Lucy Armstrong is a director of television commercials who's just been recruited to finish a four-day action movie shoot. But she arrives on the set to discover that the directing staff has quit, the make-up artist is suicidal, the stars are egomaniacs, the stunt director is her ex-husband, and the lead actor has just acquired as an advisor a Green Beret who has the aggravating habit of always being right.
Green Beret Captain JT Wilder had thought that hiring on as a military consultant for a movie star was a good deal: easy money and easier starlets. Instead he has to babysit a bumbling comedian, dodge low-flying helicopters, and resist his attraction to a director who bears a distracting resemblance to Wonder Woman. Then the CIA calls and he realizes that somebody is taking "shooting a movie" much too literally.
Full of suspense and humor, non-stop action and fast-paced dialogue, Don't Look Down is the perfect blend of male and female, adventure and romance, Mayer and Crusie.
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Captain Jim Vaughn is a government agent known for performing missions no one else wants. So when an old colleague approaches him with an assignment, he can't refuse––even if the mission has been set in motion by a dead man's letter, found in Antarctica and dated 1949. The Citadel has been cracked, and the only man who can safeguard it is Vaughn. Nothing short of the fate of mankind rests on his shoulders.
The War of Art identifies the enemy that every one of us must face,
outlines a battle plan to conquer this internal foe, then pinpoints just
how to achieve the greatest success.
The War of Art emphasizes the resolve needed to recognize and
overcome the obstacles of ambition and then effectively shows how to
reach the highest level of creative discipline.
Think of it as tough love . . . for yourself.