Sometimes I Lie: A Novel

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My name is Amber Reynolds. There are three things you should know about me:
1. I’m in a coma.
2. My husband doesn’t love me anymore.
3. Sometimes I lie.

Amber wakes up in a hospital. She can’t move. She can’t speak. She can’t open her eyes. She can hear everyone around her, but they have no idea. Amber doesn’t remember what happened, but she has a suspicion her husband had something to do with it. Alternating between her paralyzed present, the week before her accident, and a series of childhood diaries from twenty years ago, this brilliant psychological thriller asks: Is something really a lie if you believe it's the truth?

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About the author

Alice Feeney is a writer and journalist. She has spent fifteen years with BBC News where she worked as a reporter, news editor, arts and entertainment producer, and One O'Clock news producer. Alice is a recent graduate of the Faber Academy Writing a Novel course. She has lived in London and Sydney and has now settled in the Surrey countryside, where she lives with her husband and dog. Sometimes I Lie is her debut.
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Additional Information

Publisher
Flatiron Books
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Published on
Mar 13, 2018
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Pages
288
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ISBN
9781250144836
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Language
English
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Genres
Fiction / Thrillers / Domestic
Fiction / Thrillers / Psychological
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Content Protection
This content is DRM protected.
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Read Aloud
Available on Android devices
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Eligible for Family Library

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Josie Tyrell, art model, runaway, and denizen of LA's rock scene finds a chance at real love with Michael Faraday, a Harvard dropout and son of a renowned pianist. But when she receives a call from the coroner, asking her to identify her lover's body, her bright dreams all turn to black.

As Josie struggles to understand Michael's death and to hold onto the world they shared, she is both attracted to and repelled by his pianist mother, Meredith, who blames Josie for her son's torment. Soon the two women are drawn into a twisted relationship that reflects equal parts distrust and blind need. With the luxurious prose and fever pitch intensity that are her hallmarks, Janet Fitch weaves a spellbinding tale of love, betrayal, and the possibility of transcendence.

"A dark, crooked beauty that fulfills all the promise of White Oleander and confirms that Janet Fitch is an artist of the very highest order."-Los Angeles Times Book Review

"Lushly written, dramatically plotted. . . Fitch's Los Angeles is so real it breathes."-Atlantic Monthly

"There is nothing less than a stellar sentence in this novel. Fitch's emotional honesty recalls the work of Joyce Carol Oates, her strychnine sentences the prose of Paula Fox."-Cleveland Plain Dealer

"A page-turning psychodrama. . . . Fitch's prose penetrates the inner lives of [her characters] with immediacy and bite."-Publishers Weekly

"Fitch wonderfully captures the abrasive appeal of punk music, the bohemian, sometimes squalid lifestyle, the performers, the drugs, the alienation. This is crackling fresh stuff you don't read every day."-USA Today

"In dysfunctional family narratives, Fitch is to fiction what Eugene O'Neill is to drama."-Chicago Sun-Times

"Riveting. . . . An uncommonly accomplished page-turner."-Elle
A 2018 Goodreads Choice Award Finalist—Top 5 Best Mystery & Thriller * A Suspense Magazine “Best of 2018” Thriller/Suspense Pick

“An acutely observed family drama with bone-chilling suspense.” —People

“Jewell teases out her twisty plot at just the right pace, leaving readers on the edge of their seats. Her multilayered characters are sheer perfection, and even the most astute thriller reader won’t see where everything is going until the final threads are unknotted.” —Booklist, starred review

“Sharply written with twists and turns, Jewell’s latest will please fans of Gone Girl, The Girl on the Train, or Luckiest Girl Alive." —Library Journal

Ellie Mack was the perfect daughter. She was fifteen, the youngest of three. She was beloved by her parents, friends, and teachers. She and her boyfriend made a teenaged golden couple. She was days away from an idyllic post-exams summer vacation, with her whole life ahead of her.

And then she was gone.

Now, her mother Laurel Mack is trying to put her life back together. It’s been ten years since her daughter disappeared, seven years since her marriage ended, and only months since the last clue in Ellie’s case was unearthed. So when she meets an unexpectedly charming man in a café, no one is more surprised than Laurel at how quickly their flirtation develops into something deeper. Before she knows it, she’s meeting Floyd’s daughters—and his youngest, Poppy, takes Laurel’s breath away.

Because looking at Poppy is like looking at Ellie. And now, the unanswered questions she’s tried so hard to put to rest begin to haunt Laurel anew. Where did Ellie go? Did she really run away from home, as the police have long suspected, or was there a more sinister reason for her disappearance? Who is Floyd, really? And why does his daughter remind Laurel so viscerally of her own missing girl?
NEW YORK TIMES BESTSELLER • In the tradition of The Girl on the Train, The Woman in Cabin 10, and Gone Girl comes an enthralling psychological thriller that spins one woman’s seemingly good fortune, and another woman’s mysterious fate, through a kaleidoscope of duplicity, death, and deception.

SOON TO BE A MAJOR MOTION PICTURE DIRECTED BY RON HOWARD

Please make a list of every possession you consider essential to your life.

The request seems odd, even intrusive—and for the two women who answer, the consequences are devastating.

EMMA
Reeling from a traumatic break-in, Emma wants a new place to live. But none of the apartments she sees are affordable or feel safe. Until One Folgate Street. The house is an architectural masterpiece: a minimalist design of pale stone, plate glass, and soaring ceilings. But there are rules. The enigmatic architect who designed the house retains full control: no books, no throw pillows, no photos or clutter or personal effects of any kind. The space is intended to transform its occupant—and it does.

JANE
After a personal tragedy, Jane needs a fresh start. When she finds One Folgate Street she is instantly drawn to the space—and to its aloof but seductive creator. Moving in, Jane soon learns about the untimely death of the home’s previous tenant, a woman similar to Jane in age and appearance. As Jane tries to untangle truth from lies, she unwittingly follows the same patterns, makes the same choices, crosses paths with the same people, and experiences the same terror, as the girl before.

Praise for The Girl Before

“Dazzling, startling, and above all cunning—a pitch-perfect novel of psychological suspense.”—Lee Child

“The Girl Before generates a fast pace. . . . [J. P.] Delaney intersperses ethics questions on stand-alone pages throughout the book. . . . The single most ingenious touch is that we’re not provided either woman’s answers.”—The New York Times

“J. P. Delaney builds the suspense.”—Vanity Fair

“Immediate guarantee: You will not be able to put this book down. . . . Fans of Gone Girl and The Girl on the Train will realize that there’s not only more where that came from, but it’s also more thrilling.”—American Booksellers Association
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