In his introduction, James Fenton dicusses the early publication and critical reception of Lawrence's poems, his develpoments as a poet and his use of free verse. This edition also includes a chronology, further reading and appendices, including Lawrence's comments on the work of Walt Whitman.
LADY CHATTERLEY’S LOVER was banned on its publication in 1928, creating a storm of controversy. Lawrence tells the story of Constance Chatterley’s marriage to Sir Clifford, an aristocratic and an intellectual who is paralyzed from the waist down after the First World War. Desperate for an heir and embarrassed by his inability to satisfy his wife, Clifford suggests that she have an affair. Constance, troubled by her husband’s words, finds herself involved in a passionate relationship with their gamekeeper, Oliver Mellors. Lawrence’s vitriolic denunciations of industrialism and class division come together in his vivid depiction of the profound emotional and physical connection between a couple otherwise divided by station and society.
'There was one place in the world that stood solid and did not melt into unreality: the place where his mother was. Everybody else could grow shadowy, almost non-existent to him, but she could not.'
In his quest to find his emotional and independent self, Paul Morel is torn between the strong, Oedipal bond he has with his mother and the relationships he forges as a young adult, with chaste Miriam and the provocative Clara. As Paul matures and struggles with his own and his mother's feelings towards the other women in his life, Lawrence expertly crafts a timeless and universal story of family, love and the relationships that define us.
Set between the 1840s and the early years of the twentieth century The Rainbow tells the story of three generations of the Brangwen family, ancient occupiers of Marsh Farm, Nottinghamshire. Through courting, pregnancy, marriage and defiance Lawrence explores love and the conflicts it brings.