Daily Painting: Paint Small and Often To Become a More Creative, Productive, and Successful Artist

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A unique system for jump-starting artistic creativity, encouraging experimentation and growth, and increasing sales for artists of all levels, from novices to professionals.
 
Have you landed in a frustrating rut? Are you having trouble selling paintings in galleries, getting bogged down by projects you can’t seem to finish or abandon, or finding excuses to avoid working in the studio? Author Carol Marine knows exactly how you feel—she herself suffered from painter’s block, until she discovered “daily painting.” The idea is simple: do art (usually small) often (how often is up to you), and if you’d like, post and sell it online. Soon you’ll find that your block dissolves and you’re painting work you love—and more of it than you ever thought possible!

With her encouraging tone and useful exercises, Marine teaches you to:
-Master composition and value
-Become confident in any medium including oil painting, acrylic painting, watercolors, and other media
-Choose subjects wisely
-Stay fresh and loose
-Photograph, post, and sell your art online
-Become connected to the growing movement of daily painters around the world
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About the author

CAROL MARINE is an artist and the creator of the popular blog A Painting a Day (or Almost). She is a member of Daily Paintworks, a distinguished group of daily painters, and she teaches daily painting workshops around the country. Marine lives in Eugene, Oregon. Visit www.dailypaintworks.com.
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4.7
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Additional Information

Publisher
Watson-Guptill
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Published on
Nov 4, 2014
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Pages
192
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ISBN
9780770435349
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Features
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Language
English
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Genres
Art / Techniques / General
Art / Techniques / Painting
Self-Help / Creativity
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Content Protection
This content is DRM protected.
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Eligible for Family Library

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Written by a famous American painter and teacher, whose landscapes are found in many of the world's most noted museums, this book is known as one of the art students' most helpful guides. It provides a wealth of advice on the choice of subject; it tells what to look for and aim for, and explains the mysteries of color, atmospheric conditions, and other phenomena to be found in nature.
Through his profound understanding of the physical nature of landscapes and his highly developed artistic sense, John Carlson is able to explain both the whys and the hows of the various aspects of landscape painting. Among the subjects covered are angles and consequent values (an insightful concept necessary for strong overall unity of design), aerial and linear perspective, the painting of trees, the emotional properties of line and mass in composition, light, unity of tone, choice of subject, and memory work. In the beginning chapters, the author tells how to make the best of canvas, palette, colors, brushes, and other materials and gives valuable advice about texture, glazing, varnishing, bleaching, retouching, and framing. Thirty-four reproductions of Mr. Carlson's own work and 58 of his explanatory diagrams are shown on pages adjoining the text.
As Howard Simon says in the introduction: "Crammed into its pages are the thoughts and experiences of a lifetime of painting and teaching. Undoubtedly it is a good book for the beginner, but the old hand at art will appreciate its honesty and broadness of viewpoint. It confines itself to the mechanics of landscape painting but, philosophically, it roams far and wide. . . . This is a book to keep, to read at leisure, and to look into for the solution of problems as they arise, when the need for an experienced hand is felt."
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