Stephen Mitchell and Dan Burke are British agents assigned to keep an eye on a scientist suspected of intentions to defect, but in the obscure way of bureaucracy, they have little in common with one another. In the appalling heat encountered along with their unwary quarry at Lake Maggiore, their differences begin to flare into open hostility.
And then Miriam appears, whether irrelevantly or by design, who can tell? The fact remains that Mitchell had known her in Berlin, where she had wanted his help with a problem of her own. Drawn to her in a way inexplicable even to himself, Mitchell becomes ever more deeply involved in Miriam's dilemma until the idea takes root that there is a way to help. The trouble is, the method entails betraying everything for which he stands . . .
Bond's arrival in Africa marks the start of a feverish mission to discover the forces behind this brutal war—and he soon realizes the situation is far from straightforward. Piece by piece, Bond uncovers the real cause of the violence in Zanzarim, revealing a twisting conspiracy that extends further than he ever imagined.
Moving from rebel battlefields in West Africa to the closed doors of intelligence offices in London and Washington, this novel is at once a gripping thriller, a tensely plotted story full of memorable characters and breathtaking twists, and a masterful study of power and how it is wielded—a brilliant addition to the James Bond canon.
Meanwhile, the leaders of the G-8 industrialized nations will soon meet in Paris—an event that would make a tempting terrorist target. Throw into the mix the beautiful, clever daughter of the French ambassador to Washington and an Israeli spy or two, and the stage is set for a tour de force of deception and drama.
Soon Carmellini and Grafton unearth a horrifying plan to shake the West as never before. But can they stop the conspiracy without compromising the intelligence source that could bring down Al Queda once and for all? Find out in Stephen Coonts's The Traitor.
‘Who could tell what forms, what visions, what faces, what forgiveness he could see in the glow of the west!’
Jim is a well-bred young romantic who takes to the seas with hopes of adventure and the aspiration to prove his mettle. When the boat he sails in threatens to sink, Jim abandons ship in fear in order to save himself, leaving the other passengers to their fate. However, the ship does not sink and guilt-ridden Jim admits to the maritime court of inquiry that he deserted the boat and is consequently stripped of his sailing papers. Blighted by his own cowardice, Jim’s subsequent self-exile to a remote Malaysian trading post gives Conrad the opportunity to explore the question of moral identity and through his hero, he embodies the values and deterioration of the declining empire of late Victorian Britain. With its rich descriptions of an unknown, exotic world and beautifully constructed prose, Lord Jim is considered one of Conrad’s greatest works.