Making Modern Japanese-Style Painting: Kano Hogai and the Search for Images

University of Chicago Press
मुफ़्त नमूना

The Western discovery of Japanese paintings at nineteenth-century world’s fairs and export shops catapulted Japanese art to new levels of international popularity. With that popularity, however, came criticism, as Western writers began to lament a perceived end to pure Japanese art and a rise in westernized cultural hybrids. The Japanese response: nihonga, a traditional style of painting that reframed existing techniques to distinguish them from Western artistic conventions. Making Modern Japanese-Style Painting explores the visual characteristics and social functions of nihonga and traces its relationship to the past, its viewers, and emerging notions of the modern Japanese state.

Chelsea Foxwell sheds light on interlinked trends in Japanese nationalist discourse, government art policy, American and European commentary on Japanese art, and the demands of export. The seminal artist Kano Hogai (1828–88) is one telling example: originally a painter for the shogun, his art eventually evolved into novel, eerie images meant to satisfy both Japanese and Western audiences. Rather than simply absorbing Western approaches, nihonga as practiced by Hogai and others broke with pre-Meiji painting even as it worked to neutralize the rupture.

By arguing that fundamental changes to audience expectations led to the emergence of nihonga—a traditional interpretation of Japanese art for a contemporary, international market—Making Modern Japanese-Style Painting offers a fresh look at an important aspect of Japan’s development into a modern nation.
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Chelsea Foxwell is assistant professor of art history at the University of Chicago.
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University of Chicago Press
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प्रकाशन दिनांक
20/07/2015
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296
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ISBN
9780226195971
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पुस्तक 4
A founder of French Impressionist painting and the most prolific practitioner of the movement's philosophy of expressing one's perceptions before nature, Claude Monet created a large body of works, developing his own method of producing repeated studies of the same motif in a series, whilst changing canvases with the shift in light. Delphi’s Masters of Art Series presents the world’s first digital e-Art books, allowing readers to explore the works of great artists in comprehensive detail. This volume presents over 500 paintings of the Impressionist master. For all art lovers, this stunning collection offers a beautiful feast of images by one of the most influential artists of the twentieth century. (Version 2)
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The Highlights
LUNCHEON ON THE GRASS
SELF PORTRAIT WITH A BERET
THE TERRACE AT SAINTE-ADRESSE
WOMEN IN THE GARDEN
BATHERS-AT-LA-GRENOUILLÈRE
ON THE BANK OF THE SEINE, BENNECOURT
THE MAGPIE
POPPIES BLOOMING
WOMAN WITH A PARASOL
IMPRESSION, SUNRISE
GARE SAINT LAZARE, ARRIVAL OF A TRAIN
IN THE WOODS AT GIVERNY BLANCHE HOSCHEDÉ
HAYSTACKS, (SUNSET)
ROUEN CATHEDRAL, FAÇADE (SUNSET)
BRIDGE OVER A POND OF WATER LILIES
HOUSES OF PARLIAMENT, LONDON
WATER LILIES
THE GRAND CANAL, VENICE
NYMPHEAS
THE ROSE-WAY IN GIVERNY

The Paintings
THE PAINTINGS IN CHRONOLOGICAL ORDER
ALPHABETICAL LIST OF PAINTINGS

The Biography
THE FRENCH IMPRESSIONISTS by Camille Mauclair

Please visit: www.delphiclassics.com for more information
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