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Winner of the 1999 Pulitzer Prize for Drama, the New York Drama Critics Circle Award, the Drama Desk Award, the Outer Critics Circle Award, the Lucille Lortel Award, and the Oppenheimer Award

Margaret Edson's powerfully imagined Pulitzer Prize–winning play examines what makes life worth living through her exploration of one of existence's unifying experiences—mortality—while she also probes the vital importance of human relationships. What we as her audience take away from this remarkable drama is a keener sense that, while death is real and unavoidable, our lives are ours to cherish or throw away—a lesson that can be both uplifting and redemptive. As the playwright herself puts it, "The play is not about doctors or even about cancer. It's about kindness, but it shows arrogance. It's about compassion, but it shows insensitivity."

In Wit, Edson delves into timeless questions with no final answers: How should we live our lives knowing that we will die? Is the way we live our lives and interact with others more important than what we achieve materially, professionally, or intellectually? How does language figure into our lives? Can science and art help us conquer death, or our fear of it? What will seem most important to each of us about life as that life comes to an end?

The immediacy of the presentation, and the clarity and elegance of Edson's writing, make this sophisticated, multilayered play accessible to almost any interested reader.

As the play begins, Vivian Bearing, a renowned professor of English who has
spent years studying and teaching the intricate, difficult Holy Sonnets of the
seventeenth-century poet John Donne, is diagnosed with advanced ovarian cancer. Confident of her ability to stay in control of events, she brings to her illness the same intensely rational and painstakingly methodical approach that has guided her stellar academic career. But as her disease and its excruciatingly painful treatment inexorably progress, she begins to question the single-minded values and standards that have always directed her, finally coming to understand the aspects of life that make it truly worth living.

“Lynn Nottage’s work explores depths of humanness, the overlapping complexities of race, gender, culture and history—and the startling simplicity of desire—with a clear tenderness, with humor, with compassion.” —Paula Vogel, Pulitzer Prize-winning playwright

Intimate Apparel: “Thoughtful, affecting new play . . . with seamless elegance.”—Charles Isherwood, Variety

Fabulation: “Robustly entertaining comedy . . . with punchy social insights and the firecracker snap of unexpected humor.”—Ben Brantley, The New York Times

With her two latest plays, “exceptionally gifted playwright” (New York Observer) Lynn Nottage has created companion pieces that span 100 years in the lives of African American women. Intimate Apparel is about the empowerment of Esther, a proud and shy seamstress in 1905 New York who creates exquisite lingerie for both Fifth Avenue boudoirs and Tenderloin bordellos. In Fabulation Nottage re-imagines Esther as Undine, the PR-diva of today, who spirals down from her swanky Manhattan office to her roots back in Brooklyn. Through opposite journeys, Esther and Undine achieve the same satisfying end, one of self-discovery.

Lynn Nottage’s plays include Crumbs from the Table of Joy; Mud, River, Stone; Por’ Knockers; Las Menias; Fabulation and Intimate Apparel, for which she was awarded the Francesca Primus Prize and the American Theatre Critics/Steinberg New Play Award in 2004. Her plays have been produced at theatres throughout the country, with Intimate Apparel slated for 16 productions during the 2005–2006 season.

A landmark in women’s empowerment—as relevant as ever in the age of #MeToo—that honors female sexuality in all its complexity
 
It’s been more than twenty years since Eve Ensler’s international sensation The Vagina Monologues gave birth to V-Day, the radical, global grassroots movement to end violence against women and girls. This special edition features six never-before-published monologues, a new foreword by National Book Award winner Jacqueline Woodson, a new introduction by the author, and a new afterword by One Billion Rising director Monique Wilson on the stage phenomenon’s global impact. Witty and irreverent, compassionate and wise, this award-winning masterpiece gives voice to real women’s deepest fantasies, fears, anger, and pleasure, and calls for a world where all women are safe, equal, free, and alive in their bodies.

Praise for The Vagina Monologues
 
“Probably the most important piece of political theater of the last decade.”—The New York Times

“This play changed the world. Seeing it changed my soul. Performing in it changed my life. I am forever indebted to Eve Ensler and the transformative legacy of this play.”—Kerry Washington 

“Spellbinding, funny, and almost unbearably moving . . . both a work of art and an incisive piece of cultural history, a poem and a polemic, a performance and a balm and a benediction.”—Variety
 
“Often wrenching, frequently riotous. . . . Ensler is an impassioned wit.”—Los Angeles Times
 
“Extraordinary . . . a compelling rhapsody of the female essence.”—Chicago Tribune
Bring your cosplay dreams to life with your own two hands!

The Best Cosplay Tutorial Guide Ever!

Get ready to impress ordinary mortals with your superhuman costume-making skills. You can do it no matter what your experience level with this, the first full step-by-step technique book on cosplay--with no sewing! Internationally known cosplayer Kamui Cosplay (a.k.a. Svetlana Quindt) shows you how to easily create elaborate costumes and successful props out of items available at your local arts and craft or hardware stores: turn foam into a realistic axe, create a breastplate from scratch and use a glue gun to modify just about anything. You will even learn the best and most accessible techniques for working with specialty cosplay materials such as Worbla!

Packed with more than 30 step-by-step demonstrations that teach the skills you need to bring all your favorite characters to life no matter the genre, Kamui Cosplay deconstructs the work that goes into making a complete costume, from the first thought to the final photo. Tutorials cover design planning, fabricating body armor, 3D painting techniques and more. Best of all, you can adapt every lesson to use in all future fandom projects spanning video games, books, anime, movies and even your own original characters!

Includes:

   • How to choose a costume and find good reference art
   • A short shopping list of necessary materials and tools for beginning cosplayers
   • Basic safety tips
   • A beautiful photo gallery featuring inspiring images from other cosplayers  
   • Next steps--how to grow your workshop, take professional photos, participate in contests and join the cosplay community
Two devastating short novels adapted for the stage by Steinbeck himself

A Penguin Classic

This Penguin Classics edition celebrates Steinbeck’s dramatic adaptations of his most powerful short novels, Of Mice and Men and The Moon Is Down, featuring a foreword by award-winning actor James Earl Jones.

Of Mice and Men represents an experiment in form – as Steinbeck put it, “a kind of playable novel, written in novel form but so scened and set that it can be played as it stands.” A rarity in American letters, it achieved remarkable success as a novel, a Broadway play, and three acclaimed films. Of Mice and Men received the New York Drama Critics’ Circle Award for Best Play in 1937-1938. A number of acclaimed actors have interpreted the iconic roles of George and Lennie for stage and screen, including James Earl Jones, John Malkovich and Gary Sinise.

The Moon Is Down uncovers profound, often unsettling truths about war and human nature. It tells the story of a peaceable town taken by enemy troops, and had an extraordinary impact as Allied propaganda in Nazi-occupied Europe.

This Penguin Classics edition of the theatrical adaptations of Steinbeck’s two classic short novels is essential to actors, playwrights, filmmakers and directors studying the dramatic work of the Nobel Prize winning author of The Grapes of Wrath and East of Eden.

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
 He kidnapped me—so why do I feel alive for the first time in my life?

Holly

I’ve spent my entire life avoiding trouble, unlike my brother Butcher. But when Cason O’Connor kidnaps me, I’m shocked that I’m now being used as a pawn for my brother’s crimes. I should hate my captor, but I don’t. I hunger for his touch, I crave his intensity, I feel alive for the first time in my life. Will he be willing to abandon his plot for revenge or will I be nothing but payback?

Cason

The plan is simple—kidnap Holly Brannon, baby sister of the man who shot mine. Revenge should be sweet. I’ll torture the only person he loves. Instead, I’m the one being tortured by this fiery redhead with incredible curves. I’m obsessed with her. Now I must choose between making Butcher pay for his crimes and my desire to possess Holly, no matter the consequence. She was my victim—now she’s my woman. And I’ll never let her go.


Warning: This is a bad boy romance with dark themes. It is over-the-top sexy with all the dirty sweetness you’ve come to expect from an Alexx Andria read.


Keywords: books-by, romance-by, bad boy, college, new adult, explicit, vengeance, dark romance, captive, forced seduction, strong alpha hero, anti-hero, happily-ever-after, red-hot-read, good girl, opposites attract, enemies-to-lovers, revenge, first time lover, strong female lead, romantic suspense, thriller, contemporary romance, series, mystery,, modern romance, urban romance, USA today, USA today bestseller, smart romance, hot romance, alexx andria, alexx andria romance, sexy, family, love, love books, kissing books, emotional journey, sassy, strong heroine, captivating romance, alpha hero, romantic suspense, action, new adult, college

“Passionate. Show-stopping. Daringly over-the-top and impressively consistent in its delirious excess. The Clean House shines.”—New Haven Advocate

“The Clean House is not, by any means, a traditional boy-meets-girl story. In fact disease, death, and dirt are among the subjects it addresses. This comedy is romantic, deeply so, but in the more arcane sense of the word: visionary, tinged with fantasy, extravagant in feeling, maybe a little nuts.”—The New York Times

“Touching, inventive, invigoratingly compact, and luminously liquid, Eurydice reframes the ancient myth of ill-fated love to focus not on the bereaved musician but on his dead bride—and on her struggle with love beyond the grave.”—San Francisco Chronicle

This volume is the first publication of Sarah Ruhl, “a playwright with a unique comic voice, perspective, and sense of theater” (Variety), who is fast leaving her mark on the American stage. In the award-winning Clean House—a play of uncommon romance and uncommon comedy—a maid who hates cleaning dreams about creating the perfect joke, while a doctor who treats cancer leaves his heart inside one of his patients. This volume also includes Eurydice, Ruhl’s reinvention of the tragic Greek tale of love and loss, together with a third play still to be named.

Sarah Ruhl received the prestigious Susan Smith Blackburn Prize in 2004 for her play The Clean House, which has been produced at Yale Repertory Theatre in New Haven, Wilma Theatre in Philadelphia, South Coast Repertory Theatre in Costa Mesa, and Woolly Mammoth Theatre Company in Washington, DC. Her play Eurydice has been produced at Madison Repertory Theatre and Berkeley Repertory Theatre.

WINNER, READERS FAVORITE AWARD: Fiction/Drama
WINNER, BEACH BOOK AWARD: Spiritual
FINALIST, Next Generation Indie Book Awards: New Age
FINALIST, READERS FAVORITE AWARD: Women's Fiction
HONORABLE MENTION, NEW ENGLAND FILM FESTIVAL: Spirituality

 

One woman's plight with illness, her daughter's will to survive, and a circle of friends shrouded in secrets. 

"Megan's Way...beautiful and tender portrayals...very enjoyable read on the order of a Jodi Picoult novel. " --The Bookish Dame

*** 


What would you give up for the people you love?

When Megan Taylor, a single mother and artist living on Cape Cod, receives the shocking news that her cancer has returned, she's faced with the most difficult decision she's ever had to make. The love she has for her daughter, Olivia, and her closest friends will be stretched and frayed.

Megan's illness reawakens her best friend, Holly Townsend's, torment of a long-held secret and years of betrayal. How does one choose between a daughter and a life-long best friend? Can the secret she has been keeping be revealed after years of lying without destroying everyone in its wake?

Meanwhile, fourteen-year-old Olivia's world is falling apart right before her eyes, and there's nothing she can do about it. She finds herself acting in ways she cannot even begin to understand. When her internal struggles turn to dangerous behavior, even the paranormal connection she shares with her mother might not be enough to save her - her life will hang in the balance.

Megan's Way is a journey of self discovery and heartfelt emotions, exploring the depth of the mother-daughter bond, and the intricacies of friendship.

***Olivia's story will be continued in LOVING LIVI, Harborside Nights new adult romance series. Sign up for Melissa's newsletter and follow her on her author page here on Amazon to be notified of this release!

 

NEW YORK TIMES and USA TODAY BESTSELLING AUTHOR
Melissa Foster is a New York Times & USA Today bestselling and award-winning author. She writes sexy and heartwarming contemporary romance, new adult romance, and women's fiction with emotionally compelling characters that stay with you long after you turn the last page. Melissa's emotional journeys are lovingly erotic and always family oriented. Melissa loves to chat with book clubs and readers, invite her to your next event.

“Revelatory…As intimate and immediate as a whispered secret. Vogel’s play thrums with music, desire, and fear, and it’s shrewd about the ways in which America isn’t free, and about how art does and doesn’t transcend the perilous winds of history.” —New Yorker

“Superbly realized…Indecent, the powerful play by Paula Vogel, sheds an eye-opening light on a little-known time when theatrical history, Jewish culture, and the frank depiction of homosexuality intersected, with explosive results.” —New York Times

“Gorgeous. Illuminating and heartbreaking. Rich in sympathy and humor, Indecent has the scope of an epic but the intimacy of a chamber piece…It celebrates and illustrates the power of theater.” —Time Out New York

“A moving and fascinating play…A singular achievement… The historical perspective is vast and knowing…Has there ever been anything quite like Indecent, a play that touches—I mean deeply touches—so much rich emotion about history and the theater, anti-Semitism, homophobia, censorship, world wars, red-baiting, and oh, yes, joyful human passion?...An extraordinary play.” —Newsday

“Indecent is more than a play about forbidden love: It’s about theater as a life force.” —New York Post

When Sholem Asch wrote God of Vengeance in 1907, he didn’t imagine the height of controversy the play would eventually reach. Performing at first in Yiddish and German, the play’s subject matter wasn’t deemed contentious until it was produced in English, when the American audiences were scandalized by the onstage depiction of an amorous affair between two women. Paula Vogel’s newest work traces the trajectory of the show’s success through its tour in Europe to its abrupt and explosive demise on Broadway in 1923—including the arrest of the entire production’s cast and crew.

Paula Vogel is the Pulitzer Prize–winning author of How I Learned to Drive. Her other plays include Don Juan Comes Home from Iraq, A Civil War Christmas, The Long Christmas Ride Home, and The Baltimore Waltz, among others. She has also had a distinguished career as a teacher and mentor to younger playwrights, first at Brown University and then at the Yale School of Drama.

The celebrated survival guide for the working actor - now completely updated and expanded with a foreword by Tony award-winning actor Joe Mantegna!

Renowned for more than two decades as the most comprehensive resource for actors, How to Be a Working Actor is a must-read for achieving success in The Business. Now this "Bible of the Biz" has been completely revised and greatly expanded to address new markets, ever-changing opportunities, and the many new ways today's actors find work. Talent manager, teacher, and career coach Mari Lyn Henry and actress, author, and spokeswoman Lynne Rogers combine their extensive skills and years of experience to cover all the essentials of how to market yourself, land roles, and manage a successful career. They also include expert advice from scores of other industry experts - well-known actors, agents, managers, casting directors, and teachers.

How to Be a Working Actor is loaded with advice on how to:

- put together a professional wardrobe
- get a head shot that brings out the real you
- create a resume that really works
- find the training to develop your talents
- communicate effectively with agents and managers
- use the internet to promote your business and explore new opportunities
- get the most value out of union membership
- excel at auditions and screen tests
- discover how to get work in regional markets
- cope with success

How to Be a Working Actor takes a no-nonsense approach to the whole business of being a working actor, with detailed information on how to live on a budget in New York and Los Angeles, what the acting jobs are and what they pay, even how to find a survival strategy that will augment your career. And an extensive section on script analysis shows you how to investigate the depth of a character to create a memorable audition for roles in theatre, film, and television.
In this newly revised second edition, veteran stage designers and technical directors Dennis Dorn and Mark Shanda introduce industry-standard drafting and designing practices with step-by-step discussions, illustrations, worksheets, and problems to help students develop and refine drafting and other related skills needed for entertainment set production work. By incorporating the foundational principles of both hand- and computer-drafting approaches throughout the entire book, the authors illustrate how to create clear and detailed drawings that advance the production process.

Early chapters focus on the basics of geometric constructions, orthographic techniques, soft-line sketching applications, lettering, and dimensioning. Later chapters discuss real-life applications of production drawing and ancillary skills such as time and material estimation and shop-drawing nomenclature. Two chapters detail a series of design and shop drawings required to mount a specific design project, providing a guided path through both phases of the design/construction process. Most chapters conclude with one or more worksheets or problems that provide readers with an opportunity to test their understanding of the material presented.

The authors' discussion of universal CAD principles throughout the manuscript provides a valuable foundation that can be used in any computer-based design, regardless of the software. Dorn and Shanda treat the computer as another drawing tool, like the pencil or T-square, but one that can help a knowledgeable drafter potentially increase personal productivity and accuracy when compared to traditional hand-drafting techniques.

Drafting for the Theatre, second edition assembles in one book all the principal types of drawings, techniques, and conventional wisdom necessary for the production of scenic drafting, design, and shop drawings. It is richly illustrated with numerous production examples and is fully indexed to assist students and technicians in finding important information. It is structured to support a college-level course in drafting, but will also serve as a handy reference for the working theatre professional.
"Nottage is one of our finest playwrights, a smart, empathetic, and daring storyteller who tells a story an audience won't expect."—Time Out New York

"Lynn Nottage's work explores depths of humanness, the overlapping complexities of race, gender, culture and history—and the startling simplicity of desire—with a clear tenderness, with humor, with compassion."—Paula Vogel, Pulitzer Prize–winning playwright

In her first new play since the critically acclaimed Ruined, Lynn Nottage examines the legacy of African Americans in Hollywood in a dramatic stylistic departure from her previous work. Fluidly incorporating film and video elements into her writing for the first time, Nottage's comedy tells the story of Vera Stark, an African American maid and budding actress who has a tangled relationship with her boss, a white Hollywood star desperately grasping to hold onto her career. Stirring audiences out of complacency by tackling racial stereotyping in the entertainment industry, Nottage highlights the paradox of black actors in 1930s Hollywood while jumping back and forward in time and location in this uniquely theatrical narrative. By the Way, Meet Vera Stark premiered in New York in 2011 and will receive productions at Los Angeles's Geffen Playhouse in fall 2012 and Chicago's Goodman Theatre and The Lyric Stage Company of Boston in spring 2013.

Lynn Nottage's plays include the Pulitzer Prize–winning Ruined; Intimate ApparelFabulation, or the Re-Education of Undine; Crumbs from the Table of Joy; Las Meninas; Mud, River, Stone; Por'Knockers; and POOF!

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