Rebels of the Red Planet: Science Fiction Lengend
Charles L. Fontenay
Jan 2016 · Science Fiction Lengend Book 65 · VM eBooks
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1
It is a sea, though they call it sand.
They call it sand because it is still and red and dense with grains. They call it sand because the thin wind whips it, and whirls its dusty skim away to the tight horizons of Mars.
But only a sea could so brood with the memory of aeons. Only a sea, lying so silent beneath the high skies, could hint the mystery of life still behind its barren veil.
To practical, rational man, it is the Xanthe Desert. Whatever else he might unwittingly be, S. Nuwell Eli considered himself a practical, rational man, and it was across the bumpy sands of the Xanthe Desert that he guided his groundcar westward with that somewhat cautious proficiency that mistrusts its own mastery of the machine. Maya Cara Nome, his colleague in this mission to which he had addressed himself, was a silent companion.
Nuwell's liquid brown eyes, insistent upon their visual clarity, saw the red sand as the blowing surface of unliving solidity. Only clarity was admitted to Nuwell, and the only living clarity was man and beast and vegetation, spotted in the dome cities and dome farms of the lowlands. He and Maya scurried, transiting sparks of the only life, insecure and hastening in the absence of the net of roads which eventually would bind the Martian surface to human reality from the toeholds of the dome cities.
In that opposite world which was the other side of the groundcar's seat, Maya Cara Nome's opaque black eyes struggled against the surface. They struggled not from any rational motivation but from long stubbornness, from habit, as a fly kicks six-legged and constant against the surface tension of a trapping pool.
It is a sea, though they call it sand.
They call it sand because it is still and red and dense with grains. They call it sand because the thin wind whips it, and whirls its dusty skim away to the tight horizons of Mars.
But only a sea could so brood with the memory of aeons. Only a sea, lying so silent beneath the high skies, could hint the mystery of life still behind its barren veil.
To practical, rational man, it is the Xanthe Desert. Whatever else he might unwittingly be, S. Nuwell Eli considered himself a practical, rational man, and it was across the bumpy sands of the Xanthe Desert that he guided his groundcar westward with that somewhat cautious proficiency that mistrusts its own mastery of the machine. Maya Cara Nome, his colleague in this mission to which he had addressed himself, was a silent companion.
Nuwell's liquid brown eyes, insistent upon their visual clarity, saw the red sand as the blowing surface of unliving solidity. Only clarity was admitted to Nuwell, and the only living clarity was man and beast and vegetation, spotted in the dome cities and dome farms of the lowlands. He and Maya scurried, transiting sparks of the only life, insecure and hastening in the absence of the net of roads which eventually would bind the Martian surface to human reality from the toeholds of the dome cities.
In that opposite world which was the other side of the groundcar's seat, Maya Cara Nome's opaque black eyes struggled against the surface. They struggled not from any rational motivation but from long stubbornness, from habit, as a fly kicks six-legged and constant against the surface tension of a trapping pool.
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About the author
Charles Louis Fontenay (March 17, 1917 – January 27, 2007) was an American journalist and science fiction writer. He wrote science fiction novels and short stories. His non-fiction includes the biography of the prominent New Deal era politician Estes Kefauver.
Fontenay was editor of the Nashville Tennessean, among other newspapers, worked with the Associated Press and Gannett News Service. He retired to St. Petersburg, Florida, where he continued to write science fiction until shortly before his death.
He held a third-degree black belt in tae kwon do.
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