Our Mutual Friend

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Our Mutual Friend is a satiric masterpiece about money. The last novel Dickens completed, and perhaps his most angry, it sounds all the great themes of his later work: the innocence and venality of the aspiring poor, the hollow pretensions of the nouveau riche, the unfailing power of wealth to corrupt everyone it touches. Among those caught up in the ruthless forces of change in Dickens's London are the archetypal innocent Noddy Boffin, who 'inherits' a dustheap where the trash of the rich is thrown; Silas Wegg, a grotesque, one-legged man with unlimited fantasies of grandeur and power; Mr. Veneering, Member of Parliament, whose house, furnishings, servants, carriage, and baby are all 'bran-new'; and Alfred and Sophronia Lammle, who marry one another because each wrongly believes the other is rich. The social themes of Our Mutual Friend--having to do with the treatment of the poor, education, representative government, even the inheritance laws--are informed and brought into coherence by the underlying presence of the Thames, signifying the perpetual flow of life into death, and acting as agent of retribution and regeneration too, as a kind of river god in fact, in a novel in which no other god is very present.
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Additional Information

Publisher
Modern Library
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Published on
Nov 1, 2000
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Pages
880
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ISBN
9780679641353
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Language
English
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Genres
Fiction / Classics
Fiction / Literary
Fiction / Satire
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Content Protection
This content is DRM protected.
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Eligible for Family Library

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Etched against the background of a dying rural society, Tess of the d'Urbervilles was Thomas Hardy's "bestseller," and Tess Durbeyfield remains his most striking and tragic heroine. Of all the characters he created, she meant the most to him. Hopelessly torn between two men--Alec d'Urberville, a wealthy, dissolute young man who seduces her in a lonely wood, and Angel Clare, her provincial, moralistic, and unforgiving husband--Tess escapes from her vise of passion through a horrible, desperate act.
----"Like the greatest characters in literature, Tess lives beyond the final pages of the book as a permanent citizen of the imagination," said Irving Howe. "In Tess he stakes everything on his sensuous apprehension of a young woman's life, a girl who is at once a simple milkmaid and an archetype of feminine strength. . . . Tess is that rare creature in literature: goodness made interesting."
----Now Tess of the d'Urbervilles has been brought to television in a magnificent new co-production from A&E Network and London Weekend Television. Justine Waddell (Anna Karenina) stars as the tragic heroine, Tess; Oliver Milburn (Chandler & Co.) is Angel Clare; and Jason Flemyng is Alec d'Urberville. The cast also includes John McEnery (Black Beauty) as Jack Durbeyfield and Lesley Dunlop (The Elephant Man) as Joan Durbeyfield. Tess of the d'Urbervilles is directed by Ian Sharp and produced by Sarah Wilson, with a screenplay by Ted Whitehead; it was filmed in Hardy country, the beautiful English countryside in Dorset where Thomas Hardy set his novels.

The Modern Library has played a significant role in American cultural life for the better part of a century. The series was founded in 1917 by the publishers Boni and Liveright and eight years later acquired by Bennett Cerf and Donald Klopfer. It provided the foun-
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