關、王、馬三家雜劇特色及其在戲曲史上的意義

秀威出版
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元代關、王、馬「三家鼎立,矜式群英」的雜劇創作特色,由戲曲本質論,呈現「以劇作劇」「以詩作劇」「以劇作詩」等不同創作手法;以時代背景論,更因人生態度的不同,影響其文學作品精神主調的呈現,如關漢卿的「破」與「批判」、王實甫的「立」與「謳歌」、馬致遠的「避」與「退離」等雜劇創作主調即是。本書由戲曲形式與時代背景等面向論述,除確立三家特色外,再依三家劇作歸納之特色,論析元、明、清劇作家創作趨勢與戲曲理論史上對三家之研討,進而肯定三家在戲曲史上之意義。【秀威資訊科技股份有限公司製作】
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About the author

張錦瑤,台灣嘉義縣人。國立高雄師範大學國文博士,現為實踐大學助理教授。曾任國立中興大學中文系兼任助理教授、講師。著有: <神聖與超凡——以《詩經》「無父感生」神話為論>、<唐代山水信仰——以《華嶽神女》、《柳毅傳》傳奇為論>、<由戲曲「抒情化」趨向論關王馬雜劇風格>、<明代曲論「雙美說」>等。
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Additional Information

Publisher
秀威出版
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Published on
May 1, 2007
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Pages
370
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ISBN
9789866909689
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Best For
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Language
Chinese
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Genres
Literary Collections / General
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Content Protection
This content is DRM protected.
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