2017 Edgar® Awards
In this breakout standalone novel of suspense in the vein of Gone Girl and The Girl on a Train, a woman agrees to help an old boyfriend who has been framed for murder—but begins to suspect that she is the one being manipulated.
Twenty years ago she ruined his life. Now she has the chance to save it.
Widower Jack Harris has resisted the dating scene ever since the shooting of his wife Molly by a fifteen-year-old boy three years ago. An early morning run along the Hudson River changes that when he spots a woman in last night’s party dress, barefoot, enjoying a champagne picnic alone, reading his favorite novel. Everything about her reminds him of what he used to have with Molly. Eager to help Jack find love again, his best friend posts a message on a popular website after he mentions the encounter. Days later, that same beautiful stranger responds and invites Jack to meet her in person at the waterfront. That’s when Jack’s world falls apart.
Olivia Randall is one of New York City’s best criminal defense lawyers. When she hears that her former fiancé, Jack Harris, has been arrested for a triple homicide—and that one of the victims was connected to his wife’s murder—there is no doubt in her mind as to his innocence. The only question is who would go to such great lengths to frame him—and why?
For Olivia, representing Jack is a way to make up for past regrets, to absolve herself of guilt from a tragic decision, a secret she has held for twenty years. But as the evidence against him mounts, she is forced to confront her doubts. The man she knew could not have done this. But what if she never really knew him?
From the critically acclaimed and award-winning author comes a gritty, atmospheric new series about the other side of Long Island, far from the wealth of the Hamptons, where real people live—and die.
Gus Murphy thought he had the world all figured out. A retired Suffolk County cop, Gus had everything a man could want: a great marriage, two kids, a nice house, and the rest of his life ahead of him. But when tragedy strikes, his life is thrown into complete disarray. In the course of a single deadly moment, his family is blown apart and he is transformed from a man who believes he understands everything into a man who understands nothing.
Divorced and working as a courtesy van driver for the run-down hotel in which he has a room, Gus has settled into a mindless, soulless routine that barely keeps his grief at arm’s length. But Gus’s comfortable waking trance comes to an end when ex-con Tommy Delcamino asks him for help. Four months earlier, Tommy’s son T.J.’s battered body was discovered in a wooded lot, yet the Suffolk County PD doesn’t seem interested in pursuing the killers. In desperation, Tommy seeks out the only cop he ever trusted—Gus Murphy.
Gus reluctantly agrees to see what he can uncover. As he begins to sweep away the layers of dust that have collected over the case during the intervening months, Gus finds that Tommy was telling the truth. It seems that everyone involved with the late T.J Delcamino—from his best friend, to a gang enforcer, to a mafia capo, and even the police—has something to hide, and all are willing to go to extreme lengths to keep it hidden. It’s a dangerous favor Gus has taken on as he claws his way back to take a place among the living, while searching through the sewers for a killer.
The reimagining of Jane Eyre as a gutsy, heroic serial killer that The New York Times Book Review calls “wonderfully entertaining” and USA Today describes as “sheer mayhem meets Victorian propriety.”
“A thrill ride of a novel. A must read for lovers of Jane Eyre, dark humor, and mystery.”
“Reader, I murdered him.”
A sensitive orphan, Jane Steele suffers first at the hands of her spiteful aunt and predatory cousin, then at a grim school where she fights for her very life until escaping to London, leaving the corpses of her tormentors behind her. After years of hiding from the law while penning macabre “last confessions” of the recently hanged, Jane thrills at discovering an advertisement. Her aunt has died and her childhood home has a new master: Mr. Charles Thornfield, who seeks a governess.
Burning to know whether she is in fact the rightful heir, Jane takes the position incognito and learns that Highgate House is full of marvelously strange new residents—the fascinating but caustic Mr. Thornfield, an army doctor returned from the Sikh Wars, and the gracious Sikh butler Mr. Sardar Singh, whose history with Mr. Thornfield appears far deeper and darker than they pretend. As Jane catches ominous glimpses of the pair’s violent history and falls in love with the gruffly tragic Mr. Thornfield, she faces a terrible dilemma: Can she possess him—body, soul, and secrets—without revealing her own murderous past?
A satirical romance about identity, guilt, goodness, and the nature of lies, by a writer who Matthew Pearl calls “superstar-caliber” and whose previous works Gillian Flynn declared “spectacular,” Jane Steele is a brilliant and deeply absorbing book inspired by Charlotte Brontë’s classic Jane Eyre.
Thirty years later—and five years after her release from prison—the past has come back to haunt Kelly. Her father-in-law, movie legend Sterling Marshall, is found in a pool of blood in his home in the Hollywood Hills—dead from a shot to the head, just like his old friend John McFadden.Once again, Kelly is suspected of the high-profile murder. But this time, she’s got some unexpected allies who believe she’s innocent of both killings. But is she?
On a foggy summer night, eleven people--ten privileged, one down-on-his-luck painter--depart Martha's Vineyard on a private jet headed for New York. Sixteen minutes later, the unthinkable happens: the plane plunges into the ocean. The only survivors are the painter Scott Burroughs and a four-year-old boy, who is now the last remaining member of an immensely wealthy and powerful media mogul's family.
Was it by chance that so many influential people perished? Or was something more sinister at work? A storm of media attention brings Scott fame that quickly morphs into notoriety and accusations, and he scrambles to salvage truth from the wreckage. Amid trauma and chaos, the fragile relationship between Scott and the young boy grows and glows at the heart of this stunning novel, raising questions of fate, morality, and the inextricable ties that bind us together.
Kristin Hannah raves, "Noah Hawley really knows how to keep a reader turning the pages... a complex, compulsively readable thrill ride of a novel."
Winner of the 2017 Edgar Award for Best First Novel
Named one of the "10 Best Mystery Books and Thrillers of the Year" by The Washington Post
Named one of the best books of the year by The Atlantic
When Nora takes the train from London to visit her sister in the countryside, she expects to find her waiting at the station, or at home cooking dinner. But when she walks into Rachel’s familiar house, what she finds is entirely different: her sister has been the victim of a brutal murder.
Stunned and adrift, Nora finds she can’t return to her former life. An unsolved assault in the past has shaken her faith in the police, and she can’t trust them to find her sister’s killer. Haunted by the murder and the secrets that surround it, Nora is under the harrow: distressed and in danger. As Nora’s fear turns to obsession, she becomes as unrecognizable as the sister her investigation uncovers.
A riveting psychological thriller and a haunting exploration of the fierce love between two sisters, the distortions of grief, and the terrifying power of the past, Under the Harrow marks the debut of an extraordinary new writer.
WINNER OF THE CWA GOLDSBORO GOLD DAGGER 2016 FOR BEST CRIME NOVEL OF THE YEAR
WINNER OF THE CWA JOHN CREASEY NEW BLOOD DAGGER 2016 FOR BEST DEBUT CRIME NOVEL
FINALIST FOR THE PEN/HEMINGWAY AWARD 2017 FOR DEBUT FICTION
LONGLISTED FOR ANDREW CARNEGIE MEDAL 2017 FOR EXCELLENCE IN FICTION
NOMINATED FOR THE EDGAR AWARD 2017 FOR BEST FIRST NOVEL
Dodgers is a dark, unforgettable coming-of-age journey that recalls the very best of Richard Price, Denis Johnson, and J.D. Salinger. It is the story of a young LA gang member named East, who is sent by his uncle along with some other teenage boys—including East's hothead younger brother—to kill a key witness hiding out in Wisconsin. The journey takes East out of a city he's never left and into an America that is entirely alien to him, ultimately forcing him to grapple with his place in the world and decide what kind of man he wants to become.
Written in stark and unforgettable prose and featuring an array of surprising and memorable characters rendered with empathy and wit, Dodgers heralds the arrival of a major new voice in American fiction.
One of the Best Books of 2017 - The New York Times, The Washington Post, the New York Times Book Review, Amazon
A resident of one of LA's toughest neighborhoods uses his blistering intellect to solve the crimes the LAPD ignores.
East Long Beach. The LAPD is barely keeping up with the neighborhood's high crime rate. Murders go unsolved, lost children unrecovered. But someone from the neighborhood has taken it upon himself to help solve the cases the police can't or won't touch.
They call him IQ. He's a loner and a high school dropout, his unassuming nature disguising a relentless determination and a fierce intelligence. He charges his clients whatever they can afford, which might be a set of tires or a homemade casserole. To get by, he's forced to take on clients that can pay.
This time, it's a rap mogul whose life is in danger. As Isaiah investigates, he encounters a vengeful ex-wife, a crew of notorious cutthroats, a monstrous attack dog, and a hit man who even other hit men say is a lunatic. The deeper Isaiah digs, the more far reaching and dangerous the case becomes.
*An Edgar Finalist for Best First Novel
An explosive thriller debut introducing Peter Ash, a veteran who finds that the demons of war aren’t easily left behind...
Peter Ash came home from the wars in Iraq and Afghanistan with only one souvenir: what he calls his “white static,” the buzzing claustrophobia due to post-traumatic stress that has driven him to spend a year roaming in nature, sleeping under the stars. But when a friend from the Marines commits suicide, Ash returns to civilization to help the man’s widow with some home repairs. Under her dilapidated porch, he finds more than he bargained for: the largest, ugliest, meanest dog he’s ever encountered...and a Samsonite suitcase stuffed with cash and explosives. As Ash begins to investigate this unexpected discovery, he finds himself at the center of a plot that is far larger than he could have imagined...and it may lead straight back to the world he thought he’d left for good. Suspenseful and thrilling, and featuring a compelling new hero, The Drifter is an exciting debut from a fresh voice in crime fiction.
Also look for BURNING BRIGHT, available now from Nick Petrie
*An Edgar Finalist for Best First Novel
It begins when a meth-addicted grave robber unearths the death mask of Montezuma, setting off a violent struggle for its possession. There is the drug lord who employs him, who would kill for that mask. There is the expat American collector, sinister and possibly mad. There is the greatly respected curator, who for a fee will provide provenances for his country’s looted artifacts, and his long-suffering housekeeper, a deeply religious lesbian in a culture of machismo, who despises her patron. And there is the looter himself, who has stolen the mask and is now running for his life.
Above all, there is Anna Ramsey, an American with a history of bad choices, who has hidden behind a mask all her adult life. A deeply wounded woman, Anna knows that masks protect and conceal. Anna is a heroine for our times, as she searches for the courage to remove her mask and show her true face.
In 1935, six-year-old Emily Evans vanishes from her family’s vacation home on a remote Minnesota lake. Her disappearance destroys the family—her father commits suicide, and her mother and two older sisters spend the rest of their lives at the lake house, keeping a decades-long vigil for the lost child.
Sixty years later, Lucy, the quiet and watchful middle sister, lives in the lake house alone. Before her death, she writes the story of that devastating summer in a notebook that she leaves, along with the house, to the only person who might care: her grandniece, Justine. For Justine, the lake house offers freedom and stability—a way to escape her manipulative boyfriend and give her daughters the home she never had. But the long Minnesota winter is just beginning. The house is cold and dilapidated. The dark, silent lake is isolated and eerie. Her only neighbor is a strange old man who seems to know more about the summer of 1935 than he’s telling.
Soon Justine’s troubled oldest daughter becomes obsessed with Emily’s disappearance, her mother arrives to steal her inheritance, and the man she left launches a dangerous plan to get her back. In a house haunted by the sorrows of the women who came before her, Justine must overcome their tragic legacy if she hopes to save herself and her children.
Violet Hart is a photographer who has always returned to cobble out a life for herself in the oddly womblike interiors of Detroit. Nearing forty, she’s keenly aware that the time for artistic recognition is running out. When her lover, Bill, a Detroit mortician, needs a photograph of a body, she agrees to takes the picture. It’s an artistic success and Violet is energized by the subject matter, persuading Bill to allow her to take pictures of some of his other “clients,” eventually settling on photographing young, black men.
When Violet’s new portfolio is launched, she quickly strikes a deal, agreeing to produce a dozen pictures with a short deadline, confident because dead bodies are commonplace in Detroit and she has access to the city’s most prominent mortician. These demands soon place Violet in the position of having to strain to meet her quota.
As time runs out, how will Violet come up with enough subjects to photograph without losing her soul or her life in the process? A riveting novel of psychological suspense, Patricia Abbott continues to cement herself as one of our very best writers of the darkness that lies within the human heart.
Beginning with his street-smart Italian origins in Brooklyn, the book spans 40 years of work and more than 9,000 autopsies, and DiMaio's eventual rise into the pantheon of forensic scientists. One of the country's most methodical and intuitive criminal pathologists will dissect himself, maintaining a nearly continuous flow of suspenseful stories, revealing anecdotes, and enough macabre insider details to rivet the most fervent crime fans.
On a Friday night in March 1981 Henry Hays and James Knowles scoured the streets of Mobile in their car, hunting for a black man. The young men were members of Klavern 900 of the United Klans of America. They were seeking to retaliate after a largely black jury could not reach a verdict in a trial involving a black man accused of the murder of a white man. The two Klansmen found nineteen-year-old Michael Donald walking home alone. Hays and Knowles abducted him, beat him, cut his throat, and left his body hanging from a tree branch in a racially mixed residential neighborhood.
Arrested, charged, and convicted, Hays was sentenced to death—the first time in more than half a century that the state of Alabama sentenced a white man to death for killing a black man. On behalf of Michael’s grieving mother, Morris Dees, the legendary civil rights lawyer and cofounder of the Southern Poverty Law Center, filed a civil suit against the members of the local Klan unit involved and the UKA, the largest Klan organization. Charging them with conspiracy, Dees put the Klan on trial, resulting in a verdict that would level a deadly blow to its organization.
Based on numerous interviews and extensive archival research, The Lynching brings to life two dramatic trials, during which the Alabama Klan’s motives and philosophy were exposed for the evil they represent. In addition to telling a gripping and consequential story, Laurence Leamer chronicles the KKK and its activities in the second half the twentieth century, and illuminates its lingering effect on race relations in America today.
The Lynching includes sixteen pages of black-and-white photographs.
On April 26th, 1871, a police constable walking one of London’s remotest beats stumbled upon a brutalized young woman kneeling in the muddy road, her face smashed and battered. The policeman gaped in horror as the woman stretched out her hand to him, collapsed in the mud, muttered “let me die,” and slipped into a coma. Five days later, she died, her identity still unknown.
Within hours of her discovery, scores of Metropolitan Police officers were involved in the investigation, while Scotland Yard sent one of its top detectives to lead it. On the day of her death, the police discovered the girl's identity: Jane Maria Clouson, a sixteen-year-old servant to the Pooks, a respectable Greenwich family. Hours later, they arrested her master's son, twenty-year-old Edmund, for her murder.
An epic tale of law and disorder, Pretty Jane and the Viper of Kidbrooke Lane is the story of a criminal case conducted at the time of the birth of modern forensic science. It is the story of the majesty–and the travesty–of the nineteenth-century British legal system: the zealous prosecutors determined to convict young Pook; and the remarkable lawyer equally determined to obtain his acquittal by any means possible. At the heart of this story are the alleged killer and his alleged victim: Edmund Pook, the young Victorian gentleman caught up in a legal nightmare, and Jane Maria Clouson, the young maid whose hard life before her tragic death serves as a bracing corrective to Downton Abbey fantasies about the lives of British servants.
Using an abundant collection of primary sources, Paul Thomas Murphy creates a gripping narrative of the police procedural and the ensuing legal drama, with its many twists and turns, from the discovery of the body until the final judgement–and beyond. For while the murder of Jane Clouson has for nearly one hundred and fifty years remained unsolved, much of the evidence remains, and Murphy, applying contemporary forensic methods to this Victorian cold case, reveals definitively the identity of Jane Clouson's murderer–and provides the resolution that Jane's angry supporters long ago demanded.
Edgar Award finalist for Best Fact Crime
A Pulitzer Prize–winning reporter’s gripping account of one young man’s path to murder—and a wake-up call for mental health care in America
On a summer night in 2009, three lives intersected in one American neighborhood. Two people newly in love—Teresa Butz and Jennifer Hopper, who spent many years trying to find themselves and who eventually found each other—and a young man on a dangerous psychological descent: Isaiah Kalebu, age twenty-three, the son of a distant, authoritarian father and a mother with a family history of mental illness. All three paths forever altered by a violent crime, all three stories a wake-up call to the system that failed to see the signs.
In this riveting, probing, compassionate account of a murder in Seattle, Eli Sanders, who won a Pulitzer Prize for his newspaper coverage of the crime, offers a deeply reported portrait in microcosm of the state of mental health care in this country—as well as an inspiring story of love and forgiveness. Culminating in Kalebu’s dangerous slide toward violence—observed by family members, police, mental health workers, lawyers, and judges, but stopped by no one—While the City Slept is the story of a crime of opportunity and of the string of missed opportunities that made it possible. It shows what can happen when a disturbed member of society repeatedly falls through the cracks, and in the tradition of The Other Wes Moore and The Short and Tragic Life of Robert Peace, is an indelible, human-level story, brilliantly told, with the potential to inspire social change.
From the internationally bestselling author, a deeply researched and atmospheric murder mystery of late Victorian-era London
In the summer of 1895, Robert Coombes (age 13) and his brother Nattie (age 12) were seen spending lavishly around the docklands of East London -- for ten days in July, they ate out at coffee houses and took trips to the seaside and the theater. The boys told neighbors they had been left home alone while their mother visited family in Liverpool, but their aunt was suspicious. When she eventually forced the brothers to open the house to her, she found the badly decomposed body of their mother in a bedroom upstairs. Robert and Nattie were arrested for matricide and sent for trial at the Old Bailey.
Robert confessed to having stabbed his mother, but his lawyers argued that he was insane. Nattie struck a plea and gave evidence against his brother. The court heard testimony about Robert's severe headaches, his fascination with violent criminals and his passion for 'penny dreadfuls', the pulp fiction of the day. He seemed to feel no remorse for what he had done, and neither the prosecution nor the defense could find a motive for the murder. The judge sentenced the thirteen-year-old to detention in Broadmoor, the most infamous criminal lunatic asylum in the land. Yet Broadmoor turned out to be the beginning of a new life for Robert--one that would have profoundly shocked anyone who thought they understood the Wicked Boy.
At a time of great tumult and uncertainty, Robert Coombes's case crystallized contemporary anxieties about the education of the working classes, the dangers of pulp fiction, and evolving theories of criminality, childhood, and insanity. With riveting detail and rich atmosphere, Kate Summerscale recreates this terrible crime and its aftermath, uncovering an extraordinary story of man's capacity to overcome the past.
Alfred Hitchcock was a strange child. Fat, lonely, burning with fear and ambition, his childhood was an isolated one, scented with fish from his father's shop. Afraid to leave his bedroom, he would plan great voyages, using railway timetables to plot an exact imaginary route across Europe. So how did this fearful figure become the one of the most respected film directors of the twentieth century?
As an adult, Hitch rigorously controlled the press's portrait of him, drawing certain carefully selected childhood anecdotes into full focus and blurring all others out. In this quick-witted portrait, Ackroyd reveals something more: a lugubriously jolly man fond of practical jokes, who smashes a once-used tea cup every morning to remind himself of the frailty of life. Iconic film stars make cameo appearances, just as Hitch did in his own films: Grace Kelly, Cary Grant, and James Stewart despair of his detached directing style and, perhaps most famously of all, Tippi Hedren endures cuts and bruises from a real-life fearsome flock of birds.
Alfred Hitchcock wrests the director's chair back from the master of control and discovers what lurks just out of sight, in the corner of the shot.
A Washington Post Notable Nonfiction Pick of 2016
An Entertainment Weekly Best Book of 2016
A Time Magazine Top Nonfiction of 2016
A Seattle Times Best Book of 2016
A Kirkus Reviews Best Book of 2016
An NPR 2016's Great Read
A Boston Globe Best Book of 2016
A Nylon Best Book of 2016
A San Francisco Chronicle Best Book of 2016
A Booklist 2016 Editors' Choice
This "historically engaging and pressingly relevant" biography establishes Shirley Jackson as a towering figure in American literature and revives the life and work of a neglected master.
Still known to millions primarily as the author of the "The Lottery," Shirley Jackson (1916–1965) has been curiously absent from the mainstream American literary canon. A genius of literary suspense and psychological horror, Jackson plumbed the cultural anxiety of postwar America more deeply than anyone. Now, biographer Ruth Franklin reveals the tumultuous life and inner darkness of the author of such classics as The Haunting of Hill House and We Have Always Lived in the Castle.
Placing Jackson within an American Gothic tradition that stretches back to Hawthorne and Poe, Franklin demonstrates how her unique contribution to this genre came from her focus on "domestic horror." Almost two decades before The Feminine Mystique ignited the women’s movement, Jackson’ stories and nonfiction chronicles were already exploring the exploitation and the desperate isolation of women, particularly married women, in American society. Franklin’s portrait of Jackson gives us “a way of reading Jackson and her work that threads her into the weave of the world of words, as a writer and as a woman, rather than excludes her as an anomaly” (Neil Gaiman).
The increasingly prescient Jackson emerges as a ferociously talented, determined, and prodigiously creative writer in a time when it was unusual for a woman to have both a family and a profession. A mother of four and the wife of the prominent New Yorker critic and academic Stanley Edgar Hyman, Jackson lived a seemingly bucolic life in the New England town of North Bennington, Vermont. Yet, much like her stories, which channeled the occult while exploring the claustrophobia of marriage and motherhood, Jackson’s creative ascent was haunted by a darker side. As her career progressed, her marriage became more tenuous, her anxiety mounted, and she became addicted to amphetamines and tranquilizers. In sobering detail, Franklin insightfully examines the effects of Jackson’s California upbringing, in the shadow of a hypercritical mother, on her relationship with her husband, juxtaposing Hyman’s infidelities, domineering behavior, and professional jealousy with his unerring admiration for Jackson’s fiction, which he was convinced was among the most brilliant he had ever encountered.
Based on a wealth of previously undiscovered correspondence and dozens of new interviews, Shirley Jackson—an exploration of astonishing talent shaped by a damaging childhood and turbulent marriage—becomes the definitive biography of a generational avatar and an American literary giant.
First published in 1897, Dracula has had a long and multifaceted afterlife—one rivaling even its immortal creation; yet Bram Stoker has remained a hovering specter in this pervasive mythology. In Something in the Blood, David J. Skal exhumes the inner world and strange genius of the writer who birthed an undying cultural icon, painting an astonishing portrait of the age in which Stoker was born—a time when death was no metaphor but a constant threat easily imagined as a character existing in flesh and blood.
Just as in his celebrated histories The Monster Show and Hollywood Gothic, Skal draws on a wealth of newly discovered documents with "the skills of a fine detective" (New York Times Book Review) to challenge much of our accepted wisdom about Dracula, Stoker, and the late Victorian age. Staging Stoker’s life against a grisly tableau of the myriad anxieties plaguing the Victorian fin de siecle, Skal investigates Stoker’s "transgendered imagination," unearthing Stoker’s unpublished, sexually ambiguous poetry and his passionate youthful correspondence with Walt Whitman—printed in full here for the very first time.
Born into a middle-class Protestant family in Dublin in "Black 47"—the year the potato famine swept the country—Stoker was inexplicably paralyzed as a boy, and his early years unfold alongside a parade of Victorian medical mysteries and horrors: cholera and typhus, frantic bloodletting, mesmeric quack cures, and the gnawing obsession with “bad blood” that colors Dracula. While destined to become best known for his legendary undead count, Bram Stoker would become a prolific writer, critic, and theater producer, rubbing shoulders with Henry Irving, Hall Caine, and Lady Jane Wilde and her salon set—including her fated-to-be-infamous son Oscar.
In this probing psychological and cultural portrait of the man who brought us one of the most memorable monsters in history, Skal reveals a lifetime spent wrestling with the greatest questions of an era—a time riddled by disease, competing attitudes toward sex and gender, and unprecedented scientific innovation accompanied by rising paranoia and crises of faith. Stoker’s battle resulted in a resilient modern folktale that continues to shock and enthrall; perhaps the most frightening thing about Dracula, Skal writes, "is the strong probability that it meant far less to Bram Stoker than it has come to mean to us."
Long-listed for The Morning News 2017 Tournament of Books
"The big city has no lock on misery in these 16 portraits of dark doings in the Deep South."
"Mississippi, as Franklin notes in his introduction, has the most corrupt government, the highest rate of various preventable ills, and the highest poverty rate in the country. In short, the state is a natural backdrop for noir fiction. The 16 stories...emerge from a cauldron of sex, race, ignorance, poverty, bigotry, misunderstanding, and sheer misfortune."
"With the most corrupt government, the highest rate of preventable diseases, and the highest poverty rate in the country, Mississippi is a natural fit for Akashic's noir anthology series."
--Publishers Weekly, Fall 2016 Announcements
"Mississippi is the perfect setting for the latest volume in Akashic’s long-running noir series . . . The most memorable pieces take the definition of noir beyond the expected: William Boyle’s 'Most Things Haven’t Worked Out' is reminiscent of the gothic fatalism in Flannery O’Connor’s stories, while Michael Kardos’s 'Digits,' about a writing teacher whose students come to class with fewer and fewer fingers, veers into Shirley Jackson territory."
"Maybe it’s the oppressive heat and humidity, or maybe it’s the high rates of poverty, crime and corruption that plague this southern state. Whatever the reason, Mississippi is the perfect setting for a good noir story . . . [The Noir series] is adept at finding the dark underbelly of cities big and small, but it has produced a unique, delicious flavor of noir fiction with this Mississippi installment."
--New York Daily News
"These chilling stories . . . consistently embody the ideal of noir writing with a strong sense of place . . . These pages drip with Mississippi humidity. Fans of classic noir will be pleased and rooted in this redolent setting."
--Shelf Awareness for Readers
Akashic Books continues its groundbreaking series of original noir anthologies, launched in 2004 with Brooklyn Noir. Each story is set in a distinct neighborhood or location within the geographic area of the book.
Brand-new stories by: Ace Atkins, William Boyle, Megan Abbott, Jack Pendarvis, Dominiqua Dickey, Michael Kardos, Jamie Paige, Jimmy Cajoleas, Chris Offutt, Michael Farris Smith, Andrew Paul, Lee Durkee, Robert Busby, John M. Floyd, RaShell R. Smith-Spears, and Mary Miller.
From the introduction by Tom Franklin:
"Welcome to Mississippi, where a recent poll shows we have the most corrupt government in the United States. Where we are first in infant mortality, childhood obesity, childhood diabetes, teenage pregnancy, adult obesity, adult diabetes. We also have the highest poverty rate in the country. And, curiously, the highest concentration of kick-ass writers in the country too. Okay, maybe that's not a Gallup poll–certified statistic, but we do have more than our fair share of Pulitzers and even a Nobel...I could go on, and in fact I do, in this very anthology...
Here are sixteen stories from seasoned noir writers like Ace Atkins and Megan Abbott as well as Mississippi's new generation of noirists, authors like William Boyle and Michael Kardos. You'll also find unknown, first-time-published writers like Dominiqua Dickey and Jimmy Cajoleas, who won't remain unknown for long. I'm thrilled to bring these writers to you. In Alabama, where I grew up, we had a saying: Thank God for Mississippi, otherwise we'd be at the bottom in everything.
Welcome to the bottom."
'Phillips lends his own talents as well, bringing the total body count to 13 works of fatalist fiction as well as a poetic interlude featuring Poet Laureate Michael Castro. Joining him as accessories are St. Louis Post-Dispatch film critic Calvin Wilson; LaVelle Wilkins-Chinn, a fiction writer whom Phillips himself taught; and writers John Lutz, Paul D. Marks, Colleen J. McElroy, Jason Makansi, S.L. Coney, Laua Benedict, Umar Lee, Chris Barsanti, Linda Smith and Jedidiah Ayres."
-- St. Louis Newspaper
"Joining Seattle, Memphis, Phoenix, and other noir outposts, St. Louis gets a turn to show its dark side in Phillips' collection of 13 dark tales and a poetic interlude...[A] spirited, black-hearted collection."
Akashic Books continues its groundbreaking series of original noir anthologies, launched in 2004 with Brooklyn Noir. Each story is set in a distinct neighborhood or location within the city of the book.
Brand-new stories by: Calvin Wilson, LaVelle Wilkins-Chinn, John Lutz, Paul D. Marks, Colleen J. McElroy, Jason Makansi, S.L. Coney, Michael Castro, Laura Benedict, Jedidiah Ayres, Umar Lee, Chris Barsanti, L.J. Smith, and Scott Phillips.
From the introduction by Scott Phillips:
"The St. Louis region has had a rough time over the past few years. A number of our school districts are unaccredited. A large section of a North St. Louis County landfill is burning uncontrolled--yes, it's on fire--and said fire is only yards away from a World War II–era radioactive waste dump. There's the matter of the region's de facto segregation, a persistent pox on the city and county decades after the explicit, institutional variety became illegal. A number of our suburban municipalities have lately been exposed in the act of strong-arming their poorest citizens, running what amount to debtors' prisons. In recent years one of those cities, Ferguson, has become a national synonym for police misconduct and institutional racism...
Amid all this is a rich, multicultural history of art and literature both high and low, stemming from conflict and passions running hot...This collection strives for some of that same energy that the collision of high and low can produce...All these writers come at their work with different perspectives and styles but all with a connection to and a passion for our troubled city and its surroundings."
"Edward Hopper is surely the greatest American narrative painter. His work bears special resonance for writers and readers, and yet his paintings never tell a story so much as they invite viewers to find for themselves the untold stories within."
So says Lawrence Block, who has invited seventeen outstanding writers to join him in an unprecedented anthology of brand-new stories: In Sunlight or In Shadow. The results are remarkable and range across all genres, wedding literary excellence to storytelling savvy.
Contributors include Stephen King, Joyce Carol Oates, Robert Olen Butler, Michael Connelly, Megan Abbott, Craig Ferguson, Nicholas Christopher, Jill D. Block, Joe R. Lansdale, Justin Scott, Kris Nelscott, Warren Moore, Jonathan Santlofer, Jeffery Deaver, Lee Child, and Lawrence Block himself. Even Gail Levin, Hopper’s biographer and compiler of his catalogue raisonée, appears with her own first work of fiction, providing a true account of art theft on a grand scale and told in the voice of the country preacher who perpetrated the crime.
In a beautifully produced anthology as befits such a collection of acclaimed authors, each story is illustrated with a quality full-color reproduction of the painting that inspired it.
Nominated by the Mystery Writers of America for the 2017 Edgar Award
“Kids are awesome. And they are diverse. There are children with different abilities and backgrounds and experiences, and every one of them deserves to find themselves in children's literature and to know that they matter.” –Ally Condie, on Summerlost
Sometimes it takes a new friend to bring you home. It's the first real summer since the accident that killed Cedar's father and younger brother, Ben. Cedar and what’s left of her family are returning to the town of Iron Creek for the summer. They’re just settling into their new house when a boy named Leo, dressed in costume, rides by on his bike. Intrigued, Cedar follows him to the renowned Summerlost theatre festival. Soon, she not only has a new friend in Leo and a job working concessions at the festival, she finds herself surrounded by mystery. The mystery of the tragic, too-short life of the Hollywood actress who haunts the halls of Summerlost. And the mystery of the strange gifts that keep appearing for Cedar.
Infused with emotion and rich with understanding, Summerlost is the touching new novel from Ally Condie, the international bestselling author of the Matched series that highlights the strength of family and personal resilience in the face of tragedy.
"Generous and bittersweet, Summerlost has the emotional acuity of Ms. Condie’s writing for older teenagers, but it’s pitched just right for readers ages 10-14." –Wall Street Journal
"Funny, sad, sweet, and heartwarming." –Parents.com, Special Needs Now blog
★ "Condie is at her best . . . grabbing readers’ interest from the first page." —Publishers Weekly, starred review
★ "Thoughtful, poetic chapter endings guide readers new to psychological depth toward meaningful connections between plot events and thematic reflections." —BCCB, starred review
"A nuanced portrait of grief deeply grounded in the middle-school mind-set." —Booklist
"Honest, lovely, and sad." —Kirkus Reviews
BANK STREET BEST BOOK OF THE YEAR
SILVER BIRCH AWARD WINNER
“Complex and satisfying. Written from Daniel’s point of view, this perceptive first-person narrative is sometimes painful, sometimes amusing, and always rewarding.” —Booklist (starred review)
From the author of Incredible Space Raiders from Space! comes a brand-new coming-of-age story about a boy whose life revolves around hiding his obsessive compulsive disorder—until he gets a mysterious note that changes everything.
Daniel is the back-up punter for the Erie Hills Elephants. Which really means he’s the water boy. He spends football practice perfectly arranging water cups—and hoping no one notices. Actually, he spends most of his time hoping no one notices his strange habits—he calls them Zaps: avoiding writing the number four, for example, or flipping a light switch on and off dozens of times over. He hopes no one notices that he’s crazy, especially his best friend Max, and Raya, the prettiest girl in school. His life gets weirder when another girl at school, who is unkindly nicknamed Psycho Sara, notices him for the first time. She doesn’t just notice him: she seems to peer through him.
Then Daniel gets a note: “I need your help,” it says, signed, Fellow Star Child—whatever that means. And suddenly Daniel, a total no one at school, is swept up in a mystery that might change everything for him.
With great voice and grand adventure, this book is about feeling different and finding those who understand.
Claudeline Feng LeBernardin is very good at being bad. Her Grandpa Si was a real-life gangster, and Claude always thought she’d take over the family business when he was gone. Instead, Claude’s dad is in charge—and she’s sure he’s running things into the ground. She wants to step in, but her parents are keeping secrets and her partner in crime, Fingerless Brett, is suddenly on the straight and narrow.
Then, when a very strange character by the name of Alma Lingonberry shows up in the neighborhood, Claude gets closer to the crime life than ever. Before long, she’s swept up in a maddening mystery that’s got her wondering: What does it really mean to be bad?
Things Finley Hart doesn’t want to talk about:
-Her parents, who are having problems. (But they pretend like they’re not.)
-Being sent to her grandparents’ house for the summer.
-Never having met said grandparents.
-Her blue days—when life feels overwhelming, and it’s hard to keep her head up. (This happens a lot.)
Finley’s only retreat is the Everwood, a forest kingdom that exists in the pages of her notebook. Until she discovers the endless woods behind her grandparents’ house and realizes the Everwood is real—and holds more mysteries than she’d ever imagined, including a family of pirates that she isn’t allowed to talk to, trees covered in ash, and a strange old wizard living in a house made of bones.
With the help of her cousins, Finley sets out on a mission to save the dying Everwood and uncover its secrets. But as the mysteries pile up and the frightening sadness inside her grows, Finley realizes that if she wants to save the Everwood, she’ll first have to save herself.
So you’re only halfway through your homework and the Director of the FBI keeps texting you for help…What do you do? Save your grade? Or save the country?
If you’re Florian Bates, you figure out a way to do both.
Florian is twelve years old and has just moved to Washington. He’s learning his way around using TOAST, which stands for the Theory of All Small Things. It’s a technique he invented to solve life’s little mysteries such as: where to sit on the on the first day of school, or which Chinese restaurant has the best eggrolls.
But when he teaches it to his new friend Margaret, they uncover a mystery that isn’t little. In fact, it’s HUGE, and it involves the National Gallery, the FBI, and a notorious crime syndicate known as EEL.
Can Florian decipher the clues and finish his homework in time to help the FBI solve the case?
Kirkus Reviews praised the “solid, realistic friendship bolstered by snappy dialogue,” and School Library Journal said “mystery buffs and fans of Anthony Horowitz’s Alex Rider series are in for a treat.”
“Ambitious, thought-provoking, and very readable.” —Booklist (starred review)
“Vaught brings history to life as she connects the past with the present, showing how acts of violence, betrayal, and courage both color and blend the histories of two families.” —Publishers Weekly (starred review)
A mysterious note takes Dani Beans into the secrets of Ole Miss and its dark past in this compelling new middle grade novel from the author of Footer Davis Probably Is Crazy.
“Sooner or later, we’re all gonna be okay.”
That’s what Dani’s Grandma Beans used to say. But that was before she got Alzheimer’s. Lately, Dani isn’t so sure Grandma Beans was right. In fact, she isn’t sure of a lot of things, like why Mac Richardson suddenly doesn’t want to be her friend, and why Grandma Beans and Avadelle Richardson haven’t spoken in decades. Lately, Grandma Beans doesn’t make a lot of sense. But when she tells Dani to find a secret key and envelope that she’s hidden, Dani can’t ignore her. So she investigates, with the help of her friend, Indri, and her not-friend, Mac. Their investigation takes them deep into the history of Oxford, Mississippi, and the riots surrounding the desegregation of Ole Miss. The deeper they dig, the more secrets they uncover. Were Grandma Beans and Avadelle at Ole Miss the night of the Meredith Riot? And why would they keep it a secret?
The more Dani learns about her grandma’s past, the more she learns about herself and her own friendships—and it’s not all good news. History and present day collide in this mystery that explores how echoes of the past can have profound consequences.
Deep in the forest, four friends gather for a weekend of fun.
Truth #1: Rob is thrilled about the weekend trip. It’s the perfect time for him to break out of his shell…to be the person he really, really wants to be.
Truth #2: Liam, Rob’s boyfriend, is nothing short of perfect. He’s everything Rob could have wanted. They’re perfect together. Perfect.
Truth #3: Mia has been Liam’s best friend for years…long before Rob came along. They get each other in a way Rob could never, will never, understand.
Truth #4: Galen, Mia’s boyfriend, is sweet, handsome, and incredibly charming. He’s the definition of a Golden Boy…even with the secrets up his sleeve.
One of these truths is a lie…and not everyone will live to find out which one it is.
This title has Common Core connections.
"Girl in the Blue Coat is a powerful, compelling coming-of-age story set against the dark and dangerous backdrop of World War II. It's an important and page-turning look at the choices all of us-including young adults-have to make in wartime. A beautiful combination of heartbreak, loss, young love, and hope." -Kristin Hannah, #1 New York Times bestselling author of The Nightingale
"A tapestry of guilt and acceptance, growing responsibility, and reluctant heroism, Hanneke's coming-of-age under heartbreaking circumstances is a jarring reminder of how war consumes and transforms the passions of ordinary life. Every devastating moment of this beautiful novel is both poignant and powerful, and every word feels true." -Elizabeth Wein, New York Times bestselling author of Code Name Verity
Amsterdam, 1943. Hanneke spends her days procuring and delivering sought-after black market goods to paying customers, her nights hiding the true nature of her work from her concerned parents, and every waking moment mourning her boyfriend, who was killed on the Dutch front lines when the Germans invaded. She likes to think of her illegal work as a small act of rebellion.
On a routine delivery, a client asks Hanneke for help. Expecting to hear that Mrs. Janssen wants meat or kerosene, Hanneke is shocked by the older woman's frantic plea to find a person-a Jewish teenager Mrs. Janssen had been hiding, who has vanished without a trace from a secret room. Hanneke initially wants nothing to do with such dangerous work, but is ultimately drawn into a web of mysteries and stunning revelations that lead her into the heart of the resistance, open her eyes to the horrors of the Nazi war machine, and compel her to take desperate action.
Beautifully written, intricately plotted, and meticulously researched, Girl in the Blue Coat is an extraordinary, gripping novel about bravery, grief, and love in impossible times.
Cameron Smith attends an elite boarding school and has just been accepted to Princeton University alongside his beautiful girlfriend, Claire. Life for Cameron would be perfect, except that Cameron Smith is actually Skip O'Rourke, and Skip O'Rourke ran away from his grifter family four years ago...along with $100,000 of their “earnings” (because starting a new life is not cheap). But when his uncle Wonderful tracks him down, Skip's given an ultimatum: come back to the family for one last con, or say good-bye to life as Cameron.
"One last con" is easier said than done when Skip's family is just as merciless (and just as manipulative) as they've always been, and everyone around him is lying. Skip may have given up on crime, but there's one lesson he hasn't forgotten: always know your mark. And if you don't know who your mark is . . . it's probably you.
Witty and irresistibly readable, this standout debut will always keep you guessing.
One sister has everything. Her twin hates her for it.
Would life be better without Ali? Probably. At least then people might think about Morgan. Ali's always gotten everything — she doesn't even realize how much Morgan resents her.
Ali also doesn't realize that when she shuts Morgan out entirely, she will unleash a chain of events that show just how dangerous the underside of love really is. As their lives spin toward something neither one of them can control, a terrifying crime reveals how those who know us best can destroy us...or save us.
Praise for The Other Sister:
"Through acute imagery and with beautifully deep insight, Dixon unveils the complex rawness of human beings and demonstrates how even the ugliest incidents and secrets can still lead to joy."—Booklist
"...a thought-provoking novel....Dianne Dixon knows how to keep readers coming back."—RT Book Review
It’s the oldest bookshop in a town full of bookshops; rambling and disordered, full of treasures if you look hard. Jude found one of the treasures when she visited last summer, the high point of a miserable vacation. Now, in the depths of winter, when she has to run away, Lowell’s chaotic bookshop in that backwater of a town is the safe place she runs to.
Jude needs a bolt-hole; Lowell needs an assistant, and when an affordable rental is thrown in too, life begins to look up. The gravedigger’s cottage isn’t perfect for a woman alone, but at least she has quiet neighbors.
Quiet, but not silent. The long dead and the books they left behind both have tales to tell, and the dusty rooms of the bookshop are not the haven they seem to be. Lowell’s past and Jude’s present are a dangerous cocktail of secrets and lies, and someone is coming to light the taper that could destroy everything.
A 2016 Agatha Award Finalist for Best Contemporary Novel
A 2017 Mary Higgins Clark Award Finalist
A 2017 IPPY Award Bronze Medalist for Mystery/Cozy/Noir
"Quiet Neighbors drew me in from the very first page, and I stayed up late reading it because I couldn't wait to find out what happened next. That's the definition of a good book."—Charlaine Harris, #1 New York Times bestselling author
"McPherson writes mystery stories that are both cozy and creepy, which accounts for the quirky charm of Quiet Neighbors."—The New York Times
"Outstanding."—Publishers Weekly (starred review)
"Layer upon layer of deception."—Kirkus Reviews (starred review)
"McPherson is a master of slightly creepy narratives that are complex and character driven."—Library Journal (starred review)
"Quiet Neighbors is a real find . . . This is one of those ideal stories that you cannot put down and actually feel sad when it's over."—Suspense Magazine
"Quiet Neighbors is a cleverly conceived, skillfully executed, decidedly nontraditional small-town mystery that is bursting at the seams with warmth, wit, moxie, and menace."—Mystery Scene
“Despite the dark underpinnings, this is also a story of love, family, trust, and forgiveness.”—Booklist
"Intricately layered and psychologically taut."—The Strand Magazine
When Boston reporter Jane Ryland reports a hit and run, she soon learns she saw more than a car crash—she witnessed the collapse of an alibi. Working on an expose of sexual assaults on college campuses for the station’s new documentary unit, Jane’s just convinced a date rape victim to reveal her heartbreaking experience on camera. However, a disturbing anonymous message—SAY NO MORE—has Jane really and truly scared.
Homicide detective Jake Brogan is on the hunt for the murderer of Avery Morgan, a hot-shot Hollywood screenwriter. Her year as a college guest lecturer just ended at the bottom of her swimming pool in the tight-knit and tight-lipped Boston community called The Reserve. As Jake chips his way through a code of silence as shatterproof as any street gang, he’ll learn that one newcomer to the neighborhood may have a secret of her own.
A young woman faces a life-changing decision—should she go public about her assault? Jane and Jake—now semi-secretly engaged and beginning to reveal their relationship to the world—are both on a quest for answers as they try to balance the consequences of the truth.
At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Hair neatly braided, hands serenely clasped, eyes closed, the young woman appeared to be sound asleep. But the peaceful tableau was a madman’s handiwork. Beneath the covers, her white nightgown was spattered with blood. At daybreak, a horrified family would discover her corpse tucked into their guest room. The cunning killer would strike again . . . and again . . . before vanishing into the mists of time.
A century ago, the Sleeping Beauty Murders terrified picturesque Mundy’s Landing. The victims, like the killer, were never identified. Now, on the hundredth anniversary, the Historical Society’s annual “Mundypalooza” offers a hefty reward for solving the notorious case.
Annabelle Bingham, living in one of the three Murder Houses, can’t escape the feeling that her family is being watched—and not just by news crews and amateur sleuths. She’s right. Having unearthed the startling truth behind the horrific crimes, a copycat killer is about to reenact them—beneath the mansard roof of Annabelle’s dream home . . .
At the foot of a tree shattered by shelling and gunfire, stretcher-bearers find an exhausted officer, shivering with cold and a loss of blood from several wounds. The soldier is brought to battlefield nurse Bess Crawford’s aid station, where she stabilizes him and treats his injuries before he is sent to a rear hospital. The odd thing is, the officer isn’t British—he’s French. But in a moment of anger and stress, he shouts at Bess in German.
When Bess reports the incident to Matron, her superior offers a ready explanation. The soldier is from Alsace-Lorraine, a province in the west where the tenuous border between France and Germany has continually shifted through history, most recently in the Franco-Prussian War of 1870, won by the Germans. But is the wounded man Alsatian? And if he is, on which side of the war do his sympathies really lie?
Of course, Matron could be right, but Bess remains uneasy—and unconvinced. If he was a French soldier, what was he doing so far from his own lines . . . and so close to where the Germans are putting up a fierce, last-ditch fight?When the French officer disappears in Paris, it’s up to Bess—a soldier’s daughter as well as a nurse—to find out why, even at the risk of her own life.