The island of Gotland is in the middle of a busy tourist season and getting ready for Midsummer, the 4th of July of Swedish holidays, when a young woman and her dog are found brutally murdered. The dog has been beheaded and is missing a paw; the woman is naked, covered in gruesome axe wounds, and her panties have been stuffed in her mouth.
What looks like a crime committed by the victim's jealous husband keeps the local police force on their toes. Then a second victim is found. A serial killer terrorizes tourists and locals alike, and Inspector Anders Knutas has to face additional pressure from the media and local politicians who are worried about bad PR for the island.
In his quest for the murderer, he is aided by Johan Berg, an intrepid young journalist from Stockholm who has been sent to cover the incidents and who gets involved with Emma, one of the first victim's close friends. Three women die before Knutas and Berg, each approaching the case in their own way, finally close in on the killer, who has always, until now, been the one unseen by everybody.
Jungstedt has written an atmospheric and exciting first mystery in clear, unadorned prose, in the tradition of Henning Mankell, Håkan Nesser, and Karin Fossum.
Inspector Anders Knutas investigates Martina's acquaintances. Who was the mysterious lover she was supposed to have been meeting in secret and whom none of her fellow archaeologists have actually seen? What do the marks on Martina's body signify? Is there possibly a connection between Martina's death and the recent and unsolved brutal beheading of a Gotland pony? The pony was also bled out, and its head was missing---until it appears mounted on a stick outside the next victim's house.
Inspector Knutas and his team work feverishly to catch the killer, but before long there are more victims, all of whom have been killed and mutilated the same way.
Mari Jungstedt integrates a healthy dose of Scandinavian mythology in this installment of her critically acclaimed series, and also addresses current issues on Gotland, while keeping up a fast-paced and intricate plot as Knutas closes in on the killer and the secret that connects the victims. This is Swedish crime fiction at its best: dark, atmospheric, and character-driven.
The swift conviction left Van Veeteren uneasy: Janek Mitter woke one morning with a brutal hangover and his wife dead in the bathtub. With only the flimsiest defense, he is found guilty and imprisoned in a mental institution. But when Mitter is murdered in his bed, Van Veeteren regrets not following his gut and launches an investigation into the two murders. As the chief inspector delves deeper, the twisted root of these violent murders will shock even him.
Last year Jar City introduced international crime-writing sensation Arnaldur Indridason to rave reviews and a rousing welcome from American thriller fans. And now, Silence of the Grave, the next in this stunning series has won the coveted Golden Dagger Award. Presented by the British Crime Writers' Association, previous winners of this award include John Le Carre, Minette Walters, Henning Mankell, and James Lee Burke.
In Silence of the Grave, a corpse is found on a hill outside the city of Reykjavík, and Detective Inspector Erlendur Sveinsson and his team think the body may have been buried for some years.
While Erlendur struggles to hold together the crumbling fragments of his own family, slowly but surely he finds out the truth about another unhappy family. Few people are still alive who can tell the tale, but even secrets taken to the grave cannot remain hidden forever.
Destined to be a classic in the world of crime fiction, Silence of the Grave is one of the most accomplished thrillers in recent years.