Developments of scenic design are traced from the introduction of perspective painting to create illusionistic scenery in Renaissance Italy to the use of digital projection in the twenty-first century. The book also discusses important landmarks in the evolution of costume and lighting design, as well as the introduction of film and video technology to stage design. A broad range of work is explored, including opera, dance, Broadway and West End commercial theatre, avant-garde performance, and even Olympic spectacles. Each chapter features one designer, including basic biographical information and a discussion of that artist’s style, aesthetics, and contributions. Designers covered include Sebastiano Serlio, Ferdinando Bibiena, Richard Wagner, Adolphe Appia, and Edward Gordon Craig, amongst many other notable individuals. Each chapter also includes references to other significant designers with similar aesthetics or who made similarly important contributions to the development of that aspect of scenography.
This book is ideal for undergraduates and graduates of scenography, theatrical design, and theatre history.
Arnold Aronson is Professor Emeritus of Theatre at Columbia University in New York. He is the author of several books on design including Ming Cho Lee: A Life in Design and The History and Theory of Environmental Scenography. He is the editor of The Routledge Companion to Scenography and was a founding co-editor of the journal Theatre and Performance Design. He has a long history with the Prague Quadrennial of Performance Design and Space and served as General Commissioner in 2007.