The essays in The Other Serious examine the signature phenomena of our moment: the way our lives contradict themselves, how exaggeration and excess seep into our collective subconscious, why gender is becoming more rather than less complicated, and how we interact with the material things that surround us. It is a book about the delicacy and bluntness of American life, about how pop culture sticks its finger deeply into the ethical dilemmas of our time, and how to negotiate between the old and the new, the high and the low, the global and the local, the sacred and the profane. At the heart of these reflections lies a central question: What should you do when you don't know what to do?
Taken together, these essays comprise a guide for the overhaul of "the administrativersity" of contemporary American life, a bureaucratic prison where the brain needn't work anymore. These pieces investigate the writer's own way of thinking—putting forth new ideas, questioning them, and urging the reader to adopt the same spirit of critical reexamination.
Christy Wampole is an assistant professor of French at Princeton University. Her research focuses primarily on twentieth and twenty-first century French and Italian literature and thought. She lives in Princeton, New Jersey.
Hailed by the New York Times as one of the most unexpectedly consistently popular bands on the rock charts, Five Finger Death Punch has become the new heavyweight champ of the metal scene. In this high-energy memoir, Jeremy Spencer, the band’s cofounder and drummer, takes us onstage and behind the scenes, on tour and into the studio to tell the band’s story and his own.
Death Punch’d is a detailed in-depth account of the group’s origins and influences, as well as the infighting and tensions that, when channeled properly, result in the music fans love. It is also the hard-charging, laugh-out-loud tale of how a mischievous boy rose from small-town Indiana to rock royalty—and how he nearly destroyed it all for a good time.
Told in his unique, self-deprecating voice, filled with his twisted and humorous take on living the sex, drugs and rock ‘n’ roll dream turned nightmare, and including dozens of photos, Death Punch’d is a lively, no-holds-barred ride and an inspiring cautionary tale that offers lessons for us all.
Whether it’s Zadie Smith’s exotic turban, James Joyce’s wire-framed glasses, or Samuel Beckett’s Wallabees, a writer’s attire often reflects the creative and spiritual essence of his or her work. As a non-linear sensibility has come to dominate modern style, curious trendsetters have increasingly found a stimulating muse in writers—many, like Joan Didion, whose personal aesthetic is distinctly "out of fashion." For decades, Didion has used her work, both her journalism and experimental fiction, as a mirror to reflect her innermost emotions and ideas—an originality that has inspired Millennials, resonated with a new generation of fashion designers and cultural tastemakers, and made Didion, in her eighties, the face of Celine in 2015.
Legendary Authors and the Clothes They Wore examines fifty revered writers—among them Samuel Beckett; Quentin Crisp; Simone de Beauvoir; T.S. Eliot; F. Scott and Zelda Fitzgerald; Malcolm Gladwell; Donna Tartt; John Updike; Oscar Wilde; and Tom Wolfe—whose work and way of dress bears an idiosyncratic stamp influencing culture today. Terry Newman combines illuminating anecdotes about authors and their work, archival photography, first-person quotations from each writer and current designers, little-known facts, and clothing-oriented excerpts that exemplify their original writing style.
Each entry spotlights an author and a signature wardrobe moment that expresses his or her persona, and reveals how it influences the fashion world today. Newman explores how the particular item of clothing or style has contributed to fashion’s lingua franca—delving deeper to appraise its historical trajectory and distinctive effect. Legendary Authors and the Clothes They Wore is an invaluable and engaging look at the writers we love—and why we love what they wear—that is sure to captivate lovers of great literature and sophisticated fashion.
When Freakonomics was first published, the authors started a blog—and they’ve kept it up. The writing is more casual, more personal, even more outlandish than in their books. In When to Rob a Bank, they ask a host of typically off-center questions: Why don’t flight attendants get tipped? If you were a terrorist, how would you attack? And why does KFC always run out of fried chicken?
Over the past decade, Steven D. Levitt and Stephen J. Dubner have published more than 8,000 blog posts on the Freakonomics website. Many of them, they freely admit, were rubbish. But now they’ve gone through and picked the best of the best. You’ll discover what people lie about, and why; the best way to cut gun deaths; why it might be time for a sex tax; and, yes, when to rob a bank. (Short answer: never; the ROI is terrible.) You’ll also learn a great deal about Levitt and Dubner’s own quirks and passions, from gambling and golf to backgammon and the abolition of the penny.