With Tony behind bars and Carol finally out of road as a cop, he’s finding unexpected outlets for his talents in jail and she’s joined forces with a small informal group of lawyers and forensics experts looking into suspected miscarriages of justice. But they’re doing it without each other; being in the same room at visiting hour is too painful to contemplate. Meanwhile, construction is suddenly halted on the redevelopment of an orphanage after dozens of skeletons are found buried in the grounds. Forensic examination reveals they date from between twenty and forty years ago, when the nuns were running their repressive regime. But then a different set of skeletons are discovered in a far corner, young men from as recent as ten years ago.
When newly promoted DI Paula McIntyre discovers that one of the male skeletons is that of a killer who is supposedly alive and behind bars—and the subject of one of Carol’s miscarriage investigations—it brings Tony and Carol irresistibly into each other’s orbit once again. A shocking, masterfully plotted novel that will leave readers breathless, How The Dead Speak is McDermid at her best and a can’t miss read long-time fans and new readers alike.
Viola Fisher is the epitome of perfection.
She despises my one-night stands and mocks my less-than-classy habits.
She’s smart, beautiful, and too good to be true. And I want her.
If she were anyone else, I’d have made my move years ago, but considering she’s my best friend’s little sister, she’s always been off-limits.
Not to mention how much she loathes my very existence. Hating me is her religion, but needing her is mine.
Her sexy curves and filthy smart mouth make me want her even more, and I’m more determined than ever to change her mind.
I’ll prove I’m done playing games. But until then, we’ll continue to play by her rules.
Viola Fisher may have won the battle, but the war isn’t over yet.
This is book 2 in the Travis & Viola duet and must be read after This is War.
*Recommended for ages 18+ due to sexual content and adult language.*
The year is 1981, Reagan is in the White House, and the country is stalled in a recession. Cressida Hartley, a gifted Ph.D. student in economics, moves into her parents' shabby A-frame cabin in the Sierras to write her dissertation. In her most intimate and emotionally compelling novel to date, Michelle Huneven--author of Blame, which was a finalist for the National Book Critics Circle Award--returns with her signature mix of fine-grained storytelling, unforgettable characters, and moral complexity.
Cress, increasingly resistant to her topic (art in the marketplace), allows herself to be drawn into the social life of the small mountain community. The exuberant local lodge owner, Jakey Yates, with his big personality and great animal magnetism, is the first to blur Cress' focus. The builder Rick Garsh gives her a job driving up and down the mountain for supplies. And then there are the two Morrow brothers, skilled carpenters, who are witty, intriguing, and married.
As Cress tells her best friend back home in Pasadena, being a single woman on the mountain amounts to a form of public service. Falling prey to her own perilous reasoning, she soon finds herself in dark new territory, subject to forces beyond her control from both within and without.
Unsentimental, immersive, and beautifully written--"Huneven's prose is flawless," according to The New Yorker--Off Course evokes the rapture of new love, the addictive draw of an intense, impossible connection, and what happens when two people simply can't let go of each other or of their previous commitments. As her characters struggle with and delight in one another, Huneven subtly exposes the personal and social forces at play: issues of class, money, and family, as well as the intricate emotional and economic transactions between parents and children, between husbands and wives, between lovers, and between friends.
Michelle Huneven is one of our most searching, elegant novelists--Richard Russo has called her "a writer of extraordinary and thrilling talent." In Off Course, she introduces us to an intelligent young woman who discovers that love is the great distraction, and impossible love the greatest distraction of all.