Shackles

A Nameless Detective Mystery

Book 16
Speaking Volumes
2
Free sample

He is ruthless and amoral, and he feels nothing but fury and a burning desire for revenge upon "Nameless," the man he believes is responsible for ruining his life. So he plots a horrible, lingering death for his victim. One night, "Nameless" is abducted by his unknown enemy, taken to a mountain cabin, chained to a wall, and left there to die once the scanty provisions left for him run out. In the icy whiteness of dead winter, "Nameless" has nothing to do but search his memory. Who is his captor? When did their paths cross? And what could he have done to warrant such revenge? Perhaps the answer lies in one of the secondhand paperbacks or magazines provided for his "comfort" or perhaps there is some significance in the date he was kidnapped or... His isolated captivity is a nightmare, and he must take each day as it comes just in order to keep his sanity. There is but one thought that keeps him going—a vow that somehow he will escape. There must be something—one small detail—his jailor overlooked... Once free of the physical shackles that bound his body, "Nameless" must remove the emotional shackles that have closed upon his mind. He sets out on a quest to find his captor. Now, the roles are reversed and the hunted becomes the hunter...
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About the author

Bill Pronzini is simply one of the masters. He seems to have taken a crack at just about every genre: mysteries, noirish thrillers, historicals, locked-room mysteries, adventure novels, spy capers, men's action, westerns, and, of course, his masterful, long-running Nameless private detective series, now entering its fourth decade, with no signs of creative flagging. He's also ghosted several Brett Halliday short stories as Michael Shayne for Mike Shayne's Mystery Magazine, and has managed to collaborate with such fellow writers as John Lutz, Barry Wahlberg, Collin Wilcox and Marcia Muller. Still, if he never ventured into fiction writing, his non-fiction work, as both writer and editor, would still earn him a place in the P.I. genre's Hall of Fame. Besides his two tributes to some of the very worst in crime fiction (what he calls "alternative classics"), Gun in Cheek and Son of Gun in Cheek, and one on western fiction (entitled Six Gun in Cheek, naturally), he's the co-author (with Marcia Muller) of 1001 Midnights. The Mystery Writers of America have nominated him for Edgar Awards several times and his work has been translated into numerous languages and he's published in almost thirty countries. He was the very first president of the Private Eye Writers of America, and he's received three Shamus Awards from them, as well as its Lifetime Achievement Award in 1987. His passion for the old crime pulps is largely responsible for keeping them in the public's eye. He's amassed a huge collection of books and magazines and has always been an omnivorous reader; all of which made him a natural when it came to editing various anthologies. He admits "it was a pleasure tracking down good stories to fit a particular anthology theme." But after editing 80 or so of them over a period of twenty-some years, he decided it was "more than enough." Always a critical darling, though never a true best-seller, the twenty-sixth installment in the long-running Nameless series, Crazybone, ended with the intriguing possibility that Nameless and his wife, Kerry, would adopt a child, suggesting a move far from the hard-edged dramas of a lone wolf private eye, and in fact, Pronzini at the time let it be known, in Mystery & Detective Monthly, and perhaps elsewhere, that he wasn't going to write any more Nameless novels, unless he got an exceptional offer from some publisher. He therefore hoped to end the series on an upbeat note, and to allow for its possible (and from this quarter, much-hoped for) revival. Well, it came to pass, and he has, in fact, continued the series. He's also one hell of an editor, helping compile some truly great crime fiction anthologies, as well as writing the three Gun In Cheek books, humorous non-fiction histories of bad mystery and Western fiction. Not too shabby. Not too shabby at all. Praise for Bill Pronzini "Pronzini makes people and events so real that you're living those explosive days of terror." —Robert Ludlum "Once in a crocodile's age you come across a writer whose work you instinctively like... I've found one—Bill Pronzini. Buy him, read him, and relax." —Los Angeles Times "A skilled writer working at the top of his ability." —Denver Post "Pronzini delivers breathtaking suspense" —San Francisco Examiner "His novels are packed with adventure, fresh characterization, and minute-by-minute suspense." —Chicago Tribune "Pronzini is the master of the shivery, spine-tingling it-could-happen suspense story." —Publishers Weekly "Pronzini is a pro." —The New York Times "Pronzini is a master of suspense." —Los Angeles Times "Pronzini, a pulp aficionado, adds to the race-against-time tension of his homespun stage with sideline subplots: a guilt-ridden love-triangle, an outlaw's hysterical memories of his father's death in a fire, a one-legged man's bitterness and misguided heroism—building to an acceptable, if rather bland, ending. While not attempting to transcend the genre, the author has added to it with his usual professionalism." —Publishers Weekly "For a mystery, Dead Run will be hard to beat" —The New York Times Book Review (Dead Run) "ACTION-PACKED, BRISK, EFFICIENT.... NAMELESS MAY LACK A MONIKER BUT HE'S FULL OF CHARACTER." —Publishers Weekly (Quarry) "PRONZINI MANAGES A DIFFICULT FEAT IN QUARRY: MAKING THE TENSION OF A MISSING PERSON CASE WORK WITHOUT THE PERSON ACTUALLY BEING MISSING!" —Booklist (Quarry) "Nameless Detective is a classic private-eye hero." —Chicago Sun-Times (Sentinels)
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4.5
2 total
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Additional Information

Publisher
Speaking Volumes
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Published on
Dec 31, 1988
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Pages
252
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ISBN
9781612329307
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Features
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Language
English
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Genres
Fiction / Mystery & Detective / General
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Content Protection
This content is DRM protected.
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Read Aloud
Available on Android devices
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Eligible for Family Library

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"The bitterest of woes is to remember old happy days." At least that's what old man Pietro Lombardi thinks. He's got la miseria and can't even play a peaceful round of Sunday bocce with his friends at Aquatic Park. That is, until he sees the "Nameless Detective" at an opposite bench—another romantic taking in what's left of the Italian-American essence of the neighborhood. A shared burden being a lesser load, Pietro enlists his paesan's help with a troubling family matter. It seems his granddaughter, Gianna, is being harassed and needs some looking after. For old time's sake, Nameless agrees to check things out.

Nameless quickly finds that Gianna is in hotter water than Pietro can imagine. The smarmy landlord who was hassling her is now black-and-blue and apologetic, her roommate is a little more than friendly in a very cheap sort of way, and Gianna is nowhere to be found. Even though his instincts tell him to leave well enough alone, Nameless searches for Pietro's "beauty of beauties" in the muck of a lascivious underworld full of loudmouthed liars, sleazy pornographers, and cold-blooded killers. After uncovering the horrific truth about Gianna, Nameless is far out of his depth. His investigative tracks have been spotted and leave him vulnerable to the wrath of Gianna's tormentors. Not only is Nameless a witness to the seedy behavior of the group, he has been reeled into a trap. In the end it's all Nameless can do to ensure that his epitaph will not be among those that are popping up around him.
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