This book/journal, which is
entitled In the Light of Darkness, is based on the author’s personal journey
through deep depression, darkness, despair, hopelessness, suicide and back
because of a lifetime of bipolar depression and eighteen years of sibling
violence (domestic violence) in his home. Along with the bipolar depression,
because of the abuse, he was also diagnosed with post-traumatic stress
disorder. Oftentimes, there is a direct correlation between the two, mirror
images of each other.
Both of these social stigmas are
largely overlooked—and this book was written to bring about and raise awareness
concerning these toxic taboos, which have been hush-hush and swept under the
rug of our social consciousness for far too long.
You may not always see the
bruises or signs of deep, dark depression, but look closer, listen, and talk to
people who are suffering. Show them you truly care and love them and that you
are there for them no matter what they are going through because they matter.
Let’s stop the madness. Tell someone and/or seek professional help.
This book is Wade Robinson’s story and is an
intriguing, in-depth, dark journey through life and death.
“I’ll Be Gone in the Dark will undoubtedly be stocked in the True Crime section, which is fine, but in so many ways it’s a brilliant genre-buster. It’s propulsive, can’t-stop-now reading, which makes it all too easy to ignore the clean and focused writing.
What readers need to know—what makes this book so special—is that it deals with two obsessions, one light and one dark. The Golden State Killer is the dark half; Michelle McNamara’s is the light half. It’s a journey into two minds, one sick and disordered, the other intelligent and determined. I loved this book.” —Stephen King
A masterful true crime account of the Golden State Killer—the elusive serial rapist turned murderer who terrorized California for over a decade—from Michelle McNamara, the gifted journalist who died tragically while investigating the case.
"You’ll be silent forever, and I’ll be gone in the dark."
For more than ten years, a mysterious and violent predator committed fifty sexual assaults in Northern California before moving south, where he perpetrated ten sadistic murders. Then he disappeared, eluding capture by multiple police forces and some of the best detectives in the area.
Three decades later, Michelle McNamara, a true crime journalist who created the popular website TrueCrimeDiary.com, was determined to find the violent psychopath she called "the Golden State Killer." Michelle pored over police reports, interviewed victims, and embedded herself in the online communities that were as obsessed with the case as she was.
At the time of the crimes, the Golden State Killer was between the ages of eighteen and thirty, Caucasian, and athletic—capable of vaulting tall fences. He always wore a mask. After choosing a victim—he favored suburban couples—he often entered their home when no one was there, studying family pictures, mastering the layout. He attacked while they slept, using a flashlight to awaken and blind them. Though they could not recognize him, his victims recalled his voice: a guttural whisper through clenched teeth, abrupt and threatening.
I’ll Be Gone in the Dark—the masterpiece McNamara was writing at the time of her sudden death—offers an atmospheric snapshot of a moment in American history and a chilling account of a criminal mastermind and the wreckage he left behind. It is also a portrait of a woman’s obsession and her unflagging pursuit of the truth. Framed by an introduction by Gillian Flynn and an afterword by her husband, Patton Oswalt, the book was completed by Michelle’s lead researcher and a close colleague. Utterly original and compelling, it is destined to become a true crime classic—and may at last unmask the Golden State Killer.
Nominated for the NAACP Image Award for Outstanding Literary Work
Named a Best Book of the Year by The Root
Chosen by Emma Straub as a Best New Celebrity Memoir
“A book of essays as raw and honest as anyone has ever produced.” — Lena Dunham, Lenny Letter
In the spirit of Amy Poehler’s Yes Please, Lena Dunham’s Not That Kind of Girl, and Roxane Gay's Bad Feminist, a powerful collection of essays about gender, sexuality, race, beauty, Hollywood, and what it means to be a modern woman.
One month before the release of the highly anticipated film The Birth of a Nation, actress Gabrielle Union shook the world with a vulnerable and impassioned editorial in which she urged our society to have compassion for victims of sexual violence. In the wake of rape allegations made against director and actor Nate Parker, Union—a forty-four-year-old actress who launched her career with roles in iconic ’90s movies—instantly became the insightful, outspoken actress that Hollywood has been desperately awaiting. With honesty and heartbreaking wisdom, she revealed her own trauma as a victim of sexual assault: "It is for you that I am speaking. This is real. We are real."
In this moving collection of thought provoking essays infused with her unique wisdom and deep humor, Union uses that same fearlessness to tell astonishingly personal and true stories about power, color, gender, feminism, and fame. Union tackles a range of experiences, including bullying, beauty standards, and competition between women in Hollywood, growing up in white California suburbia and then spending summers with her black relatives in Nebraska, coping with crushes, puberty, and the divorce of her parents. Genuine and perceptive, Union bravely lays herself bare, uncovering a complex and courageous life of self-doubt and self-discovery with incredible poise and brutal honesty. Throughout, she compels us to be ethical and empathetic, and reminds us of the importance of confidence, self-awareness, and the power of sharing truth, laughter, and support.
A candid interview with the show’s co-creator David Simon reveals that one of the intentions of the series is to expose gross failures of public institutions, including criminal justice, education, labor, the news media, and city government. Even if readers haven’t seen the series, the book’s detailed summaries of scenes and characters brings them up to speed and engages them in both the story and the issues. With a firm grasp on the hard truths of real-world problems, Tapping into 'The Wire' helps undo misconceptions and encourage a dialogue of understanding.-- John A. Rich, author of Wrong Place, Wrong Time: Trauma and Violence in the Lives of Young Black Men
This volume provides a set of new approaches for the investigation of the contemporary world. Building on the increasing importance of methodologies that cut across disciplines, more than twenty expert authors explain the utility of 'devices' for social and cultural research – their essays cover such diverse devices as the list, the pattern, the event, the photograph, the tape recorder and the anecdote.
This fascinating collection stresses the open-endedness of the social world, and explores the ways in which each device requires the user to reflect critically on the value and status of contemporary ways of making knowledge. With a range of genres and styles of writing, each chapter presents the device as a hinge between theory and practice, ontology and epistemology, and explores whether and how methods can be inventive. The book will be a valuable resource for students and scholars of sociology and cultural studies.
The Wire, Deadwood, Homicide, and NYPD Blue: Violence is Power is the most comprehensive text yet written about Milch and Simon, and documents how television dramas of the 1980s, 1990s, and 2000s mirrored American culture with unprecedented sociological accuracy. The author explains how both individuals are not only capable dramatists, but also insightful cultural critics. This book also examines the full range of Milch's and Simon's authorial careers, including Milch's books True Blue: The Real Stories behind NYPD Blue and Deadwood: Tales of the Black Hills and Simon's Homicide: A Year on the Killing Streets and The Corner: A Year in the Life of an Inner-City Neighborhood.