During the sweltering Roman summer of 1492, Rodrigo Borgia has risen to power as pope. Rodrigo’s eldest son Cesare, forced to follow his father into the church and newly made the Archbishop of Valencia, chafes at his ecclesiastical role and fumes with jealousy and resentment at the way that his foolish brother has been chosen for the military greatness he desired.
Maddalena Moretti comes from the countryside, where she has seen how the whims of powerful men wreak havoc on the lives of ordinary people. But now, employed as a servant in the Vatican Palace, she cannot help but be entranced by Cesare Borgia’s handsome face and manner and finds her faith and conviction crumbling in her want of him.
As war rages and shifting alliances challenge the pope’s authority, Maddalena and Cesare's lives grow inexplicably entwined. Maddalena becomes a keeper of dangerous Borgia secrets, and must decide if she is willing to be a pawn in the power games of the man she loves. And as jealousy and betrayal threaten to tear apart the Borgia family from within, Cesare is forced to reckon with his seemingly limitless ambition.
Alyssa Palombo's captivating new novel, The Borgia Confessions, is a story of passion, politics, and class, set against the rise and fall of one of Italy's most infamous families--the Borgias.
Adriana's father is intent on seeing her married to a wealthy, prominent member of Venice's patrician class—and a handsome, charming suitor, whom she knows she could love, only complicates matters—but Vivaldi is a priest, making their relationship forbidden in the eyes of the Church and of society. They both know their affair will end upon Adriana's marriage, but she cannot anticipate the events that will force Vivaldi to choose between her and his music. The repercussions of his choice—and of Adriana's own choices—will haunt both of their lives in ways they never imagined.
Spanning more than 30 years of Adriana's life, Alyssa Palombo's The Violinist of Venice is a story of passion, music, ambition, and finding the strength to both fall in love and to carry on when it ends.
A girl as beautiful as Simonetta Cattaneo never wants for marriage proposals in 15th Century Italy, but she jumps at the chance to marry Marco Vespucci. Marco is young, handsome and well-educated. Not to mention he is one of the powerful Medici family’s favored circle.
Even before her marriage with Marco is set, Simonetta is swept up into Lorenzo and Giuliano de’ Medici’s glittering circle of politicians, poets, artists, and philosophers. The men of Florence—most notably the rakish Giuliano de’ Medici—become enthralled with her beauty. That she is educated and an ardent reader of poetry makes her more desirable and fashionable still. But it is her acquaintance with a young painter, Sandro Botticelli, which strikes her heart most. Botticelli immediately invites Simonetta, newly proclaimed the most beautiful woman in Florence, to pose for him. As Simonetta learns to navigate her marriage, her place in Florentine society, and the politics of beauty and desire, she and Botticelli develop a passionate intimacy, one that leads to her immortalization in his masterpiece, The Birth of Venus.
Alyssa Palombo’s The Most Beautiful Woman in Florence vividly captures the dangerous allure of the artist and muse bond with candor and unforgettable passion.
But when romance gives way to passion, Ichabod and Katrina embark on a secret love affair, sneaking away into the woods after dark to be together – all while praying they do not catch sight of Sleepy Hollow’s legendary Headless Horseman. That is, until All Hallows’s Eve, when Ichabod suddenly disappears, leaving Katrina alone and in a perilous position.
Enlisting the help of her friend – and rumored witch – Charlotte Jansen, Katrina seeks the truth of Ichabod Crane’s disappearance, investigating the forest around Sleepy Hollow using unconventional – often magical – means. What they find forces Katrina to question everything she once knew, and to wonder if the Headless Horseman is perhaps more than just a story after all. In Alyssa Palombo's The Spellbook of Katrina Van Tassel nothing is as it seems, and love is a thing even death won't erase.