Nina Todd Has Gone: A Novel

Open Road Media
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The truth behind a one-night stand becomes just as terrifying as the consequences, “engrossing” (The Guardian).
Nina Todd is a woman of unextraordinary looks, with a dependable boyfriend and a menial job in Sheffield. It’s what she’s craved for years—a completely normal life. Then, while on a business trip in Blackpool, she’s approached by a younger man in the Hotel Astoria. She should have said no, but he was too handsome, and too persuasive to let go. The only trouble is . . . now he won’t let her go. What can he possibly want with her? He doesn’t even know her real name.
It wasn’t a random pick-up. Nina’s the one Rupert had been searching for. And he’s not giving up on her. Wherever she goes, Rupert will be there, too—gorgeous, irresistible, distracting, and determined to rip apart Nina’s newly ordered life. Now all she has to fear is her relationship and her job. She’ll never suspect there’s so much more. Nina doesn’t even know his real name. If she did, she’d run like hell.
What begins as a fatal attraction takes a terrifying detour as the paths of two apparent strangers converge, in this psychological thriller from “the suspense writers’ suspense writer” (Harper’s Bazaar).
“A gripping page-turner.” —Cosmopolitan
“Horribly plausible and crisply executed.” —The Sunday Telegraph
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About the author

Lesley Glaister (b. 1956) is a British novelist, playwright, and teacher of writing, currently working at the University of St Andrews. She is a fellow of the Royal Society of Literature and a member of the Society of Authors. Her first novel, Honour Thy Father, was published in 1990 and received both a Somerset Maugham Award and a Betty Trask Award. Glaister became known for her darkly humorous works and has been dubbed the Queen of Domestic Gothic. Glaister was named Yorkshire Author of the Year in 1998 for her novel Easy Peasy, which was shortlisted for the Guardian Fiction Award in 1998. Now You See Me was shortlisted for the Orange Prize for Fiction in 2002. Glaister lives in Edinburgh, Scotland, with her husband, author Andrew Greig.
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Additional Information

Open Road Media
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Published on
Dec 30, 2014
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Fiction / Thrillers / Psychological
Fiction / Thrillers / Suspense
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Content Protection
This content is DRM protected.
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Available on Android devices
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Eligible for Family Library

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In the electrifying tradition of Minette Walters and Ruth Rendell, J. M. Morris savagely plumbs the depths of psychological terror in an uncompromising and brutally brilliant suspense debut. The Lonely Places etches a fiendishly compelling portrait of madness and menace, eroticism and terror, that pits a woman’s mind against a world where nothing is as it seems.


“Then along came a spider Who sat down beside her...”

Ruth Gemmill is broken. All she has known, all she has loved, all she has ever desired, have laid her waste. As autumn’s shadows begin to seep through her London home, Ruth escapes to the fading twilight of northern England in a last, desperate attempt to stave off the encroaching darkness. She needs the consolation of her brother, Alex: a man she cannot breathe without.

It’s not the first time. She couldn’t breathe without Matt either. Matt, who used to beat her. Matt, who loved to hurt her. Matt, whom she loved with a masochistic passion that destroyed everything in its path. But Ruth moved on, reinvented herself. Ruth found the strength to escape the terrifying abuse of her domestic existence. Or so she would like to think. Little does she realize the extent of the crippling cobwebs her vicious lover has spun throughout her mind.

But in the grim, foreboding town of Greenwell, where her brother now lives, fate deals Ruth another blow. For Alex has disappeared. To bring him safely home, she will be forced to confront her emotional demons through a bewildering landscape, where the phantoms of a menacing past lurk around every corner, wielding memories, determined to wake Ruth up to the most horrifying reality of all. Some webs can never be swept away, some spiders sting to destroy....

With chilling emotional precision and searing insight, J. M. Morris has created a novel that is at once devastatingly plausible, utterly poignant—and impossible to forget.
‘Totally blew me away and I loved every page… I would give it hundred stars if possible… so many twist and turns, it will make your head spin.’ Shuffle Book Box, 5 stars 

How do you protect your child if they’re keeping a secret?

Every day, a woman like Louise passes you in the street: elegant, confident, determined. But underneath, she’s struggling.

She doesn’t know her sister, Alice, has been scared of leaving the house since their mother died.

She doesn’t know when Alice babysits her little boy, Archie, he sometimes sees things he shouldn’t.

She doesn’t know Archie has a secret.

A secret that could send cracks through the heart of Louise’s carefully constructed life...

The most gripping psychological thriller you’ll read this year from the Kindle top five bestselling author K.L. Slater. If you love The Girl on the Train or Gone Girl, you’ll be absolutely hooked.

What readers are saying about The Secret:

‘Kept me gripped from the beginning to the end, I literally couldn’t put it down and read it in a day... I can’t wait to read another book from this author.’ Nicky Reviews, 5 stars

‘From the very first page I was captivated… I gobbled up every single word and absolutely flew towards the tense, secret-filled climax that delivered over and over again until I finished the story positively breathless. I am already awaiting the next one with impatient anticipation. ‘ Angela Marsons, 5 stars

‘Wow! What a roller coaster ride! Definitely a psychological thriller! Just when I thought I knew what was going to happen, I was wrong!... I love reading K.L. Slater books and am never disappointed.’ Goodreads Reviewer, 5 stars

‘Fantastic book loved every word... how my heart went out to Alfie, really good book one of the best I’ve read this year’ NetGalley Reviewer, Five Stars.

‘K.L. Slater has written another fantastic story that I could not tear my eyes from, I was hooked from the start and quickly drawn in to the story... a truly gripping and addictive story that you won’t be able to put down. Highly recommended!’ Goodreads Reviewer, 5 stars

‘This author is amazing. Her characters come to life… The book will have you crying… I would have given more than 5 stars if I could. ‘ Goodreads Reviewer, 5 stars

‘Superbly written, unpredictable, and with a fantastic finish... This is what story-telling should be like. Not for once will one be able to guess what’s going to happen.’ Goodreads Reviewer

‘I was hooked from the start and I highly recommend!’ Goodreads Reviewer

‘Excellent book! I love the way the author really gets under the skin of her characters… The twists and turns come thick and fast and I have to admit I read a lot of this genre but I got this one totally wrong! ... Brilliant book, I loved it!’ Goodreads Reviewer

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‘Well, there’s more than one secret here – and not one of them was anything I expected... truly stunning surprises and an extremely suspenseful read… As for the main secret – I did not see that coming! ... The author kept me guessing all the way through!’ Goodreads Reviewer, 5 stars

You can never escape your past...

‘The Lies We Tell has a sense of tension and skewed reality from page one. Delightfully creepy and skilfully plotted ... it's a can’t-wait-to-get-back-to-it book and I thoroughly enjoyed it.’ Hilary Boyd, author of Thursdays in the Park.

‘After a dramatic opening, The Lies We Tell develops into an intriguing story full of slow-burning suspense.' Sophie McKenzie, author of Close My Eyes and Here We Lie.

The last time Katy saw Jude was on a school trip, when Jude was attacked by a stranger and Katy ran away. Twenty years later, Jude is back, and her reappearance coincides with a series of unsettling incidents: a stranger appears in the downstairs flat; Katy’s house is vandalised; her mother is mugged and her home ransacked.

And Jude seems to know an uncomfortable amount about Katy’s current life...

Forced to revisit the same rocky waters of friendship and power they inhabited when they were fifteen, Jude and Katy realise that when it comes to memory, truth and family – nothing and no-one are what they seem.

THE LIES WE TELL is an explosive and completely gripping psychological thriller in which present and past intertwine to devastating effect.

Meg Carter worked as a journalist for twenty years before turning her hand to fiction. Her features have appeared in many newspapers, magazines and online with contributions to titles including You magazine, Independent, Guardian, Financial Times, and Radio Times. She is on the advisory committee of Women in Journalism. The Lies We Tell is her first novel.

A London artist becomes the victim of a stalker in this “creepy” novel “with satisfying fits of the shivers” from the award-winning author of Easy Peasy (The Sunday Times).
In London’s prestigious National Portrait Gallery, an exhibition of Connie Benson’s art is set to open. It’s quite an event considering that the reclusive portraitist hasn’t left her home on the North Norfolk coast for the past thirty years—not since her lover Patrick Mount disappeared.
Mount, an eccentric guru who claimed to have discovered an elixir of bliss, is just as famous—perhaps even more so after his presumed death. Tonight, Connie’s masterful portrait of him, completed on the night he vanished, will finally be unveiled. But it’s arousing more than a love of art in Mount’s most secretive and devoted disciple.
Tony, a violent ex-con, never met Mount, but he’s committed the famous man’s autobiography to memory. He’s collected every known photograph of him, and every word ever written by, or about, him. Except for one prized possession that has been forever out of reach: Mount’s key to bliss. He’s prepared to trap Connie in his secret world to find it. But Tony is soon to discover the consequences of obsession—because he isn’t the only one with things to hide.
The recipient of the Somerset Maugham Award, Lesley Glaister is “an author for whom writing and storytelling is an unstoppable passion, as strong as a rush of blood to the head” (The Independent).
“Crime writing of the highest order.” —The Sunday Times
“Before Gillian Flynn, there was Lesley Glaister.” —Harper’s Bazaar
From #1 New York Times bestselling author Stephen King, the most riveting and unforgettable story of kids confronting evil since It—publishing just as the second part of It, the movie, lands in theaters.

In the middle of the night, in a house on a quiet street in suburban Minneapolis, intruders silently murder Luke Ellis’s parents and load him into a black SUV. The operation takes less than two minutes. Luke will wake up at The Institute, in a room that looks just like his own, except there’s no window. And outside his door are other doors, behind which are other kids with special talents—telekinesis and telepathy—who got to this place the same way Luke did: Kalisha, Nick, George, Iris, and ten-year-old Avery Dixon. They are all in Front Half. Others, Luke learns, graduated to Back Half, “like the roach motel,” Kalisha says. “You check in, but you don’t check out.”

In this most sinister of institutions, the director, Mrs. Sigsby, and her staff are ruthlessly dedicated to extracting from these children the force of their extranormal gifts. There are no scruples here. If you go along, you get tokens for the vending machines. If you don’t, punishment is brutal. As each new victim disappears to Back Half, Luke becomes more and more desperate to get out and get help. But no one has ever escaped from the Institute.

As psychically terrifying as Firestarter, and with the spectacular kid power of It, The Institute is Stephen King’s gut-wrenchingly dramatic story of good vs. evil in a world where the good guys don’t always win.
For a carefree British couple, the Aussie outback becomes a nightmare in this “erotic psychological thriller” from the award-winning author (The Independent).
What better way to flee a dreary English winter than a temporary job tending a sheep farm in sunbaked western Australia? For Cassie, a teacher of organic gardening, it’s a once-in-a-lifetime adventure. For her commitment-phobic boyfriend, Graham, the arid red-rock landscapes could provide new inspiration for his painting.
But the ramshackle sheering station of Woolagong is further from civilization than they anticipated. There is no radio, telephone, or electricity, and though they send letters home, they’ve yet to receive a response. Their only other companions are their peculiar employers, Larry and Mara, who stay sedated in a shed. As Cassie and Graham wonder why they came, everything warps in the stifling heat: their sense of direction, their sex drives, their feelings of safety, and their perception of right and wrong. For the both of them, leaving is no longer an option. Only escape.
The Australian outback has been a source of psychological menace in such works as Walkabout, Wake in Fright, The Last Wave, and Wolf Creek. In As far as You Can Go, Somerset Maugham Award winner Lesley Glaister lends her talents to the untapped potentials of this “sun-baked hell . . . cranking up the tension in every possible way. The gripping result is guaranteed to make any flight to Oz go faster.” —The Guardian
“Before Gillian Flynn, there was Lesley Glaister.” —Harper’s Bazaar
Four English sisters share a terrible family secret in this novel from “the suspense writers’ suspense writer” and author of Trick or Treat (Harper’s Bazaar).
Winner of the Somerset Maugham and Betty Trask Awards
In a decaying house along the marshy Fenlands of Eastern England, four sisters—Milly, Agatha, and identical, inseparable twins Ellen and Esther—have lived in self-imposed isolation for more than sixty years. Like good sisters, they bicker, go about their daily routines, and believe the bright myth they’ve created about their childhood. Sometimes Milly can recall a blessedly unexceptional youth of ordinary days, domestic tranquility, and young love. But what came after is so much more consuming, and so much harder to forget. So are the questions no one dares to answer out loud . . .
Why does Milly still count the knives? What was the corruption their father warned them about? Was their mother really swallowed up by the roaring river? And why does no one sing to Baby George anymore, who’s locked away in the cellar? As a ceaseless rain lashes away at the house, the sisters prepare for a coming storm. With it comes the threat of steadily rising waters that will give up the secrets still holding them in thrall.
“A fairytale gone gruesomely wrong”, Lesley Glaister’s debut novel was the recipient of the Somerset Maugham Award, for which she joined the likes of Angela Carter, Doris Lessing, Sarah Waters, and Ian McEwan (The Literary Review). An “eerily tragic and mesmerizing first novel” (Publishers Weekly), Honour Thy Father is “a true original” (The Sunday Times).
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