A Baby’s Cry

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What could cause a mother to believe that giving away her newborn baby is her only option? Cathy Glass is about to find out. From author of Sunday Times and New York Times bestseller Damaged comes a harrowing and moving memoir about tiny Harrison, left in Cathy’s care, and the potentially fatal family secret of his beginnings.

When Cathy is first asked to foster one-day old Harrison her only concern is if she will remember how to look after a baby. But upon collecting Harrison from the hospital, Cathy realises she has more to worry than she thought when she discovers that his background is shrouded in secrecy.

She isn’t told why Harrison is in foster care and his social worker says only a few are aware of his very existence, and if his whereabouts became known his life, and that of his parents, could be in danger. Cathy tries to put her worries aside as she looks after Harrison, a beautiful baby, who is alert and engaging. Cathy and her children quickly bond with Harrison although they know that, inevitably, he will eventually be adopted.

But when a woman Cathy doesn’t know starts appearing in the street outside her house acting suspiciously, Cathy fears for her own family’s safety and demands some answers from Harrison’s social worker. The social worker tells Cathy a little but what she says is very disturbing . How is this woman connected to Harrison and can she answer the questions that will affect Harrison’s whole life?

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Additional Information

Publisher
HarperCollins UK
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Published on
Mar 15, 2012
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Pages
320
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ISBN
9780007445707
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Features
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Language
English
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Genres
Biography & Autobiography / General
Biography & Autobiography / Personal Memoirs
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Content Protection
This content is DRM protected.
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Eligible for Family Library

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From the Sunday Times and New York Times bestselling author of ‘Damaged’ comes the poignant and shocking memoir of Cathy’s recent relationship with Tayo, a young boy she fosters whose good behaviour and polite manners hide a terrible past.

Tayo arrives at Cathy’s with only the clothes he stands up in. He has been brought to her by the police, but he is calm, polite, and very well spoken, and not at all like the children she normally fosters. The social worker gives Cathy the forms which should contain Tayo’s history, but apart from his name and age, it is blank. Tayo has no past.

Tayo is an 'invisible' child, kidnapped from his loving father in Nigeria and brought illegally to the UK by his drink and drugs dependent prostitute mother, where he is put to work in a sweat shop in Central London. When he sustains an injury and is no longer earning, he is cast out.

When Cathy takes Tayo to school he points out a dozen different addresses where he has stayed in the last six months, often being left alone. Tayo lies, and manipulates situations to his own advantage and Cathy has to be continually on guard. Tayo’s social worker searches all computer databases but there is no record of Tayo – he has only attended school for 3 terms and has never seen a doctor. He and his mother have been evading the authorities by living ‘underground’.

With his mother recently released from prison, Tayo is desperate to live with his father in Nigeria, but no one can track him down or even prove that he exists.

Eleven-year-old Cupcake Brown woke up on the bicentennial and found her mother still in bed. She struggled to wake her up, pushing and pulling until she managed to tug her mother's lifeless corpse onto her own small body, crushing her beneath its dead weight. After squeezing out from under her mother, Cupcake calmly walked over to the phone and called her aunt Lori. "Lori, my momma's dead."

Here is the threshold of a hell for young Cupcake. Rather than being allowed to live with the man she believed to be her father--who turns out to have been her stepfather--she is forced into a foster home where the kids were terrorized, the refrigerator padlocked, and Cupcake sexually abused. She eventually fled the house, only to find herself wandering from misadventure to misadventure in the "system," while also developing a massive appetite for drugs and alcohol, an appetite she paid for by turning tricks. She settled down in Los Angeles and found a home in the Crips, where she was taken in and befriended by gangsters like the legendary "Monster" Kody Scott. For the first time she found a family, but when Cupcake was blasted in the back with a 12-gauge shotgun, she was once more taken in by the system.

At 16, her stepfather reeneters her life and engineers an "emancipation," in which the courts declare her an adult and free her, finally, from the child welfare system. Cup takes advantage of her new freedom to start a drug-dealing operation with her stepfather, who also manages a stable of colorful prostitutes. Soon she meets a man, falls in love, and gets married. He convinces her to get a real job and learn to speak proper English--but he also abuses her and introduces her to crack cocaine. Cupcake flits from job to job, miraculously, given that she never fails to show up without some cocktail of narcotics floating in her system.

She hits rock bottom when, in desperation, she steals crack from her drug dealer. He beats her nearly to death, rapes her, and then leaves her body behind a dumpster. Cupcake wakes up days later, not sure of how she ended up in this state and from that moment begins to turn her life around. She was adopted by a lawyer who ran the law firm where she "worked," and slowly he assisted her in kicking the habit--with the help of an eccentric group of fellow addicts who became, at last, a family to her--and catching up on her education. With the support of her new family, she eventurally goes all the way to law school (although not without a few additional misadventures along the way) and joins one of the top law firms in the country.

Cupcake's story is an inspiring, at times hilarious, often distrubing, and deeply moving account of a singular woman who took on the worst of contemporary urban life and survived it with wit and a ferocious will. It updates classic memoirs like I Know Why the Caged Bird Sings and Makes Me Wanna Holler, and gives a bold and gritty spin to contemporary memoirs like Finding Fish. At the center of it, Cupcake is a charming and inspiring narrator through the inferno of her life.


From the Compact Disc edition.
A new memoir from Sunday Times and New York Times bestselling author Cathy Glass, now with an exclusive preview of Cathy’s inspiring new title, Please Don’t Take My Baby, coming out on April 25th.

Eight-year-old Aimee was on the child protection register at birth. Her five older siblings were taken into care many years ago. So no one can understand why she was left at home to suffer for so long. It seems Aimee was forgotten.

The social services are looking for a very experienced foster carer to look after Aimee and, when she reads the referral, Cathy understands why. Despite her reservations, Cathy agrees to Aimee on – there is something about her that reminds Cathy of Jodie (the subject of ‘Damaged’ and the most disturbed child Cathy has cared for), and reading the report instantly tugs at her heart strings.

When she arrives, Aimee is angry. And she has every right to be. She has spent the first eight years of her life living with her drug-dependent mother in a flat that the social worker described as ‘not fit for human habitation’. Aimee is so grateful as she snuggles into her bed at Cathy’s house on the first night that it brings Cathy to tears.

Aimee’s aggressive mother is constantly causing trouble at contact, and makes sweeping allegations against Cathy and her family in front of her daughter as well. It is a trying time for Cathy, and it makes it difficult for Aimee to settle. But as Aimee begins to trust Cathy, she starts to open up. And the more Cathy learns about Aimee’s life before she came into care, the more horrified she becomes.

It’s clear that Aimee should have been rescued much sooner and as her journey seems to be coming to a happy end, Cathy can’t help but reflect on all the other ‘forgotten children’ that are still suffering...

NEW YORK TIMES BESTSELLER • For fans of Game of Silence, Sleepers is the extraordinary true story of four men who take the law into their own hands.
 
This is the story of four young boys. Four lifelong friends. Intelligent, fun-loving, wise beyond their years, they are inseparable. Their potential is unlimited, but they are content to live within the closed world of New York City’s Hell’s Kitchen. And to play as many pranks as they can on the denizens of the street. They never get caught. And they know they never will.
 
Until one disastrous summer afternoon.
 
On that day, what begins as a harmless scheme goes horrible wrong. And the four find themselves facing a year’s imprisonment in the Wilkinson Home for Boys. The oldest of them is fifteen, the youngest twelve. What happens to them over the course of that year—brutal beatings, unimaginable humiliation—will change their lives forever.
 
Years later, one has become a lawyer. One a reporter. And two have grown up to be murderers, professional hit men. For all of them, the pain and fear of Wilkinson still rages within. Only one thing can erase it.
 
Revenge.
 
To exact it, they will twist the legal system. Commandeer the courtroom for their agenda. Use the wiles they observed on the streets, the violence they learned at Wilkinson.
 
If they get caught this time, they only have one thing left to lose: their lives.
 
Praise for Sleepers
 
“Undeniably powerful, an enormously affecting and intensely human story . . . Sleepers is a thriller, to be sure, but it is equally a wistful hymn to another age.”—The Washington Post Book World
 
“A gut-wrenching piece of work . . . [Lorenzo] Carcaterra’s graphic narrative grips like gunfire in a dark alley.”—The Atlanta Journal-Constitution
 
“A terrifying account of brutality and retribution, searing in its emotional truth, peopled with murderers, sadists, and thugs, but biblical in its passion and scope.”—People
 
“Sleepers is so many things: a Dickensian portrait of coming of age in Hell’s Kitchen, a terrifying and heartbreaking account of the brutalization of youth, a shocking—and disturbingly satisfying—climax worthy of the finest suspense novel. A brilliant, troubling, important book.”—Jonathan Kellerman
 
“Compelling.”—USA Today


From the Paperback edition.
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