The story takes place in France, Italy, islands in the Mediterranean, and in the Levant during the historical events of 1815–1838. It begins from just before the Hundred Days period (when Napoleon returned to power after his exile) and spans through to the reign of Louis-Philippe of France.
The historical setting is a fundamental element of the book. An adventure story primarily concerned with themes of hope, justice, vengeance, mercy and forgiveness, it focuses on a man who is wrongfully imprisoned, escapes from jail, acquires a fortune and sets about getting revenge on those responsible for his imprisonment.
However, his plans have devastating consequences for the innocent as well as the guilty.
The book is considered a literary classic today. According to Luc Sante, "The Count of Monte Cristo has become a fixture of Western civilization's literature, as inescapable and immediately identifiable as Mickey Mouse, Noah's flood, and the story of Little Red Riding Hood."
Chapter 1. Marseilles—The Arrival.
"On the 24th of February, 1815, the look-out at Notre-Dame de la Garde signalled the three-master, the Pharaon from Smyrna, Trieste, and Naples. As usual, a pilot put off immediately, and rounding the Chateau d'If, got on board the vessel between Cape Morgion and Rion island.
Immediately, and according to custom, the ramparts of Fort Saint-Jean were covered with spectators; it is always an event at Marseilles for a ship to come into port, especially when this ship, like the Pharaon, has been built, rigged, and laden at the old Phocee docks, and belongs to an owner of the city..."
The ship drew on and had safely passed the strait, which some volcanic shock has made between the Calasareigne and Jaros islands; had doubled Pomegue, and approached the harbor under topsails, jib, and spanker, but so slowly and sedately that the idlers, with that instinct which is the forerunner of evil, asked one another what misfortune could have happened on board. However, those experienced in navigation saw plainly that if any accident had occurred, it was not to the vessel herself, for she bore down with all the evidence of being skilfully handled, the anchor a-cockbill, the jib-boom guys already eased off, and standing by the side of the pilot, who was steering the Pharaon towards the narrow entrance of the inner port, was a young man, who, with activity and vigilant eye, watched every motion of the ship, and repeated each direction of the pilot.
The vague disquietude which prevailed among the spectators had so much affected one of the crowd that he did not await the arrival of the vessel in harbor, but jumping into a small skiff, desired to be pulled alongside the Pharaon, which he reached as she rounded into La Reserve basin.
When the young man on board saw this person approach, he left his station by the pilot, and, hat in hand, leaned over the ship's bulwarks.
He was a fine, tall, slim young fellow of eighteen or twenty, with black eyes, and hair as dark as a raven's wing; and his whole appearance bespoke that calmness and resolution peculiar to men accustomed from their cradle to contend with danger.
"Ah, is it you, Dantes?" cried the man in the skiff. "What's the matter? and why have you such an air of sadness aboard?"
"A great misfortune, M. Morrel," replied the young man,—"a great misfortune, for me especially! Off Civita Vecchia we lost our brave Captain Leclere."
"And the cargo?" inquired the owner, eagerly.
"Is all safe, M. Morrel; and I think you will be satisfied on that head. But poor Captain Leclere—"
"What happened to him?" asked the owner, with an air of considerable resignation. "What happened to the worthy captain?"
"Fell into the sea?"
"No, sir, he died of brain-fever in dreadful agony."
Alexandre Dumas (1802 – 1870), also known as Alexandre Dumas, père, was a French writer, best known for his historical novels of high adventure. Translated into nearly 100 languages, these have made him one of the most widely read French authors in history. Many of his novels, including The Count of Monte Cristo, The Three Musketeers, Twenty Years After, and The Vicomte de Bragelonne: Ten Years Later were originally published as serials. His novels have been adapted since the early twentieth century for nearly 200 films. Dumas' last novel, The Knight of Sainte-Hermine, unfinished at his death, was completed by a scholar and published in 2005, becoming a bestseller. It was published in English in 2008 as The Last Cavalier.
Der Rest ist, wie man so schön sagt, geschriebene Geschichte: Statt sich zu duellieren, freunden sie sich an, müssen die Königin vor Intrigen des arglistigen Kardinals Richelieu bewahren, das Geheimnis der zwielichtigen »Mylady« aufdecken und zahllose Scharmützel und Schlachten bestehen.
Dumas erzählt atemlos, von Höhepunkt zu Höhepunkt eilend, ausgeschmückt mit einer farbenprächtigen Sprache, so bunt und opulent wie das Zeitalter des Barock selbst. Vor dem historischen Hintergrund der Epoche Ludwigs XIII. meint der Leser zum stillen, »vierten Musketier« zu werden, der d’Artagnan über die wehrhafte Schulter schaut.
Der aus historischen Tatsachen und erfundenen Begebenheiten gemixte Stoff wurde bereits früh mehrmals verfilmt, kolportiert und für Opern und Musicals verarbeitet. Der Ausdruck »Einer für alle, alle für einen« findet hier seinen Ursprung.
"Mein Herr," sprach Athos, indem er ihn losließ, "Ihr seid nicht artig. Man sieht, daß Ihr von ferne herkommt."
D'Artagnan hatte schon drei bis vier Stufen überschritten, aber die Bemerkung von Athos hielt ihn plötzlich zurück.
"Bei Gott! mein Herr," sprach er, "aus so weiter Ferne ich auch kommen mag, so werdet Ihr mir doch keinen Unterricht in den feinen Manieren erteilen, das sage ich Euch." - "Vielleicht," erwiderte Athos. - "Ah! wenn ich nicht so sehr Eile hätte," rief d'Artagnan, "und wenn ich nicht Einem nachlaufen würde..." - "Ei, mein eiliger Herr, mich werdet Ihr finden, ohne mir nachzulaufen, versteht Ihr?" - "Und wo dies, wenn es gefällig wäre?" - "Bei den Karmeliter-Barfüßern." - "Zu welcher Stunde?" - "Gegen Mittag." - "Gegen Mittag, gut; ich werde dort sein." - "Laßt mich nicht lange warten, denn ein Viertel nach zwölf laufe ich Euch nach, das sage ich Euch, und schneide Euch die Ohren im Laufen ab." - "Gut!" rief d'Artagnan; "ich werde zehn Minuten vor zwölf mich einfinden."
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