Photographer Jordan Matter started his Dancers Among Us Project by asking a member of the Paul Taylor Dance Company to dance for him in a place where dance is unexpected. So, dressed in a commuter’s suit and tie, the dancer flew across a Times Square subway platform. And in that image Matter found what he’d been searching for: a way to express the feeling of being fully alive in the moment, unself-conscious, present.
Organized around themes of work, play, love, exploration, dreaming, and more, Dancers Among Us celebrates life in a way that’s fresh, surprising, original, universal. There’s no photoshopping here, no trampolines, no gimmicks, no tricks. Just a photographer, his vision, and the serendipity of what happens when the shutter clicks.
With 51 captivating photographs from 17 countries across 5 continents, and a snippet (pithy prose/poem) inspired by real life events creatively attached to each photograph, this book promises a thought provoking journey across Adulthood, Love, Parenthood and Death. There is also a garnish of Indian folk art to augment the aura of creativity.
So grab your cup of coffee, curl up in that quiet corner, and venture on a journey of Infinite Musings across life and the globe!
Using her own stunning images as the starting point, Julieanne shares her working methods with the reader, starting from the initial idea for a photo project, continuing through planning and executing the shoots, and spending the bulk of the time describing the post-capture workflow: organizing the images in Lightroom, performing basic and advanced edits, off-loading images to Photoshop for special purposes, then packaging the project for publication and distribution as a book, slideshow, or web site.
Readers will reap the benefit of Julieanne's long and deep experience with both Lightroom and Photoshop as well as her refined artist's sensibility. The book deftly combines practical information about working with the camera and computer, but under Julieanne's guidance the practical is always presented in the service of maintaining and supporting the photographer's vision for the overall project.
There are other books on using Lightroom to catalog and edit images, but they tend to be general-purpose manuals that cover any and all types of images and uses. This book focuses on those techniques and workflows that Julieanne finds most useful for her own photographic projects; in this case a series of images shot from the window of a moving car going through a variety of landscapes at different times of the year.
Check out the ad in the back of the book for details on becoming an Adobe Creative Cloud Photography plan member for up to 20% off your first year!
But, as Pamela Bannos reveals in this meticulous and passionate biography, this story of the nanny savant has blinded us to Maier’s true achievements, as well as her intentions. Most important, Bannos argues, Maier was not a nanny who moonlighted as a photographer; she was a photographer who supported herself as a nanny. In Vivian Maier: A Photographer’s Life and Afterlife, Bannos contrasts Maier’s life with the mythology that strangers—mostly the men who have profited from her work—have created around her absence. Bannos shows that Maier was extremely conscientious about how her work was developed, printed, and cropped, even though she also made a clear choice never to display it. She places Maier’s fierce passion for privacy alongside the recent spread of her work around the world, and she explains Maier’s careful adjustments of photographic technique, while explaining how the photographs have been misconstrued or misidentified. As well, Bannos uncovers new information about Maier’s immediate family, including her difficult brother, Karl—relatives that once had been thought not to exist.
This authoritative and engrossing biography shows that the real story of Vivian Maier, a true visionary artist, is even more compelling than the myth.
Jumpstart your photography: Take your photography to the next level with this easy to understand and use handbook that is packed with tips from some of the world's best photographers. Find out how you can apply their secrets for capturing outstanding photos. With this book you will understand all steps needed to be a fantastic photographer. Buy it, read it and use it to create photos that you and others will love!
"Marc's new book is an all-in-one, easily accessible handbook drawn from his huge library of interviews with top photographers -- and packed with information that can be put into action immediately. This book will show you how the pros do it. Study this and take your best shot." Chase Jarvis, Multi-Award winning Photographer and CEO/Founder of CreativeLive.
Photography Tips: Easy-to-understand photography tips from professional photography masters ─ all in one compact book that fits into your camera bag.
Learn professional photography tips and tricks for beginners from masters of this art form: In Advancing Your Photography, Marc Silber provides the definitive handbook that will take you through the entire process of becoming an accomplished photographer. From teaching you the basics to exploring the stages of the full "cycle of photography," Silber makes it easy for you to master the art form and create stunning pictures.
Valuable photography tips from thousands of hours of interviews with professional photography masters: You will learn valuable insights, including:
• beginner photography tips
• amateur photography tips
• landscape photography tips
• wedding photography tips
• lifestyle photography tips
• sports photography tips
• animal photography tips
• portrait photography tips
• still life photography tips
• iPhone photography tips
Photography and the technology associated with it is constantly evolving, but the fundamentals remain the same. Advancing Your Photography will help to bring you the joy and satisfaction of a lifetime of pursuing the art of photography.
Advancing Your Photography features:
• Top tips for making outstanding photographs from iconic photographers and many other leading professional photography masters of today.
• Numerous step-by-step examples
• Guidance on training your eye to see composition with emotional impact
• Tips on mastering the key points of operating your camera like a pro
• Secrets to processing your images to professional standards
• Compact design that will easily fit in your camera bag
Andy Warhol carried a camera with him everywhere he went and America, a mélange of text and image whose photographs were selected by Warhol from ten years of extraordinary shots, echoes the strange beauty and staggering contradictions of the country itself. Exploring Warhol’s greatest obsessions—including image and celebrity—Warhol photographs wrestlers and politicians, the beautiful wealthy and the disenfranchised poor. Many well-known figures are found in these pages: Capote with the fresh scars of a facelift, Madonna hiding beneath a brunette bob, a nude Keith Haring about to go for a dip in the sea. He writes about the country he loves, about how he wishes he had died when he was shot in 1968, about commercialism, fame and beauty. An America without Warhol is almost as inconceivable as Warhol without America, and this touching, witty tribute is the great artist of the superficial at his most deeply personal.
Without talking down to anyone or talking over anyone's head, renowned photographer, teacher, and author Bruce Barnbaum presents how-to techniques for both traditional and digital approaches. In this newest edition of the book, Barnbaum has included many new images and has completely revised the text, with particular focus on two crucial chapters covering digital photography: he revised a chapter covering the digital zone system, and includes a brand-new chapter on image adjustments using digital tools. There is also a new chapter discussing the concepts of “art versus technique” and “traditional versus digital” approaches to photography. Throughout the book, Barnbaum goes well beyond the technical, as he delves deeply into the philosophical, expressive, and creative aspects of photography so often avoided in other books.
Barnbaum is recognized as one of the world's finest landscape and architectural photographers, and for decades has been considered one of the best instructors in the field of photography. This latest incarnation of his textbook—which has evolved, grown, and been refined over the past 45 years—will prove to be an ongoing, invaluable photographic reference for years to come. It is truly the resource of choice for the thinking photographer.
• Elements of Composition
• Light and Color
• The Digital Zone System
• The Zone System for Film
• Printing and Presentation
• Exploding Photographic Myths
• Artistic Integrity
• Realism, Abstraction, and Art
• Creativity and Intuition
• A Personal Philosophy
• And much, much more…
The Fujifilm X-series cameras have amazing features but may require an adjustment period for those new to using these cameras, even photographers who have been lifetime DSLR shooters. This guide will help you to quickly feel comfortable using your camera so that you can achieve excellent results.
Topics covered include:
• Menu shortcuts
• Long exposures
• Firmware upgrades
• Hybrid autofocus system
• Auto and manual focusing
• Face detection
• ISOless sensor
• Dynamic Range expansion
• Film simulations
• Custom settings
• RAW conversion
• Adapted lenses
• And much more…
NOTE: This book is also suitable for users of the X-E2 (firmware 4) and the new X-E2S
Arthur Fellig’s ability to arrive at a crime scene just as the cops did was so uncanny that he renamed himself “Weegee,” claiming that he functioned as a human Ouija board. Weegee documented better than any other photographer the crime, grit, and complex humanity of midcentury New York City. In Flash, we get a portrait not only of the man (both flawed and deeply talented, with generous appetites for publicity, women, and hot pastrami) but also of the fascinating time and place that he occupied.
From self-taught immigrant kid to newshound to art-world darling to latter-day caricature—moving from the dangerous streets of New York City to the celebrity culture of Los Angeles and then to Europe for a quixotic late phase of experimental photography and filmmaking—Weegee lived a life just as worthy of documentation as the scenes he captured. With Flash, we have an unprecedented and ultimately moving view of the man now regarded as an innovator and a pioneer, an artist as well as a newsman, whose photographs are among most powerful images of urban existence ever made.
Diane Arbus became famous for her intimate and unconventional portraits of twins, dwarfs, sideshow performers, eccentrics, and everyday “freaks.” Condemned by some for voyeurism, praised by others for compassion, she was nonetheless a transformative figure in twentieth-century photography and hailed by all for her undeniable genius. Her life was cut short when she committed suicide in 1971 at the peak of her career. In the first complete biography of Arbus, author Patricia Bosworth traces the arc of Arbus’s remarkable life: her sheltered upper-class childhood and passionate, all-consuming marriage to Allan Arbus; her roles as wife and devoted mother; and her evolution from fashion photographer to critically acclaimed artist—one who forever altered the boundaries of photography.
"Photos capturing the raw magnetism of performers like Charlie Danbury of Trenchmouth and H.R. of Bad Brains signal the power of the music. Perkins is also fascinated with the audience at these events, showcasing dingy stairwells and sweat-glazed faces. In telling shots, performers and audience blur into a frenzied mass. Musician MacKaye, of the Untouchables, gives a firsthand account of being a 14-year-old at these shows, crossing dangerous parts of D.C. in order to stand with strangers in derelict buildings and hear live music. Musician Rollins’s brief essay on one of the bands, the Teen Idles, speaks to the intensity and commitment of those involved."
"What do punk rock, a Washington Post reporter and books have in common?...For the most part, nothing--except for books by Washington Post reporters about punk rock."
"Many punk fans will purchase Hard Art for the novelty of seeing H.R. as he was before Bad Brains moved to New York and became legends, or Ian MacKaye as he was before he shaved his head, and formed Dischord Records, Minor Threat, and Fugazi. The book deserves a wider readership than that. Perkins’s skill as a portraitist is such that you can see the energy and potential in these young men’s faces even without the context of their future roles as icons. Equally worthwhile are the portraits of those who did not become icons, but participated in the shows."
--Philadelphia Review of Books
"A great document for the DC scene."
In 1979, a soon-to-erupt punk scene took hold in Washington, DC, with bands like the Bad Brains, Trenchmouth, Teen Idles, the Untouchables, and the Slickee Boys, among others, at the forefront. Lucian Perkins, later a Pulitzer Prize-winning photojournalist for the Washington Post, was then an intern who photographed several pivotal shows over a short period of time. His now iconic photos of these shows are complemented by punk rock musician Alec MacKaye’s narrative that runs throughout the book and an essay by Henry Rollins.
Hard Art, DC 1979 is both a book and a traveling exhibition of photographs by Lucian Perkins. The exhibition is curated and edited by photographer and photo editor Lely Constantinople and Jayme McLellan, director of Civilian Art Projects, Washington, DC, with photographs being shown as a group for the first time.
In 1995, Lely Constantinople was hired by Perkins to manage his extensive photographic collection spanning a twenty-five year career with the Post. While looking through negatives in his basement, she found the punk images and recognized MacKaye, her then boyfriend (now husband). She asked to make contact sheets to show him, thinking he might recognize himself and others, and was surprised by how excited MacKaye was to see the images. "Those pictures were the holy grail! Not that many people brought cameras to shows then so I always wondered who he was and what happened to the pictures he took. He was at some of the best shows."
MacKaye's text offers an intimate exploration of the moment from two perspectives: that of a fourteen-year-old experiencing music on his own terms for the first time, and a look again at a movement that fueled an underground generation musically and philosophically. His examination is not a nostalgic review of glory days gone, as much as a present conversation about the continuation of a way of thinking that still endures. Hard Art, DC 1979 is an intimate snapshot of "the time before the time" that punk rock found firm footing in the US. These images capture the cathartic, infectious energy present in any group of people who seek to change their communities through music and art.
Very much a personal account of a community undergoing change, Cañar documents such activities as plantings and harvests, religious processions, a traditional wedding, healing ceremonies, a death and funeral, and a home birth with a native midwife. Along the way, Blankenship describes how she and Michael went from being outsiders only warily accepted in the community to becoming neighbors and even godparents to some of the local children. She also explains how outside forces, from Ecuador's failing economy to globalization, are disrupting the traditional lifeways of the Cañari as economic migration virtually empties highland communities of young people. Blankenship's words and photographs create a moving, intimate portrait of a people trying to balance the demands of the twenty-first century with the traditions that have formed their identity for centuries.
Also available from Slim Aarons: Poolside with Slim Aarons, Slim Aarons: Once Upon a Time, Slim Aarons: A Place in the Sun, and Slim Aarons: La Dolce Vita.
: These definitions err on the side of succinctness and are intended to be beginning points for the
serious student. An attempt to standardize terminology commonly found in the medium of fine arts
photographs that avoids copyrighted term or trade names (‘‘dye-destruction print’’ in lieu of ‘‘Cibachrome’’
and so on) has been made using guidelines set forth by the J. Paul Getty Institute. In acknowledgment of the
increase in collecting vintage prints and the perennial interest in historical processes, many nineteenth
century processes and obsolete terms are included.
Cross referencing within the glossary is indicated by italics; encyclopedia entries are indicated by small
The primary colors of red, green and blue which are mixed to form all other colors in photo-
graphic reproduction. See entry
COLOR THEORY: NATURAL AND SYNTHETIC
Trade name for a subtractive color film manufactured by the European company Agfa-Gevaert;
analogous to Kodachrome and Ansocolor.
Prints obtained from a process in wide use during the nineteenth century in which paper is
prepared with an albumen emulsion obtained from egg whites and made light sensitive with a silver nitrate
solution. See also
Dry plate processes
An orange acetate historically used for masking mechanicals during the process of preparing plates for
commercial printing. The area so masked photographs as black to the camera, printing clear on the
resulting positive film. See also
An image created by the collodion process, historically on glass, which gives the illusion of being
positive when placed against a dark backing, often a layer of black lacquer, paper, or velvet. Also
An image featuring differing scales of magnification across the picture plane, especially
varying along the vertical and horizontal axes, with the result being extreme distortion.
A rapid-drying oil-based solvent used in the preparation of dyes and inks for photographic
A method of making prints directly from line art (drawings) on translucent materials bypassing
the need for a negative. Also see
Angle of incidence
The measurement in degrees in terms of the deviation from the perpendicular of the angle at
which light hits a surface.
Angle of view
The measurement in degrees of the angle formed by lines projected from the optical center of a lens
to the edges of the field of view. This measurement is used to identify lenses and their appropriateness to
capture various widths or degrees of actual space in a photographic representation, thus an extreme
telephoto lens captures between 6 and 15
The Enthusiast’s Guide to Composition: 48 Photographic Principles You Need to Know addresses what you need to know in order to shoot great images with powerful compositions. Chapters are broken down into a series of numbered lessons, with each lesson providing all you need to improve your photography. Divided into nine chapters that include 48 photographic lessons to help you create strong compositions, photographer and author Khara Plicanic covers lens selection, light, color, lines, movement, and more. Example lessons include:
• 2. Consider the Rule of Thirds
• 5. Make Things Pop with Contrast
• 9. Find a Frame Within the Frame
• 11. Add Depth with Foreground
• 21. Keep an Eye on the Sky
• 26. Setting the Scene
• 33. Go Get the Shot
• 36. Make Sense of Maximum Aperture
• 40. Finding (or Making) Soft Light
• 48. Cull Like a Pro
Written in a friendly and approachable manner and illustrated with examples that drive home each lesson, The Enthusiast’s Guide to Composition is designed to be effective and efficient, friendly and fun. Read an entire chapter at once, or read just one topic at a time. With either approach, you’ll quickly learn a lot so you can head out with your camera to capture great shots.
Japanese dog grooming does not follow the rules of traditional, breed- standard grooming. In fact, it only has one mission—to make dogs look as adorable as possible! With extreme attention to detail and careful consideration of a pup’s best attributes, Japanese dog groomers and salons achieve the perfect transformation by forgetting uniform looks and getting creative.
From internationally acclaimed pet photographer and author of Waggish: Dogs Smiling for Dog Reasons comes this adorable book, which showcases the transformation of dogs going from cute to cutest. Originally a viral photo series called “Hairy,” Grace Chon’s work perfectly captures the whimsy and glamour of freshly groomed furry friends. With nearly 50 before- and- afters, Chon proves that Japanese dog grooming is not just a haircut, but a work of art.
Countless artists out there want to push their art further, but they’ve run face first into a nasty plateau. Art is tough enough as it is, but without proper knowledge of composition and design it’s easy to end up in a dark alley waiting to be maliciously fondled by mediocre art. Don’t join the masses, join the elite!
Learn serious composition and design techniques in a fun way that will launch you to the master level. You might even get a chuckle from the film photos capturing whacky tourists as they wonder aimlessly on the beautiful beach of Waikiki, Hawaii. Take part in the fun and seriously improve your art in a way that would make Da Vinci and Van Gogh smile with pride!
Berenice Abbott is to American photography as Georgia O’Keeffe is to painting or Willa Cather to letters. She was a photographer of astounding innovation and artistry, a pioneer in both her personal and professional life. Abbott’s sixty-year career established her not only as a master of American photography, but also as a teacher, writer, archivist, and inventor. Famously reticent in public, Abbott’s fascinating life has long remained a mystery—until now.
In Berenice Abbott: A Life in Photography, author, archivist, and curator Julia Van Haaften brings this iconic public figure to life alongside outlandish, familiar characters from artist Man Ray to cybernetics founder Norbert Wiener. A teenage rebel from Ohio, Abbott escaped first to Greenwich Village and then to Paris—photographing, in Sylvia Beach’s words, "everyone who was anyone." As the Roaring Twenties ended, Abbott returned to New York, where she soon fell in love with art critic Elizabeth McCausland, with whom she would spend thirty years.
In the 1930s, Abbott began her best-known work, Changing New York, in which she fearlessly documented the city’s metamorphosis. When warned by an older male supervisor that "nice girls" avoid the Bowery—then Manhattan’s skid row—Abbott shot back, "I’m not a nice girl. I’m a photographer…I go anywhere." This bold, feminist attitude would characterize all Abbott’s accomplishments, including imaging techniques she invented in her influential, space race–era science photography and her tenure as The New School’s first photography teacher.
With more than ninety stunning photos, this sweeping, cinematic biography secures Berenice Abbott’s place in the histories of photography and modern art, while framing her incredible accomplishments as a female artist and entrepreneur.
The text includes an engaging narrative of his life and entrepreneurial career and a thought-provoking essay on Beato and the photography of war. There is a generous selection of his photographs, including panoramas and hand-colored Japanese studies, along with captivating period ephemera, lithographs based on his work, and humorous caricatures of the artist.
Jeff Wall's Picture for Women (1979) marks the transition of photography as an art form from the printed page to the gallery wall. Before this, photographs—from the orthodox photographic work of Walker Evans to the Conceptual photography of Dan Graham—seemed intended for the page even when hung in a gallery. In Picture for Women, a woman looks outward, as if at the viewer; a camera occupies the center of the photograph; the photographer stands on the right. Modeled on Manet's famous painting Un bar aux Folies-Bergère, in which a barmaid seems to look directly out of the painting, observed by a man on the right, Picture for Women establishes its own art historical genealogy, claiming its rightful position within the canon. Wall's photograph is an ambitious attempt to relate the artistic and spectatorial demands of the late 1970s to a modernist pictorial art that had been too hastily rejected by Conceptualism. In this illustrated study, David Campany offers an account of Wall's move from a Conceptual approach to a reengagement with the idea of a singular (as opposed to serial) picture. He shows that Wall's decision to present his work as a large-scale back-lit transparency, together with his commitment to a singular image, amounted to a radical departure. He contrasts Wall's idea of the photograph as a tableau or “picture,” inherited from the history of painting, with the works of the “Pictures Generation” - including Richard Prince, Cindy Sherman, and Jack Goldstein—and argues that Picture for Women is inseparable from the modern fate of the picture in general
Her work is both timeless and timely, and spans disciplines, continents, and millennia. It is underscored by an innate environmentalism and driven by Sussman’s relentless curiosity. She begins at “year zero,” and looks back from there, photographing the past in the present. These ancient individuals live on every continent and range from Greenlandic lichens that grow only one centimeter a century, to unique desert shrubs in Africa and South America, a predatory fungus in Oregon, Caribbean brain coral, to an 80,000-year-old colony of aspen in Utah. Sussman journeyed to Antarctica to photograph 5,500-year-old moss; Australia for stromatolites, primeval organisms tied to the oxygenation of the planet and the beginnings of life on Earth; and to Tasmania to capture a 43,600-year-old self-propagating shrub that’s the last individual of its kind. Her portraits reveal the living history of our planet—and what we stand to lose in the future. These ancient survivors have weathered millennia in some of the world’s most extreme environments, yet climate change and human encroachment have put many of them in danger. Two of her subjects have already met with untimely deaths by human hands.
Alongside the photographs, Sussman relays fascinating – and sometimes harrowing – tales of her global adventures tracking down her subjects and shares insights from the scientists who research them. The oldest living things in the world are a record and celebration of the past, a call to action in the present, and a barometer of our future.
I'm not going to refer to you as a 'dummy' simply because you don't know how to do something, lets be honest, I'm sure there's things plenty of things that you know that I don't, I just happen to know about cameras because I've been working with them for 20 years. So it's perfectly acceptable not to know what you're doing, but we'll change that in a short time.
In this ebook, we don't delve in to advanced photographic theory, instead I simply walk you through how to use the different features of the D3200 to enable you to go from taking just OK photos to taking fantastic shots that your friends will want to print out and keep.
Accompanying the pictures is an assortment of remembrances by Burt Boyar, a longtime friend and traveling companion of Davis who collaborated with the entertainer on both of his autobiographies. Through a series of memorable anecdotes, Boyar reflects on Davis's many achievements as well as the private moments they shared as friends. Along with Davis's candid shots of ordinary life–from a group of children laughing to a baseball game at the Washington Monument–these stories reveal a side of the performer far removed from his Rat Pack persona.
The release of this book will also coincide with the release of Burt Boyar's upcoming documentary, Sammy Speaks, created from his extensive archive of taped conversations with the star.
Bill Brandt (1904-1983) moved to London from Germany in 1934 and quickly began his investigation of British society, resulting in what would become his signature publications: The English at Home (1936) and A Night in London (1938). He continued to photograph in London throughout World War II, contributing regularly to Picture Post and Harper's Bazaar. His postwar career expanded to include portraits and landscapes, and the celebrated series of nudes that remain his crowning achievement. His other major books include Camera in London (1948), Literary Britain (1951) and Perspective of Nudes (1961). Brandt died in London in 1983.
The folks in Colorado County have engrossing stories to tell. They recall grinding poverty and rollicking fun in the Great Depression, losing crops and livestock to floods, working for the WPA, romances gone wrong and love gone right, dirty dancing, church and faith, sharecropping, quilting, raising children, racism and bigotry, and even the horrific lynching of two African American teenagers in 1935. The Colorado County residents' stories reveal an amazing resiliency and generosity of spirit, despite the hardships that have filled most of their lives. They also capture a rural way of life that was once common across the South, but is now gone forever.
Big Thicket People presents Fisher's photographs in suites that document a wide slice of Big Thicket life-people, dogs, camps, deer hunts, farming, syrup mills, rooter hogs and stock raising, railroad tie making, barrel stave making, chimney building, peckerwood sawmills, logging, turpentining, town life, church services and picnics, funerals and golden weddings, and dances and other amusements. Accompanying each suite of images is a cultural essay by Thad Sitton, who also introduces the book with a historical overview of life in the Big Thicket. C. E. Hunt provides an informative biography of Larry Jene Fisher.
Based on over fifty interviews with the man himself (as well as with his family, friends and colleagues across Canada) and extensive research of the Ted Grant Special Collections in Ottawa, this book is both an iconic and an intimate portrait of the second half of the twentieth century, Canada’s coming of age, and the man who saw it all through the lens of his camera.
One of Space.com's Best Space Photography Books!
During his six-month mission to the International Space Station, astronaut Tim Peake became the first British astronaut to complete a spacewalk--and, perhaps more astonishingly, the first to run an entire marathon in space. During his historic mission, he captured hundreds of dazzling photographs, the very best of which are collected here.
Tim captures the majesty of the cosmos and of the planet we call home: breath-taking aerial photos of the world's cities illuminated at night, the natural beauty of the northern lights, and unforgettable views of oceans, mountains, and deserts.
Tim's lively stories about life in space appear alongside these photographs, including the tale from which the title is taken: his famous wrong number dialed from space, when he accidentally called a stranger and asked: "Hello, is this planet Earth?"
With this truly unique perspective on the incredible sights of our planet, Tim demonstrates that while in space, hundreds of miles above his friends and family, he never felt closer to home.
"I have always loved hearts," writes acclaimed actress Drew Barrymore in the foreword to this heartwarming gift book. "The way that continuous line accomplishes the most extraordinary thing--it conveys love." In FIND IT IN EVERYTHING, Barrymore shares the photographs she has taken of heart-shaped objects and patterns she has come across over the past ten years. Some are obvious and others barely discernible. A discarded straw wrapper, a hole in a T-shirt, a scallion in a bowl of miso soup -- seemingly everywhere she turns her lens a heart reveals itself. A very personal collection of images, many of them accompanied by brief captions that reflect on beauty in the everyday, FIND IT IN EVERYTHING is a delightful book from the beloved actress and director, who now adds photographer to her list of credentials.
“Eventually I found several hundred people who knew Robert Mapplethorpe in all his various incarnations—Catholic schoolboy; ROTC cadet; hippie; sexual explorer; celebrated artist; and famous AIDS victim. Their stories helped animate his pictures and bring his visual diary to life. What I discovered wasn’t one “Perfect Moment” but a series of moments—some pure, some blemished, but all emblematic of the paradoxical times in which he lived.”—Patricia Morrisroe, from the Introduction
NOTE: This edition does not include photographs.
Over 500 captivating images reveal the enigmatic and fragile world of frogs and their relatives . Frog: A Photographic Portrait creates a visual testament to a fascinating group of species that are vanishing from our planet at an alarming rate.
So That All Shall Know is a powerful, comprehensive overview of the work of Daniel Hernández-Salazar on recent Guatemalan history. Portfolios of images present his early photojournalistic work documenting the Guatemalan genocide; his Eros + Thanatos series that responds aesthetically to the destruction of war; and his Street Angel project, which uses his image "So That All Shall Know" to protest against injustice and historical forgetting around the world. Accompanying the images are bilingual English-Spanish essays by four scholars who discuss the development of Hernández-Salazar's art in the context of contemporary photography, the social and political conditions that inspire his work, and the broader questions that arise when artists engage in social struggle.
Introduced by Nobel Peace Laureate Rigoberta Menchú Tum, So That All Shall Know is a moving testament to the horrors of genocide and the power of art to give voice to the silenced and presence to the disappeared.
A beautiful, funny gift book with more than 70 previously unpublished photographs, Pounce reveals adorable cats and kittens as they pounce and jump through the air, arms outstretched -- all in Casteel's signature up-close, mid-action style.
Unlike most photographers of the back to the land movement, Price "went native," joining a Colorado community and living there for seven years. Her photo documentation of her years at Libre provides a unique view of commune life through the eyes of a participant. We see residents building homes, raising families, and celebrating community.
Price's photographs of Drop City, New Buffalo, Reality Construction Company, Libre, the Red Rockers, and other southwestern communes capture long-haired men, women in self-made peasant attire, psychedelic art, sheaves of marijuana, cast-iron stoves, and preindustrial agricultural practices—visual evidence of the great divide that separated Price, her friends, and associates from the families and neighbors among whom they had grown up. The photos also reveal the presence of record players, amplifiers, and electric guitars, along with a staggering array of architectural and interior design, and visits by such iconoclasts as Ken Kesey, Peter Orlovsky, and Allen Ginsberg. The most famous cliché about the era is that if you can remember it, you weren’t there. Price was there with her camera, and her images help us see it more clearly now.
Gold Medal Winner for Photography, ForeWord Reviews 2010 Book of the Year Awards