Anne de Courcy sets the stories of these young women and their families in the context of their times. Based on extensive first-hand research, drawing on diaries, memoirs and letters, this richly entertaining group biography reveals what they thought of their new lives in England - and what England thought of them.
The oldest, Irene, never married but pursued her passion for foxes, alcohol, and married men. The middle, Cimmie, was a Labour Party activist turned Fascist. And Baba, the youngest and most beautiful, possessed an appetite for adultery that was as dangerous as it was outrageous.
As the sisters dance, dine, and romance their way through England's most hallowed halls, we get an intimate look at a country clinging to its history in the midst of war and rapid change. We obtain fresh perspectives on such personalities as the Duke and Duchess of Windsor, Oswald Mosley, Nancy Astor and the Cliveden Set, and Lord Halifax. And we discover a world of women, impeccably bred and unabashedly wilful, whose passion and spirit were endlessly fascinating.
Vicky, Alice, Helena, and Beatrice were historically unique sisters, born to a sovereign who ruled over a quarter of the earth's people and who gave her name to an era: Queen Victoria. Two of these princesses would themselves produce children of immense consequence. All five would curiously come to share many of the social restrictions and familial machinations borne by nineteenth-century women of less-exulted class.
Victoria and Albert's precocious firstborn child, Vicky, wed a Prussian prince in a political match her high-minded father hoped would bring about a more liberal Anglo-German order. That vision met with disaster when Vicky's son Wilhelm-- to be known as Kaiser Wilhelm-- turned against both England and his mother, keeping her out of the public eye for the rest of her life. Gentle, quiet Alice had a happier marriage, one that produced Alexandra, later to become Tsarina of Russia, and yet another Victoria, whose union with a Battenberg prince was to found the present Mountbatten clan. However, she suffered from melancholia and died at age thirty-five of what appears to have been a deliberate, grief-fueled exposure to the diphtheria germs that had carried away her youngest daughter. Middle child Helena struggled against obesity and drug addition but was to have lasting effect as Albert's literary executor. By contrast, her glittering and at times scandalous sister Louise, the most beautiful of the five siblings, escaped the claustrophobic stodginess of the European royal courts by marrying a handsome Scottish commoner, who became governor general of Canada, and eventually settled into artistic salon life as a respected sculptor. And as the baby of the royal brood of nine, rebelling only briefly to forge a short-lived marriage, Beatrice lived under the thumb of her mother as a kind of personal secretary until the queen's death.
Principally researched at the houses and palaces of its five subjects in London, Scotland, Berlin, Darmstadt, and Ottawa-- and entertainingly written by an experienced biographer whose last book concerned Victoria's final days-- Victoria's Daughters closely examines a generation of royal women who were dominated by their mother, married off as much for political advantage as for love, and finally passed over entirely with the accession of their n0 brother Bertie to the throne. Packard provides valuable insights into their complex, oft-tragic lives as daughters of their time.
By the late nineteenth century, Britain's colonial reign seemed to know no limit—and India was the sparkling jewel in the Imperial crown. Many of Her Majesty's best and brightest young men departed for the Raj to make their careers, and their fortunes, as bureaucrats, soldiers, and businessmen. But in their wake they left behind countless young ladies who, suddenly bereft of eligible bachelors, found themselves facing an uncertain future.
With nothing to lose and everything to gain, some of these women decided to follow suit and abandon their native Britain for India's exotic glamor and—with men outnumbering women by roughly four to one in the Raj—the best chance they had at finding a man.
Drawing on a wealth of firsthand sources, including unpublished memoirs, letters, photographs, and diaries, Anne de Courcy brings the incredible world of "the Fishing Fleet," as these women were known, to life. In these sparkling pages, she describes the glittering whirlwind of dances, parties, amateur theatricals, picnics, tennis tournaments, cinemas, tiger shoots, and palatial banquets that awaited in the Raj, all geared toward the prospect of romance. Most of the girls were away from home for the first time, and they plunged headlong into the heady dazzle of expatriate social life; marriages were frequent.
However, after the honeymoon many women were confronted with a reality that was far from the fairy tale they'd been chasing. With her signature diligence and sensitivity, de Courcy looks beyond the allure of the Raj to tell the real stories of these marriages built on convenience and unwieldy expectations. Wives were whisked away to distant outposts with few other Europeans for company. Transplanted to isolated plantations and remote towns, they endured heat, boredom, discomfort, illness, and motherhood removed from familiar comforts—a far cry from the magical world they were promised upon arrival.
Rich with drama and color, The Fishing Fleet is a sumptuous, utterly compelling real-life saga of adventure, romance, and heartbreak in the heyday of the British Empire.
After the untimely death of Prince Albert, the queen and her nation were plunged into a state of grief so profound that this one event would dramatically alter the shape of the British monarchy. For Britain had not just lost a prince: during his twenty year marriage to Queen Victoria, Prince Albert had increasingly performed the function of King in all but name. The outpouring of grief after Albert's death was so extreme, that its like would not be seen again until the death of Princess Diana 136 years later.
Drawing on many letters, diaries and memoirs from the Royal Archives and other neglected sources, as well as the newspapers of the day, Rappaport offers a new perspective on this compelling historical psychodrama--the crucial final months of the prince's life and the first long, dark ten years of the Queen's retreat from public view. She draws a portrait of a queen obsessed with her living husband and – after his death – with his enduring place in history. Magnificent Obsession will also throw new light on the true nature of the prince's chronic physical condition, overturning for good the 150-year old myth that he died of typhoid fever.
A “revelatory” (Wall Street Journal) romp through the intimate details of Victorian life, by an historian who has cheerfully endured them all.Lauded by critics, How to Be a Victorian is an enchanting manual for the insatiably curious, the “the cheapest time-travel machine you’ll find” (NPR). Readers have fallen in love with Ruth Goodman, an historian who believes in getting her hands dirty. Drawing on her own firsthand adventures living in re-created Victorian conditions, Goodman serves as our bustling guide to nineteenth-century life. Proceeding from daybreak to bedtime, this charming, illustrative work “imagines the Victorians as intrepid survivors” (New Republic) of the most perennially fascinating era of British history. From lacing into a corset after a round of calisthenics to slipping opium to the little ones, Goodman’s account of Victorian life “makes you feel as if you could pass as a native” (The New Yorker).