Drawing on his immense knowledge of ancient Greek and Latin literature, Alexander Pope’s The Rape of the Lock is a mock epic which captures the essence of classical divinity and poetry while illuminating the absurdity and stupidity of English aristocratic life. The poem centers on a Baron’s obsession with the hair of the beautiful socialite Belinda. Although her hair is protected by divine Sylphs, the Baron eventually succeeds, using a pair of scissors to snip off a lock of Belinda’s hair. This throws the world of the poem into chaos—Belinda is outraged, and the divine creatures which move invisibly between worlds try their best to restore order to the universe. The poem culminates with a battle between Belinda and the Baron, mimicking the heroism and warfare of the best of Homer while casting a critical eye on the values of England’s elite.
With a beautifully designed cover and professionally typeset manuscript, this edition of Alexander Pope’s The Rape of the Lock is a classic of English literature reimagined for modern readers.
Alexander Pope (1688-1744) was an English poet. Born in London to a family of Catholics who were later expelled from the city during a period of religious persecution, Pope was largely self-educated, and struggled with numerous illnesses from a young age. At 23, he wrote the discursive poem An Essay on Criticism (1711), a manifesto on the art of poetry which gained him the admiration and acclaim of influential critics and writers of his day. His most famous poem, The Rape of the Lock (1712), is a mock epic which critiques aristocratic English society while showcasing Pope’s mastery of poetic form, particularly the use of the heroic couplet. Pope produced highly acclaimed translations of the Iliad and Odyssey, which transformed Homer’s ancient Greek dactylic hexameter into a contemporary rhyming English verse. His work The Dunciad (1728-1743), originally published anonymously in Dublin, is a satirical poem which lampoons English literary society and criticizes the moral and intellectual decay of British life. Second only to Shakespeare for the frequency with which he is quoted, Alexander Pope succumbed to his illnesses at the age of 56 while at the height of his fame and productivity.