The superstore chain PyeMart has its sights set on a Minnesota river town, but two very angry groups want to stop it: local merchants, fearing for their businesses, and environmentalists, predicting ecological disaster. The protests don't seem to be slowing the project, though, until someone decides to take matters into his own hands.
The first bomb goes off on the top floor of PyeMart's headquarters. The second one explodes at the construction site itself. The blasts are meant to inflict maximum damage-and they do. Who's behind the bombs, and how far will they go? It's Virgil Flowers's job to find out . . . before more people get killed.
But tonight, two deaths will change everything.
It comes in the form of two people found hanging from a tree in the woods of northern Minnesota. What makes it particularly sensitive is that the bodies are of a black man and a white woman, and they're naked. "Lynching" is the word that everybody's trying not to say—but, as Lucas begins to discover, in fact the murders are not what they appear to be, and they are not the end of the story. There is worse to come—much, much worse.
Filled with the rich characterization and exceptional drama that are his hallmarks, this is Sandford's most suspenseful novel yet.
But it wasn't going to be that easy, he knew. There were currents running through this group, hints and whispers of something much greater than the murder of a single man. He had felt this way not long before, sensed the curling of an indefinable evil, and not only had it nearly gotten him killed, it had lost him his fiancee, who?d never been able to recover from the violence of the encounter. Sometime soon, unless he could stop it, there would be another death, and then still another, and Davenport couldn't help but wonder if maybe this time, the final death might not be his own. . . .
John Sandford has written extraordinary thrillers before, but nothing to top the startling twists and unrelenting suspense of Secret Prey.
Lucas Davenport returns in the most harrowing and unexpected Prey novel yet—the story of a congenial man, and his most uncongenial obsession...
Art history professor James Qatar’s hobby was taking secret photographs of women. At night when he was all alone he’d dream about them and indulge his fantasies. Then one day his fantasy went too far. Now it’s Qatar’s turn to become an obsession—of Davenport’s. And for both men there’s no turning back.