Lei'd With Cupcakes ~ Bethany Lopez

Bethany Lopez
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Everybody dreams of a Hawaiian Vacation…

They sell you on the drinks with little umbrella’s, dolphin watching, and long walks on the beach. Which probably happens, if you’re that lucky schmuck living out your dream with your destination wedding, but if you’re a fish out of water PI like me, there’s no time for relaxing because trouble is never far behind.

Instead of cocktails, I ended up dealing with the seedy underbelly of The Big Island.
And, I didn’t see one damn dolphin while undercover on a boat which was spilling over with drug dealers, Kingpins, and Pedophiles.

Elin and Elena think Cade's family are the coolest people outside of Snapchat, but it’s hard to meet the parents when your boyfriend is in his late thirties and has never had a serious relationship.

I’d never missed my girls so much in my life, but Amy May, Bea, and Carmen are all dealing with issues of their own, and can’t come to my rescue.

The only thing that may help me with this “vacation” is if I could get Lei’d with Cupcakes.

WARNING: THIS BOOK CONTAINS FOUL LANGUAGE, SEX, SOME VIOLENCE, AND SHENANIGANS. IF NONE OF THAT BOTHERS YOU, GRAB A CUPCAKE AND READ ON!
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Additional Information

Publisher
Bethany Lopez
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Published on
May 3, 2018
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Pages
311
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ISBN
9788828318972
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Language
English
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Genres
Drama / Women Authors
Fiction / Mystery & Detective / Women Sleuths
Fiction / Romance / Romantic Comedy
Fiction / Romance / Suspense
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Content Protection
This content is DRM protected.
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Available on Android devices
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Winner of the 1999 Pulitzer Prize for Drama, the New York Drama Critics Circle Award, the Drama Desk Award, the Outer Critics Circle Award, the Lucille Lortel Award, and the Oppenheimer Award

Margaret Edson's powerfully imagined Pulitzer Prize–winning play examines what makes life worth living through her exploration of one of existence's unifying experiences—mortality—while she also probes the vital importance of human relationships. What we as her audience take away from this remarkable drama is a keener sense that, while death is real and unavoidable, our lives are ours to cherish or throw away—a lesson that can be both uplifting and redemptive. As the playwright herself puts it, "The play is not about doctors or even about cancer. It's about kindness, but it shows arrogance. It's about compassion, but it shows insensitivity."

In Wit, Edson delves into timeless questions with no final answers: How should we live our lives knowing that we will die? Is the way we live our lives and interact with others more important than what we achieve materially, professionally, or intellectually? How does language figure into our lives? Can science and art help us conquer death, or our fear of it? What will seem most important to each of us about life as that life comes to an end?

The immediacy of the presentation, and the clarity and elegance of Edson's writing, make this sophisticated, multilayered play accessible to almost any interested reader.

As the play begins, Vivian Bearing, a renowned professor of English who has
spent years studying and teaching the intricate, difficult Holy Sonnets of the
seventeenth-century poet John Donne, is diagnosed with advanced ovarian cancer. Confident of her ability to stay in control of events, she brings to her illness the same intensely rational and painstakingly methodical approach that has guided her stellar academic career. But as her disease and its excruciatingly painful treatment inexorably progress, she begins to question the single-minded values and standards that have always directed her, finally coming to understand the aspects of life that make it truly worth living.

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