"People come to my door—too many of them really—and knock to tell me Notes of a Dirty Old Man turns them on. A bum off the road brings in a gypsy and his wife and we talk . . . . drink half the night. A long distance operator from Newburgh, N.Y. sends me money. She wants me to give up drinking beer and to eat well. I hear from a madman who calls himself 'King Arthur' and lives on Vine Street in Hollywood and wants to help me write my column. A doctor comes to my door: 'I read your column and think I can help you. I used to be a psychiatrist.' I send him away . . ."
"Bukowski writes like a latter-day Celine, a wise fool talking straight from the gut about the futility and beauty of life . . ." —Publishers Weekly
"These disjointed stories gives us a glimpse into the brilliant and highly disturbed mind of a man who will drink anything, hump anything and say anything without the slightest tinge of embarassment, shame or remorse. It's actually pretty hard not to like the guy after reading a few of these semi-ranting short stories." —Greg Davidson, curiculummag.com
Charles Bukowski was born in Andernach, Germany on August 16, 1920, the only child of an American soldier and a German mother. Bukowski published his first story when he was twenty-four and began writing poetry at the age of thirty-five. His first book of poetry was published in 1959; he went on to publish more than forty-five books of poetry and prose, including Pulp (Black Sparrow, 1994), Screams from the Balcony: Selected Letters 1960-1970 (1993), and The Last Night of the Earth Poems (1992). Other Bukowski books published by City Lights Publishers include More Notes of a Dirty Old Man, The Most Beautiful Woman in Town, Tales of Ordinary Madness, Portions from a Wine-Stained Notebook, and Absence of the Hero. He died of leukemia in San Pedro on March 9, 1994.
Charles Bukowski turns to the bottle in this revelatory collection of poetry and prose that includes some of the writer’s best and most lasting work. A self-proclaimed “dirty old man,” Bukowski used alcohol as muse and as fuel, a conflicted relationship responsible for some of his darkest moments as well as some of his most joyful and inspired.
In On Drinking, Bukowski expert Abel Debritto has collected the writer’s most profound, funny, and memorable work on his ups and downs with the hard stuff—a topic that allowed Bukowski to explore some of life’s most pressing questions. Through drink, Bukowski is able to be alone, to be with people, to be a poet, a lover, and a friend—though often at great cost. As Bukowski writes in a poem simply titled “Drinking,”: “for me/it was or/is/a manner of/dying/with boots on/and gun/smoking and a/symphony music background.”
On Drinking is a powerful testament to the pleasures and miseries of a life in drink, and a window into the soul of one of our most beloved and enduring writers.
Bukowski . . . "a professional disturber of the peace . . . laureate of Los Angeles netherworld [writes with] crazy romantic insistence that losers are less phony than winners, and with an angry compassion for the lost." —Jack Kroll, Newsweek
"Bukowski’s poems are extraordinarily vivid and often bitterly funny observations of people living on the very edge of oblivion. His poetry, in all it’s glorious simplicity, was accessible the way poetry seldom is – a testament to his genius." —Nick Burton, PIF Magazine
Charles Bukowski (1920-1994) published his first story when he was twenty-four and began writing poetry at the age of thirty-five. His first book of poetry was published in 1959; he went on to publish more than forty-five books of poetry and prose, including books published by City Lights Publishers such as Notes of a Dirty Old Man, More Notes of a Dirty Old Man, The Most Beautiful Woman in Town, Tales of Ordinary Madness, Portions from a Wine-Stained Notebook, Absence of the Hero and The Bell Tolls for No One,.
The Lottery and Other Stories, the only one to appear during Shirley Jackson's lifetime, unites "The Lottery" with twenty-four equally unusual short stories. Together they demonstrate Jackson's remarkable range -- from the hilarious to the horrible, the unsettling to the ominous -- and her power as a storyteller.