Thirty-Eight Witnesses: The Kitty Genovese Case

Open Road Media
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A Pulitzer Prize–winning journalist’s groundbreaking account of the crime that shocked New York City—and the world

In the early hours of March 13, 1964, twenty-eight-year-old Catherine “Kitty” Genovese was stabbed to death in the middle-class neighborhood of Kew Gardens, Queens. The attack lasted for more than a half hour—enough time for Genovese’s assailant to move his car and change hats before returning to rape and kill her just a few steps from her front door.
 
Yet it was not the brutality of the murder that made it international news. It was a chilling detail Police Commissioner Michael Joseph Murphy shared with A. M. Rosenthal of the New York Times: Thirty-eight of Genovese’s neighbors witnessed the assault—and none called for help.
 
To Rosenthal, who had recently returned to New York after spending a decade overseas and would become the Times’s longest-serving executive editor, that startling statistic spoke volumes about both the turbulence of the 1960s and the enduring mysteries of human nature. His impassioned coverage of the case sparked a firestorm of public indignation and led to the development of the psychological theory known as the “bystander effect.”
 
Thirty-Eight Witnesses is indispensable reading for students of journalism and anyone seeking to learn about one of the most infamous crimes of the twentieth century.
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About the author

A. M. Rosenthal (1922–2006) was a Pulitzer Prize–winning foreign correspondent and the longest-serving executive editor of the New York Times, holding the position from 1969 to 1987. He joined the Times as a staff reporter in 1944 and ten years later was assigned to the paper’s New Delhi bureau. As a foreign correspondent, Rosenthal reported from India, Poland, and Japan, among other locales, and was awarded the Pulitzer Prize in 1960. In 1963 he returned to New York and quickly rose through the editorial ranks at the Times, overseeing coverage of the Vietnam War, Watergate, and the Iran-Contra scandal. He played a decisive role in the publication of the Pentagon Papers and, for his exceptional support of human rights, received the United States’ highest civilian honor, the Medal of Freedom, from President George W. Bush in 2002. Thirty-Eight Witnesses (1964), Rosenthal’s groundbreaking account of the murder of Kitty Genovese and ensuing public outcry, is a classic of twentieth-century journalism.
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Additional Information

Publisher
Open Road Media
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Published on
Dec 15, 2015
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Pages
100
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ISBN
9781504026437
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Language
English
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Genres
Philosophy / Ethics & Moral Philosophy
Social Science / Sociology / Urban
True Crime / Murder / General
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Content Protection
This content is DRM protected.
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Available on Android devices
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Eligible for Family Library

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In "No One Helped" Marcia M. Gallo examines one of America's most infamous true-crime stories: the 1964 rape and murder of Catherine "Kitty" Genovese in a middle-class neighborhood of Queens, New York. Front-page reports in the New York Times incorrectly identified thirty-eight indifferent witnesses to the crime, fueling fears of apathy and urban decay. Genovese's life, including her lesbian relationship, also was obscured in media accounts of the crime. Fifty years later, the story of Kitty Genovese continues to circulate in popular culture. Although it is now widely known that there were far fewer actual witnesses to the crime than was reported in 1964, the moral of the story continues to be urban apathy. "No One Helped" traces the Genovese story's development and resilience while challenging the myth it created."No One Helped" places the conscious creation and promotion of the Genovese story within a changing urban environment. Gallo reviews New York's shifting racial and economic demographics and explores post–World War II examinations of conscience regarding the horrors of Nazism. These were important factors in the uncritical acceptance of the story by most media, political leaders, and the public despite repeated protests from Genovese's Kew Gardens neighbors at their inaccurate portrayal. The crime led to advances in criminal justice and psychology, such as the development of the 911 emergency system and numerous studies of bystander behaviors. Gallo emphasizes that the response to the crime also led to increased community organizing as well as feminist campaigns against sexual violence. Even though the particulars of the sad story of her death were distorted, Kitty Genovese left an enduring legacy of positive changes to the urban environment.
WINNER OF THE 2017 PULITZER PRIZE GENERAL NON-FICTION 

From Harvard sociologist and MacArthur "Genius" Matthew Desmond, a landmark work of scholarship and reportage that will forever change the way we look at poverty in America
 
In this brilliant, heartbreaking book, Matthew Desmond takes us into the poorest neighborhoods of Milwaukee to tell the story of eight families on the edge. Arleen is a single mother trying to raise her two sons on the $20 a month she has left after paying for their rundown apartment. Scott is a gentle nurse consumed by a heroin addiction. Lamar, a man with no legs and a neighborhood full of boys to look after, tries to work his way out of debt. Vanetta participates in a botched stickup after her hours are cut. All are spending almost everything they have on rent, and all have fallen behind.

The fates of these families are in the hands of two landlords: Sherrena Tarver, a former schoolteacher turned inner-city entrepreneur, and Tobin Charney, who runs one of the worst trailer parks in Milwaukee. They loathe some of their tenants and are fond of others, but as Sherrena puts it, “Love don’t pay the bills.” She moves to evict Arleen and her boys a few days before Christmas.

Even in the most desolate areas of American cities, evictions used to be rare. But today, most poor renting families are spending more than half of their income on housing, and eviction has become ordinary, especially for single mothers. In vivid, intimate prose, Desmond provides a ground-level view of one of the most urgent issues facing America today. As we see families forced  into shelters, squalid apartments, or more dangerous neighborhoods, we bear witness to the human cost of America’s vast inequality—and to people’s determination and intelligence in the face of hardship.

Based on years of embedded fieldwork and painstakingly gathered data, this masterful book transforms our understanding of extreme poverty and economic exploitation while providing fresh ideas for solving a devastating, uniquely American problem. Its unforgettable scenes of hope and loss remind us of the centrality of home, without which nothing else is possible.

NEW YORK TIMES BESTSELLER | WINNER OF THE NATIONAL BOOK CRITICS CIRCLE AWARD FOR NONFICTION | WINNER OF THE PEN/JOHN KENNETH GALBRAITH AWARD FOR NONFICTION | WINNER OF THE ANDREW CARNEGIE MEDAL FOR EXCELLENCE IN NONFICTION | FINALIST FOR THE LOS ANGELES TIMES BOOK PRIZE | NAMED ONE OF THE BEST BOOKS OF THE YEAR by The New York Times Book Review • The Boston Globe •  The Washington Post • NPR • Entertainment Weekly • The New Yorker • Bloomberg •  Esquire • Buzzfeed • Fortune • San Francisco Chronicle • Milwaukee Journal Sentinel • St. Louis Post-Dispatch •  Politico •  The Week • Bookpage • Kirkus Reviews •  Amazon •  Barnes and Noble Review •  Apple •  Library Journal • Chicago Public Library • Publishers Weekly • Booklist • Shelf Awareness
In The Devil in the White City, the smoke, romance, and mystery of the Gilded Age come alive as never before.

Two men, each handsome and unusually adept at his chosen work, embodied an element of the great dynamic that characterized America’s rush toward the twentieth century. The architect was Daniel Hudson Burnham, the fair’s brilliant director of works and the builder of many of the country’s most important structures, including the Flatiron Building in New York and Union Station in Washington, D.C. The murderer was Henry H. Holmes, a young doctor who, in a malign parody of the White City, built his “World’s Fair Hotel” just west of the fairgrounds—a torture palace complete with dissection table, gas chamber, and 3,000-degree crematorium.

Burnham overcame tremendous obstacles and tragedies as he organized the talents of Frederick Law Olmsted, Charles McKim, Louis Sullivan, and others to transform swampy Jackson Park into the White City, while Holmes used the attraction of the great fair and his own satanic charms to lure scores of young women to their deaths. What makes the story all the more chilling is that Holmes really lived, walking the grounds of that dream city by the lake.

The Devil in the White City draws the reader into a time of magic and majesty, made all the more appealing by a supporting cast of real-life characters, including Buffalo Bill, Theodore Dreiser, Susan B. Anthony, Thomas Edison, Archduke Francis Ferdinand, and others. Erik Larson’s gifts as a storyteller are magnificently displayed in this rich narrative of the master builder, the killer, and the great fair that obsessed them both.

To find out more about this book, go to http://www.DevilInTheWhiteCity.com.
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