Journey into Dante's nine circles of hell in the epic poem, Inferno. The Divine Comedy, written in the early fourteenth century by Dante Alighieri, continues to be essential reading for lovers of literature. Dante's The Inferno is the first part of his masterpiece, The Divine Comedy. In this epic poem, Dante is led by the poet Virgil into the nine circles of Hell--limbo, lust, gluttony, greed, anger, heresy, violence, fraud, and treachery--culminating in a meeting with Satan himself. Along the way, he meets a number of interesting figures. This edition uses the classic translation by the poet Henry Wadsworth Longfellow (1807-1882). Complete and unabridged, this elegantly designed, clothbound edition features an elastic closure and a new introduction by John Lotherington.
The Divine Comedy is a long narrative poem by Dante Alighieri, begun c. 1308 and completed 1320, a year before his death in 1321. It is widely considered the preeminent work of Italian literature, and is seen as one of the greatest works of world literature. The poem's imaginative vision of the afterlife is representative of the medieval world-view as it had developed in the Western Church by the 14th century. It helped establish the Tuscan language, in which it is written, as the standardized Italian language. It is divided into three parts: Inferno, Purgatorio, and Paradiso.
Dante's immortal vision of Hell shines "as it never did before in English verse" (Edward Mendelson) in Clive James's new translation of Inferno. The most captivating part of perhaps the greatest epic poem ever written, Dante's Inferno still holds the power to thrill and inspire. The medieval equivalent of a thriller, Inferno follows Dante and his faithful guide, Virgil, as they traverse the complex geography of Hell, confronting its many threats, macabre punishments, and historical figures, before reaching the deep chamber where Satan himself resides. Now, in this new translation, Clive James communicates not just the transcendent poetry of Dante's language but also the excitement and terror of his journey through the underworld. Instead of Dante's original terza rima, a form which in English tends to show the strain of composition, James employs fluently linked quatrains, thereby conveying the seamless flow of Dante's poetry and the headlong momentum of the action. As James writes in his introduction, Dante’s great poem "can still astonish us, whether we believe in the supernatural or not. At the very least it will make us believe in poetry."
Dante Alighieri's poetic masterpiece, The Divine Comedy, is a moving human drama, an unforgettable visionary journey through the infinite torment of Hell, up the arduous slopes of Purgatory, and on to the glorious realm of Paradise-the sphere of universal harmony and eternal salvation.
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