The Futures

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ONE OF REFINERY29's BEST BOOKS OF 2017
ONE OF the Skimm's BEST BOOKS OF 2017

"The next great New York novel."-Town & Country

"A story that feels familiar yet wholly original, like every heartbreak ever."-Marie Claire

"Pitoniak's precise and incisive powers of observation give us a book with startling grace notes ... As in earlier, seminal novels about similar 20-something cohorts-among them Jay McInerney's Bright Lights, Big City, Bret Easton Ellis's American Psycho and Sylvia Plath's The Bell Jar-the city is another mirror character, a puzzle the protagonists must solve as they come to grips with their own lives.--NPR.org

In this dazzling debut novel about love and betrayal, a young couple moves to New York City in search of success-only to learn that the lives they dream of may come with dangerous strings attached.

Julia and Evan fall in love as undergraduates at Yale. For Evan, a scholarship student from a rural Canadian town, Yale is a whole new world, and Julia--blond, beautiful, and rich--fits perfectly into the future he's envisioned for himself. After graduation, and on the eve of the great financial meltdown of 2008, they move together to New York City, where Evan lands a job at a hedge fund. But Julia, whose privileged upbringing grants her an easy but wholly unsatisfying job with a nonprofit, feels increasingly shut out of Evan's secretive world.

With the market crashing and banks failing, Evan becomes involved in a high-stakes deal at work--a deal that, despite the assurances of his Machiavellian boss, begins to seem more than slightly suspicious. Meanwhile, Julia reconnects with someone from her past who offers a glimpse of a different kind of live. As the economy craters, and as Evan and Julia spin into their separate orbits, they each find that they are capable of much more--good and bad--than they'd ever imagined.

Rich in suspense and insight, Anna Pitoniak's gripping debut reveals the fragile yet enduring nature of our connections: to one another and to ourselves. THE FUTURES is a glittering story of a couple coming of age, and a searing portrait of what it's like to be young and full of hope in New York City, a place that so often seems determined to break us down--but ultimately may be the very thing that saves us.
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About the author

Anna Pitoniak is an editor of fiction and nonfiction at Random House. She graduated from Yale in 2010, where she majored in English and was an editor at the Yale Daily News. She grew up in British Columbia.
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Additional Information

Publisher
Lee Boudreaux Books
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Published on
Jan 17, 2017
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Pages
320
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ISBN
9780316354189
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Language
English
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Genres
Fiction / Coming of Age
Fiction / Literary
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Content Protection
This content is DRM protected.
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Available on Android devices
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Eligible for Family Library

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NAMED ONE OF THE BEST BOOKS OF THE YEAR BY
People ∙ O: The Oprah Magazine ∙ Financial Times ∙ Kansas City Star ∙ BookPage ∙ Kirkus Reviews ∙ Publishers Weekly ∙ Booklist

NEW YORK TIMES BESTSELLER
 
“A stunner.”—Justin Cronin
 
“It’s never the disasters you see coming that finally come to pass—it’s the ones you don’t expect at all,” says Julia, in this spellbinding novel of catastrophe and survival by a superb new writer. Luminous, suspenseful, unforgettable, The Age of Miracles tells the haunting and beautiful story of Julia and her family as they struggle to live in a time of extraordinary change.
 
On an ordinary Saturday in a California suburb, Julia awakes to discover that something has happened to the rotation of the earth. The days and nights are growing longer and longer; gravity is affected; the birds, the tides, human behavior, and cosmic rhythms are thrown into disarray. In a world that seems filled with danger and loss, Julia also must face surprising developments in herself, and in her personal world—divisions widening between her parents, strange behavior by her friends, the pain and vulnerability of first love, a growing sense of isolation, and a surprising, rebellious new strength. With crystalline prose and the indelible magic of a born storyteller, Karen Thompson Walker gives us a breathtaking portrait of people finding ways to go on in an ever-evolving world.
 
“Gripping drama . . . flawlessly written; it could be the most assured debut by an American writer since Jennifer Egan’s Emerald City.”—The Denver Post
 
“Pure magnificence.”—Nathan Englander
 
“Provides solace with its wisdom, compassion, and elegance.”—Curtis Sittenfeld
 
“Riveting, heartbreaking, profoundly moving.”—Kirkus Reviews (starred review)
 
Look for special features inside. Join the Circle for author chats and more.
People’s Book of the Week

“Perfect for fans of Curtis Sittenfeld's Prep.”—Booklist

Top 6 Books You Need to Read—BuzzFeed

Best Books to Give Every Book Lover on Your List—Town & Country

In this witty, hilarious, and entertaining novel that’s “The Devil Wears Prada meets Primates of Park Avenue” (The New York Times), a young woman is unexpectedly thrust into the cutthroat world of New York City private school admissions.

Despite her innate ambition and summa cum laude smarts, Kate Pearson has turned into a major slacker. After being unceremoniously dumped by her handsome “almost fiancé,” she abandons her plans and instead spends her days lolling on the couch, watching reruns of Sex and the City. Her friends don’t know what to do other than pass tissues and hope for a comeback, while her practical sister, Angela, pushes every remedy she can think of, from trapeze class to therapy to job interviews.

Miraculously, Kate manages to land a job in the admissions department at the revered Hudson Day School. In her new position Kate learns there’s no time for self-pity or nonsense during the thick of the admissions season, or what her colleagues refer to as “the dark time.” As the process revs up, Kate meets smart kids who are unlikable, likeable kids who aren’t very smart, and Park Avenue parents who refuse to take no for an answer. Through a comical and crazy run of wildly unpredictable interviews, subtle bribes, outright threats, final judgments, and page-turning twists, the highly competitive and occasionally absurd world of private school admissions is brought to light in all of its outrageous glory that is reminiscent of Curtis Sittenfeld’s Prep.
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