Leading psychologist Charles Fernyhough blends the most current science with literature and personal stories in Pieces of Light: How the New Science of Memory Illuminates the Stories We Tell About Our Pasts.
A new consensus is emerging among cognitive scientists: rather than possessing fixed, unchanging memories, they have found that we create recollections anew each time we are called upon to remember. According to psychologist Charles Fernyhough, remembering is an act of narrative imagination as much as it is the product of a neurological process.
An NPR and Psychology Today contributor, Dr. Fernyhough guides readers through the fascinating new science of autobiographical memory, covering topics such as: navigation, imagination, and the power of sense associations to cue remembering. Exquisitely written and meticulously researched, Pieces of Light brings together science and literature, the ordinary and the extraordinary, to help us better understand our powers of recall and our relationship with the past.
Charles Fernyhough is an award-winning writer and psychologist. His books include A Thousand Days of Wonder: A Scientist's Chronicle of His Daughter's Developing Mind and the novels The Auctioneer and A Box of Birds. He has written for the Guardian, the Financial Times, and the Sunday Telegraph; contributes to NPR's Radiolab; blogs for Psychology Today; and is a professor of psychology at Durham University in the United Kingdom.
A Box of Birds is both a pacy literary thriller set in a near-future world of experimental brain research, and a compelling love story between a neuroscientist and an animal rights campaigner. It brilliant dramatizes the clash between two of the predominant philosophical positions of our age: the materialist view that science has all the answers and that 'we' are nothing more than bundles of nerves and chemical reactions, and the Freud-inspired position that underpins the culture of psychotherapy: that the stories we tell about ourselves and our pasts have the capacity to change our future. Does neuroscience really change our understanding of who we are? Or are we all at the mercy of our own need to make coherent stories?
In this rich, irreverent, and compelling history, Nobel Prize-winning physicist Steven Weinberg takes us across centuries from ancient Miletus to medieval Baghdad and Oxford, from Plato’s Academy and the Museum of Alexandria to the cathedral school of Chartres and the Royal Society of London. He shows that the scientists of ancient and medieval times not only did not understand what we understand about the world—they did not understand what there is to understand, or how to understand it. Yet over the centuries, through the struggle to solve such mysteries as the curious backward movement of the planets and the rise and fall of the tides, the modern discipline of science eventually emerged. Along the way, Weinberg examines historic clashes and collaborations between science and the competing spheres of religion, technology, poetry, mathematics, and philosophy.
An illuminating exploration of the way we consider and analyze the world around us, To Explain the World is a sweeping, ambitious account of how difficult it was to discover the goals and methods of modern science, and the impact of this discovery on human knowledge and development.
Coen tells a story rich with genes, embryos, neurons, and fascinating discoveries. He examines the development of the zebra, the adaptations of seaweed, the cave paintings of Lascaux, and the formulations of Alan Turing. He explores how dogs make predictions, how weeds tell the time of day, and how our brains distinguish a Modigliani from a Rembrandt. Locating commonalities in important findings, Coen gives readers a deeper understanding of key transformations and provides a bold portrait for how science both frames and is framed by human culture.
A compelling investigation into the relationships between our biological past and cultural progress, Cells to Civilizations presents a remarkable story of living change.
Called “one of the best nonfiction writers alive today” (Stephen Pinker) and a “prize-fighter” (Nature), Richard Dawkins cheerfully, mischievously, looks back on a lifetime of tireless intellectual adventure and engagement. Exploring the halls of intellectual inquiry and stardom he encountered after the publication of his seminal work, The Selfish Gene; affectionately lampooning the world of academia, publishing, and television; and studding the pages with funny stories about the great men and women he’s known, Dawkins offers a candid look at the events and ideas that encouraged him to shift his attention to the intersection of culture, religion, and science. He also invites the reader to look more closely at the brilliant succession of ten influential books that grew naturally out of his busy life, highlighting the ideas that connect them and excavating their origins.
On the publication of his tenth book, the smash hit, The God Delusion, a “resounding trumpet blast for truth” (Matt Ridley), Richard Dawkins was catapulted from mere intellectual stardom into a circle of celebrity thinkers dubbed, “The New Atheists”—including Christopher Hitchens, Sam Harris, and Daniel Dennett.
Throughout A Brief Candle in the Dark, Dawkins shares with us his infectious sense of wonder at the natural world, his enjoyment of the absurdities of human interaction, and his bracing awareness of life’s brevity: all of which have made a deep imprint on our culture.