Brady Udall is the author of Letting Loose the Hounds, The Miracle Life of Edgar Mint, an international bestseller, and the newly released The Lonely Polygamist. His work has appeared in The Paris Review, Playboy, GQ and Esquire, and his stories and essays have been featured on National Public Radio's This American Life. He teaches in the MFA program at Boise State University, and lives in Boise, Idaho and Teasdale, Utah with his wife and children.
His great-great grandfather, David King Udall, was a polygamist. His second wife, Ida Hunt Udall, was his great-great grandmother.
Half Apache and mostly orphaned, Edgar Presley Mint’s trials begin on an Arizona reservation at the age of seven, when the mailman’s jeep accidentally runs over his head. As he is shunted from the hospital to a school for delinquents to a Mormon foster family, comedy, pain, and trouble accompany Edgar through a string of larger-than-life experiences. Through it all, readers will root for this irresistible innocent who never truly loses heart and whose quest for the mailman leads him to an unexpected home.
Golden Richards, husband to four wives, father to twenty-eight children, is having the mother of all midlife crises. His construction business is failing, his family has grown into an overpopulated mini-dukedom beset with insurrection and rivalry, and he is done in with grief: due to the accidental death of a daughter and the stillbirth of a son, he has come to doubt the capacity of his own heart. Brady Udall, one of our finest American fiction writers, tells a tragicomic story of a deeply faithful man who, crippled by grief and the demands of work and family, becomes entangled in an affair that threatens to destroy his family’s future. Like John Irving and Richard Yates, Udall creates characters that engage us to the fullest as they grapple with the nature of need, love, and belonging.
Beautifully written, keenly observed, and ultimately redemptive, The Lonely Polygamist is an unforgettable story of an American family—with its inevitable dysfunctionality, heartbreak, and comedy—pushed to its outer limits.