Adara Goldberg received her PhD from the Strassler Center for Holocaust and Genocide Studies, Clark University. She lives in Vancouver.
Beginning their study in the pre-Confederation period, the authors interpret major episodes in the evolution of Canadian immigration policy, including the massive deportations of the First World War and Depression eras as well as the Japanese-Canadian internment camps during World War Two. New chapters provide perspective on immigration in a post-9/11 world, where security concerns and a demand for temporary foreign workers play a defining role in immigration policy reform. A comprehensive and important work, The Making of the Mosaic clarifies the attitudes underlying each phase and juncture of immigration history, providing vital perspective on the central issues of immigration policy that continue to confront us today.
Winner of the Canadian Historical Association John A. Macdonald Prize
Featured in The Literary Review of Canada 100: Canada’s Most Important Books
[This] is a story best summed up in the words of an anonymous senior Canadian official who, in the midst of a rambling, off-the-record discussion with journalists in 1945, was asked how many Jews would be allowed into Canada after the war … ‘None,’ he said, ‘is too many.’
From the Preface
One of the most significant studies of Canadian history ever written, None Is Too Many conclusively lays to rest the comfortable notion that Canada has always been an accepting and welcoming society. Detailing the country’s refusal to offer aid, let alone sanctuary, to Jews fleeing Nazi persecution between 1933 and 1948, it is an immensely bleak and discomfiting story – and one that was largely unknown before the book’s publication.
Irving Abella and Harold Troper’s retelling of this episode is a harrowing read not easily forgotten: its power is such that, ‘a manuscript copy helped convince Ron Atkey, Minister of Employment and Immigration in Joe Clark’s government, to grant 50,000 “boat people” asylum in Canada in 1979, during the Southeast Asian refugee crisis’ (Robin Roger, The Literary Review of Canada). None Is Too Many will undoubtedly continue to serve as a potent reminder of the fragility of tolerance, even in a country where it is held as one of our highest values.
In Just Between You and Me, Goodwyn shares the story of his upbringing, first at home in rural New Brunswick and then in the music business as the lead singer of one of Canada’s most popular bands ever, April Wine.
Expressions of power, resistance, agency, and accommodation in relation to the changing concepts of home, family, and citizenship are explored in both theoretical and empirical essays that critically analyze transnational experiences, discourses, cultural identities, and social spaces of women, youth, and children who come from diverse racial, ethnic, and cultural backgrounds; are either first- or second-generation transmigrants; are considered legal or undocumented; and who enter their adopted country as trafficked workers, domestic workers, skilled professionals, or students. The volume gives voice to individual experiences, and focuses on human agency as well as the social, economic, political, and cultural processes inherent in society that enable or disable immigrants to mobilize linkages across national boundaries.