ARTIST, THERAPIST AND TEACHER: Selected Writings by Bruce L. Moon

Charles C Thomas Publisher
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Artist, Therapist and Teacher is a compilation of writings taken from the author's 40 years of experience. The book is organized chronologically, earlier works are presented first and the most recent, last. Chapters include writings from particular years accompanied with commentaries by Chris Belkofer, Ph.D. that highlight their relevance to contemporary art therapy practices. Bruce L. Moon uses music, performance art, poetry, sports activities, visual art forms, and other task-oriented modalities to cultivate relationships with clients. His vision of art therapy work is intimately connected to creativity, artistic self-expression, and exploration of meaning. Based on the author's art therapy practice, his overwhelming sense is that art therapy is continually being reshaped and transformed. This sense of ongoing “re-creation” is connected to the foundation of art's healing power, which resides in the ability of art to constantly shift and find new forms of expression. Unique features include: social applications of the arts, art-based group therapy, art therapy education as performance, metaphor, artfully constructed narratives, and case vignettes. Further enhanced with 12 illustrations to completely clarify the vignettes discussed, this book is a call to art therapists to embrace the artistic dimensions of professional identity, and use creativity when presenting ideas about the discipline of art therapy. This book will be an excellent resource for art therapists, art lovers, artists, art educators, and other mental health professionals.
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Additional Information

Publisher
Charles C Thomas Publisher
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Published on
Apr 1, 2014
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Pages
338
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ISBN
9780398080891
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Best For
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Language
English
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Genres
Psychology / Psychotherapy / General
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Content Protection
This content is DRM protected.
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Eligible for Family Library

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Bruce L. Moon
A classic in art therapy literature since its introduction nearly two decades ago, this book is an expression of the author's desire to link the practice of art psychotherapy to the core issues of life as presented in existentialism. The inclusion of existential in this book's title denotes an interest in human struggle with issues of life in the face of death. The Canvas Mirror is the story of connections: the author's connections with his patients, their connections with each other, and, ultimately, the author's connections with the reader. We are provided in this book with a philosophy of how to be rather than a manual of what to do. The author shows us that it is possible to speak in plain language about the difficulties of therapists' patients if art therapists also speak to themselves in that same language. Unique features include: existential values and artistic traditions; metaphor, ritual, and journey; structuring chaos; existential emptiness and art; tenets of existential art therapy; the frame of The Canvas Mirror; listening to images and relating to artworks; dimensions of creative action; artists of the cutting edge; the changing face of illness; existential leadership and basic tasks; and dialoguing with dreams. Replete with numerous illustrations, this text will serve as a valuable resource to medical and mental health professionals, occupational therapists, artists, students and theorists of art, and rehabilitation professionals. The current state of mental health care, with short stays and a problem-focused approach, makes this book even more relevant today than when it was first published in 1990.
Bruce L. Moon

The goal of art therapy is to get beneath the surface of things, and once there, to use a gentle nudge to brush away the emotional debris of life and make room for more living. The revisions in this new edition of Introduction to Art Therapy further amplifies the impact of the original book, touching the major themes and issues of the profession. Art therapy is effective with individuals, families, and groups and it works well with the intellectually gifted and the learning impaired. It can also be used with the chronically mentally ill, the terminally ill, the vision impaired and the deaf. Art therapy is particularly effective with posttraumatic stress disorder—from the aftereffects of war, including physical, sexual or emotional abuse. This book describes the essential elements of the process of facilitating therapeutic change in forming a foundation from which art therapists construct treatment plans and philosophies. Enhancements in this text include: an overview of the spectrum of theoretical orientations within art therapy; a brief history of practice in the United States; descriptions of applications that were not widely understood in 1994; and the most current and seasoned interpretation of how the author perceives the art therapy experience. In addition, the author presents exceptional case examples including client-prepared artwork that highlights the text. This book will inspire serious artists to become involved in art therapy, and encourage veteran art therapists to renew their vocations by living the process of art therapy. This book will be a valuable resource to medical and mental health professionals, occupational therapists, and other rehabilitation professionals that aspire to become more effective in reaching others.

Bruce L. Moon

The goal of art therapy is to get beneath the surface of things, and once there, to use a gentle nudge to brush away the emotional debris of life and make room for more living. The revisions in this new edition of Introduction to Art Therapy further amplifies the impact of the original book, touching the major themes and issues of the profession. Art therapy is effective with individuals, families, and groups and it works well with the intellectually gifted and the learning impaired. It can also be used with the chronically mentally ill, the terminally ill, the vision impaired and the deaf. Art therapy is particularly effective with posttraumatic stress disorder—from the aftereffects of war, including physical, sexual or emotional abuse. This book describes the essential elements of the process of facilitating therapeutic change in forming a foundation from which art therapists construct treatment plans and philosophies. Enhancements in this text include: an overview of the spectrum of theoretical orientations within art therapy; a brief history of practice in the United States; descriptions of applications that were not widely understood in 1994; and the most current and seasoned interpretation of how the author perceives the art therapy experience. In addition, the author presents exceptional case examples including client-prepared artwork that highlights the text. This book will inspire serious artists to become involved in art therapy, and encourage veteran art therapists to renew their vocations by living the process of art therapy. This book will be a valuable resource to medical and mental health professionals, occupational therapists, and other rehabilitation professionals that aspire to become more effective in reaching others.

Bruce L. Moon
This new edition has been revised to incorporate the significant changes that were made to the AATA Ethics Document in 2013. Several chapters refer to the Ethical Principles for Art Therapists and Code of Professional Practice of the Art Therapy Credentials Board. These ethics documents are extremely helpful resources for practitioners dealing with ethical dilemmas, but they are ultimately inadequate to address every circumstance. Each art therapist must decide how the principles in the ethics documents apply to the particular problem he or she is facing. Throughout the text there are examples of ethical dilemmas that will provide opportunities for discussion and debate in the classroom or supervisory group and which will stimulate thought for individual reflection. There are four primary goals of this book:  (1) to raise questions and provide information related to the many ethical dilemmas art therapists face; (2) to present models of how to think through and resolve the difficult ethical problems art therapists encounter during their professional lives; (3) to be a useful, creative tool for course instructors and art therapy supervisors as a basis for engagement with students and supervisees exploring ethical problems; and (4) to offer  suggestions for artistic activities that will serve as a creative means to confront ethical dilemmas. Compelling illustrations throughout the text are provided as examples of creative responses to the artistic tasks. For the sake of comparison, the appendices contain the ethics documents of the British Association of Art Therapists and the Australian and New Zealand Arts Therapy Association. Written for art thera­py students, art therapists, and expressive arts therapy professionals, readers will find it very useful as a textbook for art therapy courses dealing with professional ethics and art therapy supervision. It will also be useful as a supplemental text in art therapy theory and practice courses.
Bruce L. Moon
 In order to practice art therapy, one must have faith in the healing qualities of art processes and products. Introduction to Art Therapy: Faith in the Product begins and ends with references to love and faith, including characteristic elements of the writing process and clinical art therapy endeavors. This third edition represents a thorough revision of ideas expressed in the previous two editions, presenting the major themes and issues of the profession in light of the experiences of intervening years.  Art therapy is effective with individuals, families, and groups and it works well with the intellectually gifted and the learning impaired. It can also be used with the chronically mentally ill, the terminally ill, the vision impaired, and the deaf. Art therapy is particularly effective with post-traumatic stress disorder--from the aftereffects of war, including physical, sexual, or emotional abuse. Enhancements in this text include: an overview of the spectrum of theoretical orientations within art therapy; a brief history of practice in the United States; fundamental principles of art therapy; curative aspects of art therapy; and metaverbal therapy. The author underscores the nature of the work, describes truths and fictions, explores pathos or pathology, and the therapeutic self. The text examines the social responsibility of art therapists and their colleagues; to record events, give form to culture, nurture imagination, and promote individual and social transformation. In addition, the author presents exceptional case examples including client-prepared artwork that highlights the text. This book will be an inspiration to serious artists that want to be involved in art therapy, and to the veteran art therapists to renew their vocations by living the process of art therapy. This comprehensive and insightful book will be valuable to art therapists, medical and mental health professionals, occupational therapists, and other rehabilitation professionals that aspire to become more effective in reaching others.
Bruce L. Moon
 In order to practice art therapy, one must have faith in the healing qualities of art processes and products. Introduction to Art Therapy: Faith in the Product begins and ends with references to love and faith, including characteristic elements of the writing process and clinical art therapy endeavors. This third edition represents a thorough revision of ideas expressed in the previous two editions, presenting the major themes and issues of the profession in light of the experiences of intervening years.  Art therapy is effective with individuals, families, and groups and it works well with the intellectually gifted and the learning impaired. It can also be used with the chronically mentally ill, the terminally ill, the vision impaired, and the deaf. Art therapy is particularly effective with post-traumatic stress disorder--from the aftereffects of war, including physical, sexual, or emotional abuse. Enhancements in this text include: an overview of the spectrum of theoretical orientations within art therapy; a brief history of practice in the United States; fundamental principles of art therapy; curative aspects of art therapy; and metaverbal therapy. The author underscores the nature of the work, describes truths and fictions, explores pathos or pathology, and the therapeutic self. The text examines the social responsibility of art therapists and their colleagues; to record events, give form to culture, nurture imagination, and promote individual and social transformation. In addition, the author presents exceptional case examples including client-prepared artwork that highlights the text. This book will be an inspiration to serious artists that want to be involved in art therapy, and to the veteran art therapists to renew their vocations by living the process of art therapy. This comprehensive and insightful book will be valuable to art therapists, medical and mental health professionals, occupational therapists, and other rehabilitation professionals that aspire to become more effective in reaching others.
Bruce L. Moon
A classic in art therapy literature since its introduction nearly two decades ago, this book is an expression of the author's desire to link the practice of art psychotherapy to the core issues of life as presented in existentialism. The inclusion of existential in this book's title denotes an interest in human struggle with issues of life in the face of death. The Canvas Mirror is the story of connections: the author's connections with his patients, their connections with each other, and, ultimately, the author's connections with the reader. We are provided in this book with a philosophy of how to be rather than a manual of what to do. The author shows us that it is possible to speak in plain language about the difficulties of therapists' patients if art therapists also speak to themselves in that same language. Unique features include: existential values and artistic traditions; metaphor, ritual, and journey; structuring chaos; existential emptiness and art; tenets of existential art therapy; the frame of The Canvas Mirror; listening to images and relating to artworks; dimensions of creative action; artists of the cutting edge; the changing face of illness; existential leadership and basic tasks; and dialoguing with dreams. Replete with numerous illustrations, this text will serve as a valuable resource to medical and mental health professionals, occupational therapists, artists, students and theorists of art, and rehabilitation professionals. The current state of mental health care, with short stays and a problem-focused approach, makes this book even more relevant today than when it was first published in 1990.
Bruce L. Moon

The goal of art therapy is to get beneath the surface of things, and once there, to use a gentle nudge to brush away the emotional debris of life and make room for more living. The revisions in this new edition of Introduction to Art Therapy further amplifies the impact of the original book, touching the major themes and issues of the profession. Art therapy is effective with individuals, families, and groups and it works well with the intellectually gifted and the learning impaired. It can also be used with the chronically mentally ill, the terminally ill, the vision impaired and the deaf. Art therapy is particularly effective with posttraumatic stress disorder—from the aftereffects of war, including physical, sexual or emotional abuse. This book describes the essential elements of the process of facilitating therapeutic change in forming a foundation from which art therapists construct treatment plans and philosophies. Enhancements in this text include: an overview of the spectrum of theoretical orientations within art therapy; a brief history of practice in the United States; descriptions of applications that were not widely understood in 1994; and the most current and seasoned interpretation of how the author perceives the art therapy experience. In addition, the author presents exceptional case examples including client-prepared artwork that highlights the text. This book will inspire serious artists to become involved in art therapy, and encourage veteran art therapists to renew their vocations by living the process of art therapy. This book will be a valuable resource to medical and mental health professionals, occupational therapists, and other rehabilitation professionals that aspire to become more effective in reaching others.

Bruce L. Moon
This new edition has been revised to incorporate the significant changes that were made to the AATA Ethics Document in 2013. Several chapters refer to the Ethical Principles for Art Therapists and Code of Professional Practice of the Art Therapy Credentials Board. These ethics documents are extremely helpful resources for practitioners dealing with ethical dilemmas, but they are ultimately inadequate to address every circumstance. Each art therapist must decide how the principles in the ethics documents apply to the particular problem he or she is facing. Throughout the text there are examples of ethical dilemmas that will provide opportunities for discussion and debate in the classroom or supervisory group and which will stimulate thought for individual reflection. There are four primary goals of this book:  (1) to raise questions and provide information related to the many ethical dilemmas art therapists face; (2) to present models of how to think through and resolve the difficult ethical problems art therapists encounter during their professional lives; (3) to be a useful, creative tool for course instructors and art therapy supervisors as a basis for engagement with students and supervisees exploring ethical problems; and (4) to offer  suggestions for artistic activities that will serve as a creative means to confront ethical dilemmas. Compelling illustrations throughout the text are provided as examples of creative responses to the artistic tasks. For the sake of comparison, the appendices contain the ethics documents of the British Association of Art Therapists and the Australian and New Zealand Arts Therapy Association. Written for art thera­py students, art therapists, and expressive arts therapy professionals, readers will find it very useful as a textbook for art therapy courses dealing with professional ethics and art therapy supervision. It will also be useful as a supplemental text in art therapy theory and practice courses.
Bruce L. Moon
Leading art therapy groups is often a challenge, but as Bruce Moon so eloquently describes in this new second edition, making art in the context of others is an incredibly and almost inexplicably powerful experience. By placing the art at the center of practice, Art-Based Group Therapy creates an explanatory model and rationale for group practice that is rooted in art therapy theory and identity. There are four primary goals discussed in this text. First, an overview of essential therapeutic elements of art-based group work is provided. Second, a number of case vignettes that illustrate how therapeutic elements are enacted in practice are presented. Third, the author clearly differentiates art-based group therapy theory from traditional group psychotherapy theory.  Fourth, the aspects of art-based group work and their advantages unique to art therapy are explored. Art-based group processes can be used to enhance participants' sense of community and augment educational endeavors, promote wellness, prevent emotional difficulties, and treat psychological behavioral problems. Artistic activity is used in art-based groups processes to: (1) create self-expression and to recognize the things group members have in common with one another; (2) develop awareness of the universal aspects of their difficulties as a means to identify and resolve interpersonal conflicts; (3) increase self-worth and alter self-concepts; (4) respond to others and express compassion for one another; and (5) clarify feelings and values. Through the author's effective use of storytelling, the reader encounters the group art therapy experience, transcending the case vignette and didactic instruction. Art-based group therapy can help group members achieve nearly any desired outcome, and/or address a wide range of therapeutic objectives. The book will be of benefit to students, practitioners, and educators alike. Using it as a guide, art therapy students may be more empowered to enter into the uncertain terrains of their practice grounded in a theory soundly based in their area of study. Practitioners will no doubt be encouraged, validated, and inspired to continue their work. The author succeeds in establishing a framework that allows art therapists to communicate the value of their work in a language that is unique to art therapy.
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