In Hampshire, complications mount. Late at night, Lizzie hears furtive voices outside, there's a gentleman farmer whose demeanor with Lucy seems unusually familiar, and, while Lucy proves a bit moody, she hardly seems deranged. The girl's aunts are clearly withholding something. . . . These tensions come to a head when a man is found dead in the garden, stabbed with a knife from the aunts' home.
Lizzie calls upon her beau, Inspector Benjamin Ross. Together, they find themselves entangled in a mystery as bewildering as any they've faced.
Over a hundred years later, the only remaining members of the Oakley family are two elderly sisters living in Bamford, who exist in poverty in their rambling ancestral home, Fourways. Unable to maintain their mansion, the sisters have decided to sell the house and live comfortably on the proceeds. But a young Polish man named Jan appears, claiming to be William Oakley's great-grandson and brandishing what he alleges is Oakley's will, which entitles him to half the profits from the sale. The sisters panic, knowing that, although Jan's claims don't stand up, a court case could drag on for years, and time is not on their side. When Jan is found dead, poisoned by the same substance used to kill his great-grandmother so many years ago, it seems that murder has returned to haunt the Oakley family once again, and Superintendent Markby must unravel two mysteries, one from a hundred years ago, to find the killer.
In Shades of Murder, Ann Granger has crafted another tough case for Mitchell and Markby.
"Wie oft habe ich Ihnen gesagt, dass man nur alle Unmöglichkeiten zu beseitigen braucht; was dann übrig bleibt, muss trotz aller Unwahrscheinlichkeit der wirkliche Sachverhalt sein."
Null Papier Verlag