In addition to "Master Race,” this volume includes “The Flying Machine” (based on a story by Ray Bradbury). Other stories include: “Slave Ship,” an unpublished science fiction tale that was only discovered in the decades following EC’s demise, “The Monster From The Fourth Dimension,” a horror/science fiction shocker that has never been reprinted since its original appearance in 1954, and other Krigstein crime, horror, war, and science fiction stories covering the full gamut of EC titles, including Tales From the Crypt, Crime SuspenStories, Shock SuspenStories, Aces High, and Incredible Science Fiction.
Bernard (B.) Krigstein (1919-1990) was trained as a classical painter, butearly on he recognized the artistic potential of the comics medium.He wasinducted into the Jack Kirby Hall of Fame in 1992 and the WillEisner ComicBook Hall of Fame in 2003.
Albert B. Feldstein (1925-2014) was an American writer,editor, and artist, best known for his work at EC Comics (particularly in the science fiction genre) and, from 1956 to1985, as the editor of the satirical magazine Mad.
Ray Bradbury was born in Waukegan, Illinois, in 1920. Growing up during the Great Depression, Bradbury began writing at the age of 11. Unable to join the military in World War II due to his poor eyesight, he began publishing science fiction stories. In 1947 he married Marguerite McClure and they had four daughters. His career as a writer included such notable works as Fahrenheit 451, The Martian Chronicles, and I Sing The Body Electric. Primarily known for his successes in science fiction, Bradbury also worked on various horror and mystery stories, as well as screenplays and television scripts. During his lifetime he received numerous awards, including a Pulitzer in 2007. Bradbury passed away in 2012.
Over the past decade, Joe Sacco, "our moral draughtsman" (Christopher Hitchens), has increasingly turned to short-form comics journalism to report from the sidelines of wars around the world. Collected here for the first time, Sacco's darkly funny, revealing reportage confirms his standing as one of the foremost war correspondents working today.
In "The Unwanted," Sacco chronicles the detention of Saharan refugees who have washed up on the shores of Malta; "Chechen War, Chechen Women" documents the trial without end of widows in the Caucasus; and "Kushinagar" goes deep into the lives of India's untouchables, who are hanging "onto the planet by their fingernails." Other pieces take Sacco to the smuggling tunnels of Gaza; the trial of Milan Kovacevic, Bosnian warlord, in The Hague; and the darkest chapter in recent American history, Abu Ghraib. And on a mission with American troops—pieces never published in the United States—he confronts the misery and absurdity of the war in Iraq.
Among Sacco's most mature, accomplished work, Journalism demonstrates the power of our premier cartoonist to chronicle human experience with a force that often eludes other media.
The October Country is many places: a picturesque Mexican village where death is a tourist attraction; a city beneath the city where drowned lovers are silently reunited; a carnival midway where a tiny man's most cherished fantasy can be fulfilled night after night. The October Country's inhabitants live, dream, work, die--and sometimes live again--discovering, often too late, the high price of citizenship. Here a glass jar can hold memories and nightmares; a woman's newborn child can plot murder; and a man's skeleton can war against him. Here there is no escaping the dark stranger who lives upstairs...or the reaper who wields the world. Each of these stories is a wonder, imagined by an acclaimed tale-teller writing from a place shadows. But there is astonishing beauty in these shadows, born from a prose that enchants and enthralls. Ray Bradbury's The October Country is a land of metaphors that can chill like a long-after-midnight wind...as they lift the reader high above a sleeping Earth on the strange wings of Uncle Einar.