As the head and founder of the first university-based wildlife department in Canada, Ian McTaggart Cowan revolutionized the way North Americans understood the natural world, and students flocked into his classrooms to hear his brilliant, entertaining lectures regarding the new science of ecology.
During his academic career, Ian McTaggart Cowan stepped outside the narrow confines of academia to pioneer nature television. His television programs in the 1950s and ’60s, Fur and Feathers, The Web of Life and The Living Sea, made him a household name around the world by capturing the first microscopic organisms on TV and bringing a live moose into the studio. He was also responsible for hiring a young David Suzuki, who followed in his nature-show-host footsteps.
Cowan’s early work in the national parks became the foundation for wildlife conservation and environmental education in Canada. And like his US counterpart and colleague Aldo Leopold, he was part of a secret fraternity that practised a reverence for wildness and influenced three generations of scientists and politicians on everything from conservation of endangered species to the dangers of pesticides and climate change, long before these topics were generally acknowledged.
In his 80s he was still pioneering new ways to communicate nature through ecotourism, and well into his 90s he was still mentoring young ecologists. Cowan’s last publication at age 91 was the final volume of Birds of British Columbia, which the Royal BC Museum called “one of the biggest publishing events in Canadian history.”
Illustrated throughout with colour and black-and-white photos from all aspects of Cowan’s life, The Real Thing takes the reader on an adventurous and inspirational journey through the heart of North American ecology, wilderness, landscape and wonder.
Briony Penn has spent the last twenty-two years working as an award-winning newspaper and magazine columnist/illustrator, having published over 400 columns on natural/cultural history in regional newspapers and magazines, including “Wild Side” for Monday Magazine and “Natural Relations” for Focus. She received a Western Magazine Award for Best Columnist and Feature Writer, won the Silver Environment Educator Award at the Canadian Environmental Awards and was nominated for best North American columnist in alternative weeklies. She lives on Salt Spring Island, British Columbia.
A major book about the future of the world, blending intellectual and natural history and field reporting into a powerful account of the mass extinction unfolding before our eyes
Over the last half a billion years, there have been five mass extinctions, when the diversity of life on earth suddenly and dramatically contracted. Scientists around the world are currently monitoring the sixth extinction, predicted to be the most devastating extinction event since the asteroid impact that wiped out the dinosaurs. This time around, the cataclysm is us. In The Sixth Extinction, two-time winner of the National Magazine Award and New Yorker writer Elizabeth Kolbert draws on the work of scores of researchers in half a dozen disciplines, accompanying many of them into the field: geologists who study deep ocean cores, botanists who follow the tree line as it climbs up the Andes, marine biologists who dive off the Great Barrier Reef. She introduces us to a dozen species, some already gone, others facing extinction, including the Panamian golden frog, staghorn coral, the great auk, and the Sumatran rhino. Through these stories, Kolbert provides a moving account of the disappearances occurring all around us and traces the evolution of extinction as concept, from its first articulation by Georges Cuvier in revolutionary Paris up through the present day. The sixth extinction is likely to be mankind's most lasting legacy; as Kolbert observes, it compels us to rethink the fundamental question of what it means to be human.