George R.R. Martin — "Meathouse Man"
Joe R. Lansdale — "Night They Missed the Horror Show"
Ronald Kelly — "Diary"
Elizabeth Massie — "Abed"
Randy Chandler & t. Winter-Damon — "I am He that Liveth and was Dead ... & Have the Keys of Hell & Death"
Edward Lee — "Xipe"
Ray Garton — "Bait"
Gerard Houarner — "Painfreak"
Wayne Allen Sallee — "Lover Doll"
Charlee Jacob — "The Spirit Wolves"
Brian Hodge — "Godflesh"
John Everson — "Every Last Drop"
Mehitobel Wilson — "Blind in the House of the Headsman"
Monica J. O'Rourke — "An Experiment in Human Nature"
Graham Masterton — "The Burgers of Calais"
Nancy Kilpatrick — "Ecstasy"
Bentley Little — "Pop Star in the Ugly Bar"
Wrath James White — "The Sooner They Learn"
JF Gonzalez — "Addict"
An antique chair comes into a family's possession. But they soon discover that this is no ordinary heirloom. Strange things begin to occur, including shifts in the fabric of time itself...
And then Satan himself is summoned...
'One of the most original and frightening storytellers of our time' PETER JAMES.
'A true master of horror' JAMES HERBERT.
Praise for Douglas Clegg's fiction
Dark of the Eye
The Children's Hour
The Criminally Insane Series:
The Harrow Series:
The Hour Before Dark
You Come When I Call You
The Nightmare Chronicles
The Machinery of Night
"Clegg is the best horror writer of the post-Stephen King generation."
-- Bentley Little, author of The Policy
-- John Saul, bestselling author of Faces of Fear and The Devil's Labyrinth.
"Douglas Clegg has become the new star in horror fiction."
-- Peter Straub
author of Lost Boy, Lost Girl and the New York Times Bestseller Black House (with Stephen King)
"Clegg's stories can chill the spine so effectively that the reader should keep paramedics on standby."
-- Dean Koontz
"Clegg is one of the best!"
-- Richard Laymon
"Douglas Clegg is a weaver of nightmares!"
-- Robert R. McCammon
author of The Queen of Bedlam and Speaks The Nightbird.
James Stark is back from Hell, trailing more trouble in his wake. To return to L.A., he had to make a deal with the evil power brokers, Wormwood—an arrangement that came with a catch. While he may be home, Stark isn’t quite himself . . . because he’s only partially alive.
There’s a time limit on his reanimated body, and unless Stark can find the people targeting Wormwood, he will die again—and this time there will be no coming back. Even though he’s armed with the Room of Thirteen Doors, Stark knows he can’t find Wormwood’s enemies alone. To succeed he’s got to enlist the help of new friends—plus a few unexpected old faces.
Stark has been in dangerous situations before—you don’t get named Sandman Slim for nothing. But with a mysterious enemy on the loose, a debt to pay, and a clock ticking down, this may truly be the beginning of his end. . . .
In his house at R’lyeh dead Cthulhu waits dreaming.
The Armies of the Night are rising. Such clandestine cults as the Olde Fellowes and the Esoteric Order of Dagon, who worship a group of ancient deities called the Great Old Ones, are harnessing occult powers to open the doorways to the Dreamscape and other dimensions beyond space and time.
Now something big is coming—something that is already sowing the seeds of madness and chaos into the psyche of the world—and only the agents of the Human Protection League stand between this rising tide of evil and the enslavement and eventual destruction of the human race itself . . .
Set against such historic events as the assassination of President John F. Kennedy, San Francisco’s “Summer of Love,” the first Moon landing, the rise of the Civil Rights Movement, and the Watergate break-in, the dedicated members of the Lovecraft Squad battle supernatural threats all across the world—and from beyond the stars.
Featuring original contributions by: Stephen Baxter, Brian Hodge, Sean Hogan, Lisa Morton, Kim Newman, Reggie Oliver, John Llewellyn Probert, Lynda E. Rucker, Angela Slatter, and Michael Marshall Smith.
“Good Omens . . . is something like what would have happened if Thomas Pynchon, Tom Robbins and Don DeLillo had collaborated. Lots of literary inventiveness in the plotting and chunks of very good writing and characterization. It’s a wow. It would make one hell of a movie. Or a heavenly one. Take your pick.”—Washington Post
According to The Nice and Accurate Prophecies of Agnes Nutter, Witch (the world's only completely accurate book of prophecies, written in 1655, before she exploded), the world will end on a Saturday. Next Saturday, in fact. Just before dinner.
So the armies of Good and Evil are amassing, Atlantis is rising, frogs are falling, tempers are flaring. Everything appears to be going according to Divine Plan. Except a somewhat fussy angel and a fast-living demon—both of whom have lived amongst Earth's mortals since The Beginning and have grown rather fond of the lifestyle—are not actually looking forward to the coming Rapture.
And someone seems to have misplaced the Antichrist . . .