When Allison Banks develops a crush on Dana Stevens, she knows that he will give her what she needs most: attention, gentleness, kindness, passion. Her daughter, Carly, enthusiastically witnesses the change in her mother. But then a few months into their relationship, Dana tells Allison his secret: he has always been certain that he is a woman born into the wrong skin, and soon he will have a sex-change operation. Allison, overwhelmed by the depth of her passion, finds herself unable to leave Dana. By deciding to stay, she finds she must confront questions most people never even consider. Not only will her own life and Carly’ s be irrevocably changed, she will have to contend with the outrage of a small Vermont community and come to terms with her lover’s new body–hoping against hope that her love will transcend the physical.
“Readers who can’t get enough of Maisie Dobbs, the intrepid World War I battlefield nurse in Jacqueline Winspear’s novels…are bound to be caught up in the adventures of Bess Crawford.”
—New York Times Book Review
Charles Todd, author of the resoundingly acclaimed Ian Rutledge crime novels (“One of the best historical series being written today” —Washington Post Book World) debuts an exceptional new protagonist, World War I nurse Bess Crawford, in A Duty to the Dead. A gripping tale of perilous obligations and dark family secrets in the shadows of a nightmarish time of global conflict, A Duty to the Dead is rich in suspense, surprise, and the impeccable period atmosphere that has become a Charles Todd trademark.
Gareth Cadwallader Owen is the Mamur Zapt, the Head of the Khedive’s Secret Police. Unlike his British colleagues, Owen works for the Khedive. His is an uncomfortable perch as agitation for political and social restructuring grows. Furthermore, Owen is married to a pasha’s daughter, Zeinab, herself straddling a cultural divide.
The Khedive has declared a procession: he’ll drive around Cairo with his Ministers. Owen, who has spent his career defusing political time bombs, learns the streets have been made dangerous by threats of real bombs. The first order of business is to ward them off. The second is to ensure the safety of an impending major European delegation to the capital.
But what does it all have to do with Owen’s shiny new motor car?
The nurse Hana, exhausted by death, obsessively tends to her last surviving patient. Caravaggio, the thief, tries to reimagine who he is, now that his hands are hopelessly maimed. The Indian sapper Kip searches for hidden bombs in a landscape where nothing is safe but himself. And at the center of his labyrinth lies the English patient, nameless and hideously burned, a man who is both a riddle and a provocation to his companions—and whose memories of suffering, rescue, and betrayal illuminate this book like flashes of heat lightning.