Georgia

In 1905 Georgia travelled to Chicago to study painting at the Art Institute of Chicago. In 1907 she enrolled at the Art Students’ League in New York City, where she studied with William Merritt Chase. During her time in New York she became familiar with the 291 Gallery owned by her future husband, photographer Alfred Stieglitz. In 1912, she and her sisters studied at university with Alon Bement, who employed a somewhat revolutionary method in art instruction originally conceived by Arthur Wesley Dow. In Bement’s class, the students did not mechanically copy nature, but instead were taught the principles of design using geometric shapes. They worked at exercises that included dividing a square, working within a circle and placing a rectangle around a drawing, then organising the composition by rearranging, adding or eliminating elements. It sounded dull and to most students it was. But Georgia found that these studies gave art its structure and helped her understand the basics of abstraction. During the 1920s O’Keeffe also produced a huge number of landscapes and botanical studies during annual trips to Lake George. With Stieglitz’s connections in the arts community of New York – from 1923 he organised an O’Keeffe exhibition annually – O’Keeffe’s work received a great deal of attention and commanded high prices. She, however, resented the sexual connotations people attached to her paintings, especially during the 1920s when Freudian theories became a form of what today might be termed “pop psychology”. The legacy she left behind is a unique vision that translates the complexity of nature into simple shapes for us to explore and make our own discoveries. She taught us there is poetry in nature and beauty in geometry. Georgia O’Keeffe’s long lifetime of work shows us new ways to see the world, from her eyes to ours.
NATIONAL BESTSELLER • In a dazzling work of historical fiction in the vein of Nancy Horan’s Loving Frank, Dawn Tripp brings to life Georgia O’Keeffe, her love affair with photographer Alfred Stieglitz, and her quest to become an independent artist.

This is not a love story. If it were, we would have the same story. But he has his, and I have mine.

In 1916, Georgia O’Keeffe is a young, unknown art teacher when she travels to New York to meet Stieglitz, the famed photographer and art dealer, who has discovered O’Keeffe’s work and exhibits it in his gallery. Their connection is instantaneous. O’Keeffe is quickly drawn into Stieglitz’s sophisticated world, becoming his mistress, protégé, and muse, as their attraction deepens into an intense and tempestuous relationship and his photographs of her, both clothed and nude, create a sensation.

Yet as her own creative force develops, Georgia begins to push back against what critics and others are saying about her and her art. And soon she must make difficult choices to live a life she believes in.

A breathtaking work of the imagination, Georgia is the story of a passionate young woman, her search for love and artistic freedom, the sacrifices she will face, and the bold vision that will make her a legend.

Praise for Georgia

“Complex and original . . . Georgia conveys O’Keeffe’s joys and disappointments, rendering both the woman and the artist with keenness and consideration.”The New York Times Book Review

“As magical and provocative as O’Keeffe’s lush paintings of flowers that upended the art world in the 1920s . . . Tripp inhabits Georgia’s psyche so deeply that the reader can practically feel the paintbrush in hand as she creates her abstract paintings and New Mexico landscapes. . . . Evocative from the first page to the last, Tripp’s Georgia is a romantic yet realistic exploration of the sacrifices one of the foremost artists of the twentieth century made for love.”USA Today

“Sexually charged . . . insightful . . . Dawn Tripp humanizes an artist who is seen in biographies as more icon than woman. Her sensuous novel is as finely rendered as an O’Keeffe painting.”The Denver Post

“A vivid work forged from the actual events of O’Keeffe’s life . . . [Tripp] imbues the novel with a protagonist who forces the reader to consider the breadth of O’Keeffe’s talent, business savvy, courage and wanderlust. . . . [She] is vividly alive as she grapples with success, fame, integrity, love and family.”Salon
“Brilliant plotting, relentless suspense,” raved the Washington Post. “A new synonym for terror,” crowned the Detroit Free Press. The critics agree: no one writes suspense like Karin Slaughter, whose thrillers featuring medical examiner Sara Linton and her ex-husband, police chief Jeffrey Tolliver, have propelled her to the top of bestseller lists the world over. Now Slaughter fuses her unmatched grasp of forensic science and a mastery of complex relationships in a riveting tale of faith, doubt, and murder.

The victim was buried alive in the Georgia woods—then killed in a horrifying fashion. When Sara Linton and Jeffrey Tolliver stumble upon the body, both become consumed with finding out who killed the pretty, impeccably dressed young woman. And for Sara and Jeffrey, a harrowing journey begins, one that will test their own turbulent relationship and draw dozens of lives into the case.

Lena Adams is one of them. A Grant County detective for years, she has her own reasons for being drawn to this case and a fierce drive to see justice done. For these three people, who have each seen the darkest side of human nature, the body of the murdered girl is but the first in a series of shocking and sordid revelations.

Now, as Jeffrey and Sara narrow the field of suspects, they must confront their own doubts and indiscretions, while Lena Adams sees herself reflected in the frightened eyes of a battered woman who may be the key figure in the case. As Faithless builds to a stunning and unforgettable climax, Karin Slaughter masterfully brings together strands of interlocking lives, family secrets, and hidden passions with one astounding truth: the identity of a killer who is more evil and dangerous than anyone could have guessed.

BONUS: This edition includes an excerpt from Karin Slaughter's Unseen.
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