Bret Mulligan's research focuses on the twilight of classical culture, the period now known as "Late Antiquity." In Bret is interested in the adaptive strategies taken by authors when they must contend with a frightening accumulation of tradition, a cultural moment that has many similarities with our own age. The engagement of late antique authors with their artistic predecessors allows me to dabble in the full range of Classical antiquity. And since this period was also when much of Classical culture was packaged for transmission through the medieval period to us, it also serves as an ideal jumping off-point for my interest in the Classical Tradition and the continuing influence of Classical culture. His publication include 'Translation and the Poetics of Replication in the Late Antique Latin Epigram', in The Living Past: Recasting the Ancients in Late Latin Poetry (forthcoming) and 'Coniuratio! Ethopoeia and Reacting to the Past in the Latin Classroom (and Beyond)', Classical Journal 109.3 (Feb/Mar 2014).
Wheelock’s Latin 7th Edition retains its signature core of authentic Latin readings—curated from the works of Cicero, Vergil, and other major Roman authors of classical literature, drama, and poetry, as well as inscriptions, artifacts, and even authentic graffiti—that demonstrate the ancient Romans’ everyday use of Latin: Latin as a living language.
With expanded English-Latin/Latin-English vocabulary sections, tightly retooled comprehension and discussion questions, self-tutorial exercises, translation tips, etymological aids, maps, and dozens of photos and illustrations that capture aspects of classical culture and mythology, Wheelock’s Latin 7th Edition is the essential resource for students beginning their journey into the heart of the classical world.
Plato's account of Socrates' trial and death (399 BC) is a significant moment in Classical literature and the life of Classical Athens. In these four dialogues, Plato develops the Socratic belief in responsibility for one's self and shows Socrates living and dying under his philosophy. In Euthyphro, Socrates debates goodness outside the courthouse; Apology sees him in court, rebutting all charges of impiety; in Crito, he refuses an entreaty to escape from prison; and in Phaedo, Socrates faces his impending death with calmness and skilful discussion of immortality.
Christopher Rowe's introduction to his powerful new translation examines the book's themes of identity and confrontation, and explores how its content is less historical fact than a promotion of Plato's Socratic philosophy.