for the new view of the state of Chu that recent discoveries have inspired.
This is a novella. For readers who like fun cozy mysteries, quirky characters, and a dash of humor.
Keywords: cozy mystery, amateur sleuth, traditional mystery, mystery, small town mystery, female protagonist mystery, murder mystery, cozy mysteries, interracial, female sleuth, humor, series, college, funny, female protagonist, novel, secret, suspense, cat mystery
This book has all the vocabularies in HSK 1. If you finish the book, you would have practiced your reading skill on all the vocabularies in HSK 1.
I have tried to restrict the vocabularies used in this book to HSK 1 as far as possible. Where it is not possible, I have introduced limited new words in the story. If you have learned all the HSK 1 Vocabulary and completed the Standard Course Book for HSK 1 by Jiang Liping, you would be able to read about 90% of this book without learning new words.
I consider the HSK 1 Vocabulary together with the new words introduced in Standard Course Book as Extended HSK 1 Vocabulary and I will refer to it as such from now on.
The structure of this book is as follows:
· Story – this section is the story in Simplified Chinese without pinyin and the English translation. To test level of reading skills, you should attempt to read this section first before going to the next.
· Statistics – this will provide the reader with an analysis of the words used in the story and the level of difficulty. It will set out new words along with pinyin and explanation. The new words set out here are not cumulative. New words are set out here as long as the words used are not in the Extended HSK 1 Vocabulary.
· Pinyin and Translation – this will be the section for Pinyin and English translation.
· Appendix – for the benefit of those who need assistance on the HSK 1 and Extended HSK 1 vocabularies, I have included them in this section for your reference.
The stories in this book are individual stories. A reader may choose to read this book in any particular order. To help you decide which story to read first, you may take a look at the statistics before you begin. The difficulty level for each story varies.
For the e-book version, I have also enabled text to speech function for this book. At the time of writing, Kindle text to speech does not support Chinese characters, however you may install free software available for your browser or mobile phone or tablet or Google text to speech on your android gadget. It will enable the book to read out loud, and you can listen to the pronunciation of the words.
Lastly, I am sorry to disappoint those who enjoy reading a book with pictures because this book has no picture, only words. For the rest who doesn’t like the distraction of pictures, I hope you will enjoy reading this book. If you have any feedback, please feel free to visit https://allmusing.net.
Award-winning literary scholar and poet Yunte Huang here gathers together an intimate and authoritative selection of significant works, in outstanding translations, from nearly fifty Chinese writers, that together express a search for the soul of modern China. From the 1912 overthrow of a millennia-long monarchy to the Cultural Revolution, to China’s rise as a global military and economic superpower, the Chinese literary imagination has encompassed an astonishing array of moods and styles—from sublime lyricism to witty surrealism, poignant documentary to the ironic, the transgressive, and the defiant.
Huang provides the requisite context for these revelatory works of fiction, poetry, essays, letters, and speeches in helpful headnotes, chronologies, and brief introductions to the Republican, Revolutionary, and Post-Mao Eras. From Lu Xun’s Call to Arms (1923) to Gao Xinjiang’s Nobel Prize–winning Soul Mountain (1990), this remarkable anthology features writers both known and unknown in its celebration of the versatility of writing. From belles lettres to literary propaganda, from poetic revolution to pulp fiction, The Big Red Book of Modern Chinese Literature is an eye-opening, mesmerizing, and indispensable portrait of China in the tumultuous twentieth century.
Li Zhun s A Brief Biography of Li Shuangshuang, written while the movement was underway, celebrates the Great Leap as it was supposed to be: a time of optimism, dynamism, and shared purpose. A spirited young peasant woman, freed from the restrictions of home life, launches a canteen and wins the recognition of authorities and the admiration of her husband. The story and the film that followed it made Li Shuangshuang the greatest fictional heroine of the Great Leap. In contrast, Zhang Yigong s short novel The Story of the Criminal Li Tongzhong, written two decades later, was one of the first works published in China to suggest a much darker side to the Great Leap. A village official leads a raid on a state granary to feed starving peasants; he is later arrested and dies a criminal. Although Zhang stopped short of portraying the horrors of famine, his tone of moral outrage provides a rejoinder to the triumphalism of Li Shuangshuang.
The stories are accompanied by an introduction to the Great Leap and portraits of the two writers, including their recollections of that traumatic time and the creation of their very different heroes."