Dream House: A Short Story

Imajin Books
無料サンプル

Evil lurks in the shadows… 

Christine and Ray Kingston are ecstatic to move into their “dream home,” a stately manor in Danvers, Massachusetts, but they have no idea that the house has a life of its own. As a disturbing history is revealed, their dream quickly turns into a heart-stopping nightmare. 

Something has been waiting for them…

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著者略歴

Cheryl Kaye Tardif is an award-winning, international bestselling Canadian suspense author published by various publishers. Some of her most popular novels have been translated into foreign languages. She is best known for CHILDREN OF THE FOG (over 100,000 copies sold worldwide) and WHALE SONG.

When people ask her what she does, Cheryl likes to say, “I kill people off for a living!” You can imagine the looks she gets. Sometimes she’ll add, "Fictitiously, of course. I'm a suspense author." Sometimes she won't say anything else.

Inspired by Stephen King, Dean Koontz and others, Cheryl strives to create stories that feel real, characters you’ll love or hate, and a pace that will keep you reading.

In 2014, she penned her first “Qwickie” (novella) for Imajin Books™ new imprint, Imajin Qwickies™. E.Y.E. of the Scorpion is the first in her E.Y.E. Spy Mystery series.

She is now working on her next thriller.

Booklist raves, “Tardif, already a big hit in Canada…a name to reckon with south of the border.”

Cheryl's website: www.cherylktardif.com

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追加情報

出版社
Imajin Books
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ページ
27
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ISBN
9781772230871
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言語
英語
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ジャンル
フィクション/ゴースト
フィクション/ホラー
フィクション/オカルト&超常現象
フィクション/短編(単著)
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コンテンツの保護
これは DRM 保護されたコンテンツです。
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Android 搭載端末で利用できます
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Ancient curses...family feuds...finding a happily ever after can be a real nightmare for the modern witch.

DARKANGEL:

As the future prima, or head witch of her clan, Angela McAllister is expected to bond with her consort, her soul mate, during her twenty-first year, thus ensuring that she will come into her full powers at the appointed time. The clock is ticking down, and her consort has yet to make an appearance. Instead, her dreams are haunted by a man she’s never seen, the one she believes must be her intended match.

But with time running out, and dark forces attempting to seize her powers for their own, Angela is faced with a terrible choice: give up her dreams of the man she may never meet and take the safer path, or risk leaving her clan and everyone in it at the mercy of those who seek their ruin.

DARKNIGHT:

Kidnapped by a rival witch clan, Angela McAllister envisions a dark future for herself until she discovers her captor’s brother is the unknown man who has haunted her dreams since she was a child.

Forced to re-evaluate everything she’s ever known about the Wilcox witches, Angela begins to explore the powerful connection that binds her to Connor Wilcox, despite the generations of hostility between their families and the disapproval of those closest to her.  And when a dark, malignant force arises, Angela knows she must draw on her growing powers as prima to protect enemies and allies alike...even if her choice threatens to tear her new and fragile love apart.

DARKMOON:

One hundred and fifty years ago, a terrible curse descended on the Wilcox clan, dooming generations of women to an early death should they bear a child to the bloodline of Jeremiah Wilcox. Now Angela McAllister is carrying Connor Wilcox’s child, and if she can’t find a way to break the curse, that same doom will fall upon her.

The solution to her dilemma lies somewhere in the past—her own, and that of the woman who cast the curse so many years before. Angela’s quest to find the answers she needs will transform the lives of everyone she knows, Wilcox and McAllister alike, and will forever change everything she has ever believed about herself.

The Witches of Cleopatra Hill is a paranormal romance series set in the ghost town of Jerome, Arizona.

#1 NEW YORK TIMES BESTSELLER • WINNER OF THE MAN BOOKER PRIZE

The long-awaited first novel from the author of Tenth of December: a moving and original father-son story featuring none other than Abraham Lincoln, as well as an unforgettable cast of supporting characters, living and dead, historical and invented

Named One of the Ten Best Books of the Year by The Washington Post, USA Today, and Maureen Corrigan, NPR • One of Time’s Ten Best Novels of the Year • A New York Times Notable Book

February 1862. The Civil War is less than one year old. The fighting has begun in earnest, and the nation has begun to realize it is in for a long, bloody struggle. Meanwhile, President Lincoln’s beloved eleven-year-old son, Willie, lies upstairs in the White House, gravely ill. In a matter of days, despite predictions of a recovery, Willie dies and is laid to rest in a Georgetown cemetery. “My poor boy, he was too good for this earth,” the president says at the time. “God has called him home.” Newspapers report that a grief-stricken Lincoln returns, alone, to the crypt several times to hold his boy’s body.

From that seed of historical truth, George Saunders spins an unforgettable story of familial love and loss that breaks free of its realistic, historical framework into a supernatural realm both hilarious and terrifying. Willie Lincoln finds himself in a strange purgatory where ghosts mingle, gripe, commiserate, quarrel, and enact bizarre acts of penance. Within this transitional state—called, in the Tibetan tradition, the bardo—a monumental struggle erupts over young Willie’s soul.

Lincoln in the Bardo is an astonishing feat of imagination and a bold step forward from one of the most important and influential writers of his generation. Formally daring, generous in spirit, deeply concerned with matters of the heart, it is a testament to fiction’s ability to speak honestly and powerfully to the things that really matter to us. Saunders has invented a thrilling new form that deploys a kaleidoscopic, theatrical panorama of voices to ask a timeless, profound question: How do we live and love when we know that everything we love must end?

“A luminous feat of generosity and humanism.”—Colson Whitehead, The New York Times Book Review

“A masterpiece.”—Zadie Smith
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