It seems only appropriate that the book starts and ends (“Whoever is not Greek is a barbarian”; “The Women of the Other and us”) with well contextualized, historical / theoretical reflexions on the unfailingly self-serving construction and ultimate appropriation of “the other”, be it the supposedly inarticulate savage of neighboring barbarian shores or the haunting background presence of Arab women - the barely acknowledged half of the West’s reified “Rest”. ln fact, although the chronological distance between the two historical moments is such as to discourage hasty generalizations, the continuities and the potential relevance are just too striking to be ignored.
Ana Paula Arnaut is a Professor of Contemporary Portuguese Literature at the University of Coimbra. In addition to publications in several national and international journals, she has also published Memorial do Convento. História, Ficção e Ideologia (1996), Post-Modernismo no Romance Português Contemporâneo: Fios de Ariadne-Máscaras de Proteu (2002);
Homenagem a Cristóvão de Aguiar: 40 Anos de Vida Literária (org.) (2005),
José Saramago (2008), Entrevistas com António Lobo Antunes. 1979-2007.
Confissões do Trapeiro (ed.) (2008), António Lobo Antunes (2009),
António Lobo Antunes: a Crítica na Imprensa. 1980-2010. Cada um Voa como Quer (ed.) (2011). As Mulheres na Ficção de António Lobo Antunes. (In)variantes do Feminino (2012), Viagens do Carnaval: no Espaço, no Tempo, na Imaginação (co-editor with Maria Aparecida Ribeiro) (2014), O Ano da Morte de Ricardo Reis de José Saramago (2017).
With a new introduction by Anthony Arnove, this edition of the classic national bestseller chronicles American history from the bottom up, throwing out the official narrative taught in schools—with its emphasis on great men in high places—to focus on the street, the home and the workplace.
Known for its lively, clear prose as well as its scholarly research, A People's History of the United States is the only volume to tell America's story from the point of view of—and in the words of—America's women, factory workers, African-Americans, Native Americans, the working poor, and immigrant laborers. As historian Howard Zinn shows, many of our country's greatest battles—the fights for a fair wage, an eight-hour workday, child-labor laws, health and safety standards, universal suffrage, women's rights, racial equality—were carried out at the grassroots level, against bloody resistance.
Covering Christopher Columbus's arrival through President Clinton's first term, A People's History of the United States features insightful analysis of the most important events in our history.
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Redefining age-old concepts of masculinity, Jungian analysts Robert Moore and Douglas Gillette make the argument that mature masculinity is not abusive or domineering, but generative, creative, and empowering of the self and others. Moore and Gillette clearly define the four mature male archetypes that stand out through myth and literature across history: the king (the energy of just and creative ordering), the warrior (the energy of aggressive but nonviolent action), the magician (the energy of initiation and transformation), and the lover (the energy that connects one to others and the world), as well as the four immature patterns that interfere with masculine potential (divine child, oedipal child, trickster and hero). King, Warrior, Magician, Lover is an exploratory journey that will help men and women reimagine and deepen their understanding of the masculine psyche.
Elaine and Ian had travelled half way round the world to adopt little Anna. She couldn’t have been more wanted, loved and cherished. So why was she now in foster care and living with me? It didn’t make sense.
Until I learned what had happened. ...
Dressed only in nappies and ragged T-shirts the children were incarcerated in their cots. Their large eyes stared out blankly from emaciated faces. Some were obviously disabled, others not, but all were badly undernourished. Flies circled around the broken ceiling fans and buzzed against the grids covering the windows. The only toys were a few balls and a handful of building bricks, but no child played with them. The silence was deafening and unnatural. Not one of the thirty or so infants cried, let alone spoke.