In the Vanishers’ Palace

Jabberwocky Literary Agency, Inc.
This book will become available on October 16, 2018. You will not be charged until it is released.

From the award-winning author of the Dominion of the Fallen series comes a dark retelling of Beauty and the Beast.

In a ruined, devastated world, where the earth is poisoned and beings of nightmares roam the land...

A woman, betrayed, terrified, sold into indenture to pay her village's debts and struggling to survive in a spirit world.

A dragon, among the last of her kind, cold and aloof but desperately trying to make a difference.

When failed scholar Yên is sold to Vu Côn, one of the last dragons walking the earth, she expects to be tortured or killed for Vu Côn's amusement.

But Vu Côn, it turns out, has a use for Yên: she needs a scholar to tutor her two unruly children. She takes Yên back to her home, a vast, vertiginous palace-prison where every door can lead to death. Vu Côn seems stern and unbending, but as the days pass Yên comes to see her kinder and caring side. She finds herself dangerously attracted to the dragon who is her master and jailer. In the end, Yên will have to decide where her own happiness lies—and whether it will survive the revelation of Vu Côn’s dark, unspeakable secrets...

Advance praise for In the Vanishers’ Palace

“Another stellar offering by Bodard. Her signature intensity is on display in this tale of people (and dragons) struggling to survive in the ruins of an alien conquest. Emotionally complex relationships interweave with richly drawn and deftly nuanced world-building.” —Kate Elliott, author of the Court of Fives series

“A transformative experience. With dragons.” —Fran Wilde, Hugo and Nebula nominated author of The Bone Universe and The Gemworld series
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About the author

Aliette de Bodard lives and works in Paris, where she has a day job as a System Engineer. She studied Computer Science and Applied Mathematics, but moonlights as a writer of speculative fiction. She is the author of the critically acclaimed Obsidian and Blood trilogy of Aztec noir fantasies, as well as numerous short stories, which garnered her two Nebula Awards, a Locus Award and a British Science Fiction Association Award.

Her space opera books include The Tea Master and the Detective, a murder mystery set on a space station in a Vietnamese galactic empire, inspired by the characters of Sherlock Holmes and Doctor Watson. Recent works include The House of Shattered Wings (2015 British Science Fiction Association Award), a novel set in a turn-of-the-century Paris devastated by a magical war, and its standalone sequel The House of Binding Thorns. She lives in Paris with her family, in a flat with more computers than warm bodies, and a set of Lovecraftian tentacled plants intent on taking over the place.

Visit her website www.aliettedebodard.com for free fiction, Vietnamese and French recipes and more.

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Additional Information

Publisher
Jabberwocky Literary Agency, Inc.
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Published on
Oct 16, 2018
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Pages
208
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ISBN
9781625673749
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Language
English
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Genres
Fiction / Fantasy / Dragons & Mythical Creatures
Fiction / Fantasy / General
Fiction / Fantasy / Historical
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Content Protection
This content is DRM free.
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Read Aloud
Available on Android devices
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#1 NEW YORK TIMES BESTSELLER

In the Tale of The Fall of Gondolin are two of the greatest powers in the world. There is Morgoth of the uttermost evil, unseen in this story but ruling over a vast military power from his fortress of Angband. Deeply opposed to Morgoth is Ulmo, second in might only to Manwë, chief of the Valar: he is called the Lord of Waters, of all seas, lakes, and rivers under the sky. But he works in secret in Middle-earth to support the Noldor, the kindred of the Elves among whom were numbered Húrin and Túrin Turambar.
 
Central to this enmity of the gods is the city of Gondolin, beautiful but undiscoverable. It was built and peopled by Noldorin Elves who, when they dwelt in Valinor, the land of the gods, rebelled against their rule and fled to Middle-earth. Turgon King of Gondolin is hated and feared above all his enemies by Morgoth, who seeks in vain to discover the marvellously hidden city, while the gods in Valinor in heated debate largely refuse to intervene in support of Ulmo’s desires and designs.
 
Into this world comes Tuor, cousin of Túrin, the instrument of Ulmo’s designs. Guided unseen by him Tuor sets out from the land of his birth on the fearful journey to Gondolin, and in one of the most arresting moments in the history of Middle-earth the sea-god himself appears to him, rising out of the ocean in the midst of a storm. In Gondolin he becomes great; he is wedded to Idril, Turgon’s daughter, and their son is Eärendel, whose birth and profound importance in days to come is foreseen by Ulmo.
 
At last comes the terrible ending. Morgoth learns through an act of supreme treachery all that he needs to mount a devastating attack on the city, with Balrogs and dragons and numberless Orcs. After a minutely observed account of the fall of Gondolin, the tale ends with the escape of Túrin and Idril, with the child Eärendel, looking back from a cleft in the mountains as they flee southward, at the blazing wreckage of their city. They were journeying into a new story, the Tale of Eärendel, which Tolkien never wrote, but which is sketched out in this book from other sources.
 
Following his presentation of Beren and Lúthien Christopher Tolkien has used the same ‘history in sequence’ mode in the writing of this edition of The Fall of Gondolin. In the words of J.R.R. Tolkien, it was ‘the first real story of this imaginary world’ and, together with Beren and Lúthien and The Children of Húrin, he regarded it as one of the three ‘Great Tales’ of the Elder Days.
The second book in the critically acclaimed Obsidian and Blood trilogy:

The year is Two House, and the Emperor of the Mexica has just died. The protections he afforded the Empire are crumbling, and the way lies wide open to the flesh-eating star-demons--and to the return of their creator, a malevolent goddess only held in check by the War God's power.

The council should convene to choose a new Emperor, but they are too busy plotting against each other. And then someone starts summoning star-demons within the palace, to kill councilmen...

Acatl, High Priest of the Dead, must find the culprit before everything is torn apart.

REVIEWS:

‘Political intrigue and rivalry among a complex pantheon of divinities drive this well-paced murder mystery set at the height of the Aztec Empire in the late 15th century. De Bodard reintroduces the series hero Acatl, high priest of the dead, immediately following the death of the Tenochtitlan leader. One of the council members in charge of choosing a successor has been brutally murdered in what looks like an attempt to influence the decision. But the deaths continue and the political situation grows more complex, while the empire looks to be increasingly at risk of invasion by malignant powers. Acatl must go face-to-face with the most powerful god in his world and put the good of the empire above his antipathy for is rivals to achieve the uneasy succession. De Bodard incorporates historical fact with great ease and manages the rare feat of explaining complex culture and political system without lecturing or boring the reader.’ —Publishers Weekly

‘Another thing that intrigues me here is the whole fact that historically we know that the real empire died out mysteriously and completely and as such there is always that thought in the back of my mind that the author could choose to bring about the end of days. That highlighted sense of possible doom is something that is missing from too many novels. The way the story is told in this book is very impressive, the plot is both mature and seductive, twisting and turning like a weather vane in a force 9 gale while the action is both bloodthirsty and imaginative. The world building is fantastic and we get to learn even more of this rich culture and the many gods and creatures of the dark. I really can’t fault this book at all and recommend it to one and all but if you haven’t yet read Servant of the Underworld I suggest that you get them both and read them in order, you won’t be disappointed.’ —SF Book Reviews

‘Bodard’s writing is polished and striking, as she convincingly fills in the colorful elements of the Aztec culture–even if those colors tend to be of blood and bile as well as flowers and hummingbirds... beautiful, grimy, breathtaking, and morbid. 5*’ —Examiner

‘Aliette de Bodard has done it again. Harbinger of the Storm is an action packed Aztec mystery opera with magic, interventions from the gods and more twists and turns than the first book. It even has a love story with amusing snippets here and there... The story is self contained and can be enjoyed standalone, but you will not want to miss out on the first. I wish it was 2012 already even if the world is going under while I read the final Obsidian & Blood.’ —Cybermage
The conclusion to the critically acclaimed Obsidian and Blood trilogy:

The year is Three Rabbit, and the storm is coming.

The Mexica Empire now has a new Emperor, but his coronation war has just ended in a failure: the armies have retreated with a paltry forty prisoners of war, not near enough sacrifices to satisfy the gods. Acatl, High Priest for the Dead, has no desire to involve himself yet again in the intrigues of the powerful. However, when one of the prisoners dies of a magical illness, he has little choice but to investigate. For it is only one death, but it will not be the last.

As the bodies pile up and the imperial court tears itself apart, dragging Teomitl, Acatl's beloved student, into the eye of the storm, the High Priest for the Dead is going to have to choose whom he can afford to trust; and where, in the end, his loyalties ultimately lie...

REVIEWS:

‘Like the previous books, the third in the Obsidian and Blood series abounds with suspects and red herrings. It’s a twisty and colourful tale filled with strange gods who demand sacrifices and pain for the least favour. I liked the way Acatl is beginning to question the way things are, and the first stirrings of doubt are awakening in him. He’s always had misgivings about his own suitability as High Priest, but in this novel his eyes are opened to some of the deeper wrongs done in the name of the empire, and in the name of people’s unswerving loyalty to the gods.’ —WarpCore SF

‘I found this to be the best book of a very good series. The same positives from the first two books are still present, a very easy-to-read writing style (easy to read but not simple or dumbed down), a quick pace, and some incredible world building, incredible accessibility despite the lesser know pantheon and names. Even though the second book dealt with a possible end to the world, MASTER OF THE HOUSE OF DARTS took a similar fate and did it better. Perhaps this was because in many ways it felt more like a fantasy book than a mystery book, which lends itself better to the “save the world” type story. The magic felt more organic here, it was never used as a crutch, or perhaps it was just better explained. There was a bit less travelling this time around, which also led to a tighter story. The ending involved several confrontations that were tense and believable, including some between people who are supposed to be allies... a great end to the series.’ —Fantasy Review Barn

‘Whether you take it as historical noir or as a highly accurate fantasy, it’s hard not to enjoy the Obsidian and Blood books—it’s a perfect fit for those looking for something different from their usual fare, but still exciting in ways they’re used to.’ —Guys Lit Wire

‘Acatl, is very much at the heart of the story, more so perhaps than the plot. He slowly grows into his position as the High Priest of the Dead throughout the trilogy, while the author moves along a parallel path, her narrative growing into its teller and inhabiting his mind with increasing comfort and self-assurance. Acatl is both the hero and the author’s avatar as she explores her ideas of what a hero can and should be. Perceptive readers will find Acatl to be a very different kind of hero than we are accustomed to reading about, but the action and the mystery proceed so smoothly that some may never notice the gleeful contrariness that lurks below the surface... Acatl is not, and this is apparent from much earlier in the trilogy, a typical action hero. He is not even a typical mystery solver, at least not in the Western idiom... The entirety of the Obsidian & Blood trilogy gets high marks... for creativity, execution, and gentle subversion. Not just recommended, but, to paraphrase Demi Moore in A Few Good Men, strenuously recommended.’ —Two Dudes in an Attic
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