Five Gothic Masterpieces: The Mysteries of Udolpho, The Great God Pan, Frankenstein, Carmilla, and Dracula

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The iconic Gothic horror classics that gave birth to the monstrous myths that still inhabit our nightmares.

Tragic heroines, windswept moors, dark and stormy nights, castle prisons, and forbidden desires realized at the greatest cost—these are the elements of Gothic horror, given its finest expression in these five enduring novels.
 
Frankenstein: Obsessed with the secret of creation, Swiss scientist Dr. Victor Frankenstein cobbles together a body he is determined to bring to life. When the creature opens his eyes one fateful night, the doctor is repulsed: His vision of perfection is a hideous monster. Dr. Frankenstein abandons his creation, but the furious, lonely monster will not be ignored, setting in motion a chain of violence and terror. A gripping story about the ethics of creation and the consequences of trauma, Frankenstein is as relevant today as it is haunting.
 
Dracula: Upon a visit to Transylvania, young English lawyer Jonathan Harker makes a horrifying discovery about Castle Dracula and its resident count, who survives on the blood of human beings. Thus a battle of wits ensues between the vicious count and his various adversaries in this legendary Gothic novel of horror, dark romance, and chilling suspense.
 
Carmilla: Published twenty-five years before Stoker’s Dracula, Carmilla is the passionate, thrilling tale of a mysterious young woman’s dramatic arrival at an isolated castle. The innocent Laura has never seen anyone like the seductive, secretive Carmilla, except in her dreams—and an antique portrait, which resembles the visitor perfectly, down to the mole on her tempting neck. Laura quickly realizes there is something far more dark and sinister about Carmilla than meets the eye.
 
The Great God Pan: When Mr. Clarke agrees to visit his friend Dr. Raymond, he is dubious about the proceedings he is to witness. In pursuit of what Raymond calls “transcendental medicine,” the doctor intends to make a small incision in a woman’s brain, allowing her to see past the world of the senses to a reality beyond imagining—a realm where, Raymond says, one can see the great god Pan. Stephen King has called The Great God Pan “one of the best horror stories ever written.”
 
The Mysteries of Udolpho: Orphaned heroine Emily St. Aubert has been imprisoned by Signor Montoni, her evil guardian, in his gloomy medieval fortress in the Apennines. Terror is the order of the day inside the walls of Udolpho, as Emily struggles against Montoni’s rapacious schemes and the threat of her own psychological disintegration. A bestseller in its day and a potent influence on Walpole and Poe, this dreamlike, nearly hallucinatory classic remains one of the most important works in the history of European fiction.
 
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About the author

Ann Radcliffe (1765–1823) was an influential author of Gothic literature and one of the most popular writers of her era. In addition to The Mysteries of Udolpho, her six novels include The Italian and The Romance of the Forest.
 
Arthur Machen (1863–1947) was a Welsh author and actor best known for his fantasy and horror fiction. He grew up with intentions of becoming a doctor, but followed a boyhood passion of the supernatural and occult and started to write. In 1890, Machen began publishing short stories in literary magazines. Four years later, he released his breakthrough work, The Great God Pan. Decried upon initial publication for its depictions of sex and violence, the tale has since become a horror classic and has been hailed as “maybe the best [horror story] in the English language” by Stephen King. Machen continued to publish supernatural novels but spent time as actor in a traveling player company after his wife’s death. His literary career revived once more with the publication of his works The House of Souls and The Hill of Dreams. During World War I, Machen became a full-time journalist. Though he rallied for republications of his works, Machen’s literary career ultimately diminished, and he lived much of his life in poor finances. 
 
Mary Shelley (1797–1851) was the only daughter of the political philosopher William Godwin and Mary Wollstonecraft, celebrated author of A Vindication of the Rights of Woman. At the age of sixteen, Shelley (then Mary Godwin) scandalized English society by eloping with the poet Percy Bysshe Shelley, who was married. Best known for the genre-defining Frankenstein (1818), she was a prolific writer of fiction, travelogues, and biographies during her lifetime, and was instrumental in securing the literary reputation of Percy Shelley after his tragic death.
 
J. Sheridan Le Fanu (1814–1873) was an Irish writer who helped develop the ghost story genre in the nineteenth century. Born to a family of writers, Le Fanu released his first works in 1838 in Dublin University Magazine, which he would go on to edit and publish in 1861. Some of Le Fanu’s most famous Victorian Gothic works include Carmilla, Uncle Silas, and In a Glass Darkly. His writing has inspired other great authors of horror and thriller literature such as Bram Stoker and M. R. James.
 
Bram Stoker (1847–1912) was an Irish novelist, short story author, drama critic, and the business manager of the Lyceum Theatre in London. Published in 1897, his Gothic novel Dracula introduced readers to one of the most popular fictional characters of all time.
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Additional Information

Publisher
Open Road Media
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Published on
Oct 31, 2017
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Pages
2416
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ISBN
9781504048996
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Language
English
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Genres
Fiction / Classics
Fiction / Gothic
Fiction / Horror
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Content Protection
This content is DRM protected.
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Available on Android devices
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Eligible for Family Library

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From #1 New York Times bestselling author Stephen King, the most riveting and unforgettable story of kids confronting evil since It—publishing just as the second part of It, the movie, lands in theaters.

In the middle of the night, in a house on a quiet street in suburban Minneapolis, intruders silently murder Luke Ellis’s parents and load him into a black SUV. The operation takes less than two minutes. Luke will wake up at The Institute, in a room that looks just like his own, except there’s no window. And outside his door are other doors, behind which are other kids with special talents—telekinesis and telepathy—who got to this place the same way Luke did: Kalisha, Nick, George, Iris, and ten-year-old Avery Dixon. They are all in Front Half. Others, Luke learns, graduated to Back Half, “like the roach motel,” Kalisha says. “You check in, but you don’t check out.”

In this most sinister of institutions, the director, Mrs. Sigsby, and her staff are ruthlessly dedicated to extracting from these children the force of their extranormal gifts. There are no scruples here. If you go along, you get tokens for the vending machines. If you don’t, punishment is brutal. As each new victim disappears to Back Half, Luke becomes more and more desperate to get out and get help. But no one has ever escaped from the Institute.

As psychically terrifying as Firestarter, and with the spectacular kid power of It, The Institute is Stephen King’s gut-wrenchingly dramatic story of good vs. evil in a world where the good guys don’t always win.
The original 1818 text of Mary Shelley's classic novel, with annotations and essays highlighting its scientific, ethical, and cautionary aspects.

Mary Shelley's Frankenstein has endured in the popular imagination for two hundred years. Begun as a ghost story by an intellectually and socially precocious eighteen-year-old author during a cold and rainy summer on the shores of Lake Geneva, the dramatic tale of Victor Frankenstein and his stitched-together creature can be read as the ultimate parable of scientific hubris. Victor, “the modern Prometheus,” tried to do what he perhaps should have left to Nature: create life. Although the novel is most often discussed in literary-historical terms—as a seminal example of romanticism or as a groundbreaking early work of science fiction—Mary Shelley was keenly aware of contemporary scientific developments and incorporated them into her story. In our era of synthetic biology, artificial intelligence, robotics, and climate engineering, this edition of Frankenstein will resonate forcefully for readers with a background or interest in science and engineering, and anyone intrigued by the fundamental questions of creativity and responsibility.

This edition of Frankenstein pairs the original 1818 version of the manuscript—meticulously line-edited and amended by Charles E. Robinson, one of the world's preeminent authorities on the text—with annotations and essays by leading scholars exploring the social and ethical aspects of scientific creativity raised by this remarkable story. The result is a unique and accessible edition of one of the most thought-provoking and influential novels ever written.

Essays by
Elizabeth Bear, Cory Doctorow, Heather E. Douglas, Josephine Johnston, Kate MacCord, Jane Maienschein, Anne K. Mellor, Alfred Nordmann

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