Because of its political significance, Washington, D.C., although not a huge population center, is home to an international news corps rivaling that of London or New York. The sniper story thus gained unusually broad media coverage. These events also coincided with the rise of cable network news, meaning that the story would be delivered through a greatly accelerated news cycle. Continuous coverage on television meant a more intense race for scoops; when a major development wasn’t available, lesser incidents were sometimes played up in an attempt to maintain the sense of an always unfolding story.
Jack Censer looks at the atmosphere of heightened anxiety in which this killing spree occurred—coming only a year after the 9/11 attacks, as well as the unsolved anthrax scare centered in the D.C. area—and asks if the press, by intensifying its focus, also intensified the sense of fear.To bring in another perspective, Censer looks closely at the elementary and secondary schools in the area, comparing their experience of the threat with the press’s perception, and presentation, of it. In most cases, school officials chose a course of precaution in which life could carry on, rather than one of hypervigilance and lockdowns.
Although it is widely thought that journalists have strong political and commercial biases, Censer reveals that in this case the press was motivated, above all, by the creation of a gripping story to evoke emotion from its audience. One of the most detailed studies yet published of how the press follows a story in the twenty-four-hour news era, this book provides a window on post-9/11 anxiety and the relationship between those fears, public events, and the news media.
A silent, simmering killer terrorized New England in1911. As a terrible heat wave killed more than 2,000 people, another silent killer began her own murderous spree. That year a reporter for the Hartford Courant noticed a sharp rise in the number of obituaries for residents of a rooming house in Windsor, Connecticut, and began to suspect who was responsible: Amy Archer-Gilligan, who’d opened the Archer Home for Elderly People and Chronic Invalids four years earlier. “Sister Amy” would be accused of murdering both of her husbands and up to sixty-six of her patients with cocktails of lemonade and arsenic; her story inspired the Broadway hit Arsenic and Old Lace.
The Devil’s Rooming House is the first book about the life, times, and crimes of America’s most prolific female serial killer. In telling this fascinating story, M. William Phelps also paints a vivid portrait of early-twentieth-century New England.
With a new introduction by Anthony Arnove, this edition of the classic national bestseller chronicles American history from the bottom up, throwing out the official narrative taught in schools—with its emphasis on great men in high places—to focus on the street, the home and the workplace.
Known for its lively, clear prose as well as its scholarly research, A People's History of the United States is the only volume to tell America's story from the point of view of—and in the words of—America's women, factory workers, African-Americans, Native Americans, the working poor, and immigrant laborers. As historian Howard Zinn shows, many of our country's greatest battles—the fights for a fair wage, an eight-hour workday, child-labor laws, health and safety standards, universal suffrage, women's rights, racial equality—were carried out at the grassroots level, against bloody resistance.
Covering Christopher Columbus's arrival through President Clinton's first term, A People's History of the United States features insightful analysis of the most important events in our history.