Graphic novel

The revolutionary work of graphic storytelling that inspired a new art form.

Will Eisner was present at the dawn of comics. In the 1940s, he pushed the boundaries of the medium with his acclaimed weekly comic strip The Spirit, and with the publication of A Contract with God in 1978, he created a new medium altogether: the graphic novel. It was unlike anything seen before, heralding an era when serious cartoonists were liberated from the limiting confines of the comic strip. Eisner’s work was a shining example of what comics could be: as inventive, moving, and complex as any literary art form.

Eisner considered himself “a graphic witness reporting on life, death, heartbreak, and the never-ending struggle to prevail.” A Contract with God begins with a gripping tale that mirrors the artist’s real-life tragedy, the death of his daughter. Frimme Hersh, a devout Jew, questions his relationship with God after the loss of his own beloved child. Hersh’s crisis is intertwined with the lives of the other unforgettable denizens of Eisner’s iconic Dropsie Avenue, a fictionalized version of the quintessential New York City street where he came of age at the height of the Depression.

This centennial edition showcases Eisner’s singular visual style in new high-resolution scans of his original art, complete with an introduction by Scott McCloud and an illuminating history of Eisner’s seminal work. Now readers can experience the legendary book that launched a unique art form and reaffirmed Will Eisner as one of the great pioneers of American graphic storytelling.

Winner of the Eisner, Harvey, and Ignatz Awards for Best Graphic Novel. A New York Times Bestseller! "Remarkable."-- Leo Carey, The New Yorker "... dark, fearsomely complex..."-- Douglas Wolk, Publishers Weekly "My all-time favorite graphic novel... an immense, majestic work about the Jack the Ripper murders, the dark Victorian world they happened in, and the birth of the 20th century."-- Warren Ellis, Entertainment Weekly "Moore's works have often defied the public's expectations of the medium, and his most ambitious work, the massive graphic novel From Hell, is no exception... The result is at once a meditation on evil, a police procedural and a commentary on Victorian England. ... an impressive piece of work."-- Patrick Day, The Los Angeles Times "... a massive exploration of the Jack The Ripper murders that incorporates British history, Masonic ritual, and London geography in a fascinating and horrifying conspiracy theory."-- Tasha Robinson, The AV Club From Hell is the story of Jack the Ripper, perhaps the most infamous man in the annals of murder. Detailing the events leading up to the Whitechapel killings and the cover-up that followed, From Hell is a meditation on the mind of a madman whose savagery and violence gave birth to the 20th century. The serialized story, presented in its entirety in this volume, has garnered widespread attention from critics and scholars, and has been adapted into a major motion picture from Twentieth Century Fox starring Johnny Depp and Heather Graham. Often regarded as one of the most significant graphic novels ever published, From Hell combines meticulous research with educated speculation, resulting in a masterpiece of historical fiction both compelling and terrifying.
#1 New York Times Bestseller

2014 NATIONAL BOOK AWARD FINALIST

In her first memoir, New Yorker cartoonist Roz Chast brings her signature wit to the topic of aging parents. Spanning the last several years of their lives and told through four-color cartoons, family photos, and documents, and a narrative as rife with laughs as it is with tears, Chast's memoir is both comfort and comic relief for anyone experiencing the life-altering loss of elderly parents.

When it came to her elderly mother and father, Roz held to the practices of denial, avoidance, and distraction. But when Elizabeth Chast climbed a ladder to locate an old souvenir from the “crazy closet”-with predictable results-the tools that had served Roz well through her parents' seventies, eighties, and into their early nineties could no longer be deployed.

While the particulars are Chast-ian in their idiosyncrasies-an anxious father who had relied heavily on his wife for stability as he slipped into dementia and a former assistant principal mother whose overbearing personality had sidelined Roz for decades-the themes are universal: adult children accepting a parental role; aging and unstable parents leaving a family home for an institution; dealing with uncomfortable physical intimacies; managing logistics; and hiring strangers to provide the most personal care.

An amazing portrait of two lives at their end and an only child coping as best she can, Can't We Talk about Something More Pleasant will show the full range of Roz Chast's talent as cartoonist and storyteller.
The New York Times–bestselling graphic memoir about Alison Bechdel, author of Fun Home, becoming the artist her mother wanted to be.

Alison Bechdel’s Fun Home was a pop culture and literary phenomenon. Now, a second thrilling tale of filial sleuthery, this time about her mother: voracious reader, music lover, passionate amateur actor. Also a woman, unhappily married to a closeted gay man, whose artistic aspirations simmered under the surface of Bechdel's childhood…and who stopped touching or kissing her daughter good night, forever, when she was seven.

Poignantly, hilariously, Bechdel embarks on a quest for answers concerning the mother-daughter gulf. It's a richly layered search that leads readers from the fascinating life and work of the iconic twentieth-century psychoanalyst Donald Winnicott, to one explosively illuminating Dr. Seuss illustration, to Bechdel’s own (serially monogamous) adult love life. And, finally, back to Mother—to a truce, fragile and real-time, that will move and astonish all adult children of gifted mothers.

A New York Times, USA Today, Time, Slate, and Barnes & Noble Best Book of the Year

 

“As complicated, brainy, inventive and satisfying as the finest prose memoirs.”—New York Times Book Review

 

“A work of the most humane kind of genius, bravely going right to the heart of things: why we are who we are. It's also incredibly funny. And visually stunning. And page-turningly addictive. And heartbreaking.”—Jonathan Safran Foer

 

“Many of us are living out the unlived lives of our mothers. Alison Bechdel has written a graphic novel about this; sort of like a comic book by Virginia Woolf. You won't believe it until you read it—and you must!”—Gloria Steinem
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