It was a dark and stormy night; Meg Murry, her small brother Charles Wallace, and her mother had come down to the kitchen for a midnight snack when they were upset by the arrival of a most disturbing stranger.
"Wild nights are my glory," the unearthly stranger told them. "I just got caught in a downdraft and blown off course. Let me sit down for a moment, and then I'll be on my way. Speaking of ways, by the way, there is such a thing as a tesseract."
A tesseract (in case the reader doesn't know) is a wrinkle in time. To tell more would rob the reader of the enjoyment of Miss L'Engle's unusual book. A Wrinkle in Time, winner of the Newbery Medal in 1963, is the story of the adventures in space and time of Meg, Charles Wallace, and Calvin O'Keefe (athlete, student, and one of the most popular boys in high school). They are in search of Meg's father, a scientist who disappeared while engaged in secret work for the government on the tesseract problem.
A Wrinkle in Time is the winner of the 1963 Newbery Medal. It is the first book in The Time Quintet, which consists of A Wrinkle in Time, A Wind in the Door, A Swiftly Tilting Planet, Many Waters, and An Acceptable Time.
A Wrinkle in Time is soon to be a movie from Disney, directed by Ava DuVernay, starring Storm Reid, Oprah Winfrey, Reese Witherspoon and Mindy Kaling.
This title has Common Core connections.
Books by Madeleine L'Engle
A Wrinkle in Time Quintet
A Wrinkle in Time
A Wind in the Door
A Swiftly Tilting Planet
An Acceptable Time
A Wrinkle in Time: The Graphic Novel by Madeleine L'Engle; adapted & illustrated by Hope Larson
Intergalactic P.S. 3 by Madeleine L'Engle; illustrated by Hope Larson: A standalone story set in the world of A Wrinkle in Time.
The Austin Family Chronicles
Meet the Austins (Volume 1)
The Moon by Night (Volume 2)
The Young Unicorns (Volume 3)
A Ring of Endless Light (Volume 4) A Newbery Honor book!
Troubling a Star (Volume 5)
The Polly O'Keefe books
The Arm of the Starfish
Dragons in the Waters
A House Like a Lotus
And Both Were Young
The Joys of Love
Far be it from me to assert that what everybody says must be true. Everybody is, often, as likely to be wrong as right.
In the general experience, everybody has been wrong so often, and it has taken, in most instances, such a weary while to find out how wrong, that the authority is proved to be fallible.
Everybody may sometimes be right; “but that’s no rule,” as the ghost of Giles Scroggins says in the ballad.
The dread word, GHOST, recalls me.
Everybody said he looked like a haunted man.
The extent of my present claim for everybody is, that they were so far right.
Who could have seen his hollow cheek; his sunken brilliant eye; his black-attired figure, indefinably grim, although well-knit and well-proportioned; his grizzled hair hanging, like tangled sea-weed, about his face,—as if he had been, through his whole life, a lonely mark for the chafing and beating of the great deep of humanity,—but might have said he looked like a haunted man?
Who could have observed his manner, taciturn, thoughtful, gloomy, shadowed by habitual reserve, retiring always and jocund never, with a distraught air of reverting to a bygone place and time, or of listening to some old echoes in his mind, but might have said it was the manner of a haunted man?
Who could have heard his voice, slow-speaking, deep, and grave, with a natural fulness and melody in it which he seemed to set himself against and stop, but might have said it was the voice of a haunted man?
With a light-hearted introduction by bestselling author Anthony Horowitz, creator of the highly successful Alex Rider novels, most recently Snakehead.